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The Golden Legend (cantata)
''The Golden Legend'' is an 1886 cantata by Arthur Sullivan with libretto by Joseph Bennett (critic), Joseph Bennett, based on the 1851 poem of the same name by Henry Wadsworth Longfellow. The piece premiered at the triennial Leeds Festival (classical music), Leeds Music Festival. At least 17 performances of the cantata were given in Britain during the first year after its premiere in October 1886, and during Sullivan's lifetime it was widely considered his greatest and most successful work of serious music. Indeed, outside of the comic operas with W. S. Gilbert, this cantata was widely regarded as Sullivan's most successful large-scale composition. A few days after the first performance, Gilbert wrote to Sullivan, "I congratulate you heartily on the success of the Cantata which appears from all accounts to be the biggest thing you've done." In May 1888, there was a performance of the work at the Royal Albert Hall by command of Queen Victoria. She sent for Sullivan after the pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cor Anglais
The cor anglais (, or original ; plural: ''cors anglais''), or English horn in North America, is a double-reed woodwind instrument in the oboe family. It is approximately one and a half times the length of an oboe, making it essentially an alto oboe in F. The cor anglais is a transposing instrument pitched in F, a perfect fifth lower than the oboe (a C instrument). This means that music for the cor anglais is written a perfect fifth higher than the instrument sounds. The fingering and playing technique used for the cor anglais are essentially the same as those of the oboe, and oboists typically double on the cor anglais when required. The cor anglais normally lacks the lowest B key found on most oboes, and so its sounding range stretches from E3 (written B) below middle C to C6 two octaves above middle C. Description and timbre The pear-shaped bell (called Liebesfuß) of the cor anglais gives it a more covered timbre than the oboe, closer in tonal quality to the oboe d' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucifer
Lucifer is one of various figures in folklore associated with the planet Venus. The entity's name was subsequently absorbed into Christianity as a name for the devil. Modern scholarship generally translates the term in the relevant Bible passage ( Isaiah 14:12), where the Greek Septuagint reads ὁ ἑωσφόρος ὁ πρωὶ, as "morning star" or "shining one" rather than as a proper noun, Lucifer, as found in the Latin Vulgate. As a name for the Devil in Christian theology, the more common meaning in English, "Lucifer" is the rendering of the Hebrew word he, הֵילֵל, hêlēl, label=none, (pronunciation: ''hay-lale'') in Isaiah given in the King James Version of the Bible. The translators of this version took the word from the Latin Vulgate, Originally published New York: The MacMillan Co., 1923. which translated by the Latin word (uncapitalized), meaning "the morning star", "the planet Venus", or, as an adjective, "light-bringing". As a name for the planet in its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Strasbourg Cathedral
Strasbourg Cathedral or the Cathedral of Our Lady of Strasbourg (french: Cathédrale Notre-Dame de Strasbourg, or ''Cathédrale de Strasbourg'', german: Liebfrauenmünster zu Straßburg or ''Straßburger Münster''), also known as Strasbourg Minster, is a Catholic cathedral in Strasbourg, Alsace, France. Although considerable parts of it are still in Romanesque architecture, it is widely consideredSusan Bernstein''Goethe's Architectonic Bildung and Buildings in Classical Weimar'' The Johns Hopkins University Press to be among the finest examples of Rayonnant Gothic architecture. Architect Erwin von Steinbach is credited for major contributions from 1277 to his death in 1318, and beyond through his son Johannes von Steinbach, and his grandson Gerlach von Steinbach, who succeeded him as chief architects. The Steinbachs's plans for the completion of the cathedral were not followed through by the chief architects who took over after them, and instead of the originally envisioned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Watkin-Mills
Robert Watkin-Mills (March 4, 1849 – December 10, 1930) was an English bass-baritone concert singer of the late Victorian era who in his later career moved to Canada. An early recording artist, he recorded selections from the works of Schumann, Handel, Wagner, Gounod and Mendelssohn for Pathé Records (1903) and Odeon Records (1907-8). Early life and career Born in Painswick in Gloucestershire, he was the son of Mary Watkins (born 1817) and Thomas Mills (1819 – 1883). In 1869 he married Elizabeth Hore (1850-after 1891). Robert Watkin-Mills studied singing with Samuel Sebastian Wesley in Gloucestershire, Edwin Holland in London, and Federico Blasco in Milan. He made his professional singing debut at The Crystal Palace in May 1884 in a concert with Sims Reeves. In 1886, he sang the role of the Forester in the premiere of Arthur Sullivan's cantata ''The Golden Legend'' at the triennial Leeds Festival. He also sang in the 1893 premiere of Ethel Smyth's '' Mass in D'' at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic King
Frederic King (3 January 1853 – 20 May 1933) was a baritone best known for his performances in the works composed by Arthur Sullivan for the Leeds Festivals of 1880 and 1886. Later, he taught singing for 42 years at the Royal College of Music. Early life and concert career Born in Lichfield, the son of Thomas and Mary King, Frederic King was baptised on 13 January 1853 at St Michael's church in Lichfield. He worked in an auction house before joining the concert agents Messrs Harrison. He made his professional debut in a ballad concert at St James's Hall in 1878 and launched a successful career as a platform singer in baritone roles. He married Eva Hume (born 1863) in London in 1882, and they had two children, Mary Eva Oakley King (1883–1955) and Ernest Archibald Frederic King (1888–1973). King created the role of Callias, the Priest of Apollo, in the first performance of Arthur Sullivan's oratorio ''The Martyr of Antioch'' at the triennial Leeds Festivals in 1880. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Lloyd (singer)
Edward Lloyd (7 March 1845 – 31 March 1927) was a British tenor singer who excelled in concert and oratorio performance, and was recognised as a legitimate successor of John Sims Reeves as the foremost tenor exponent of that genre during the last quarter of the nineteenth century. Early training in choral tradition Edward Lloyd was born in London, into a musical family. His father had, by invitation, assisted as a counter-tenor on 'Show Sundays' at Worthing when choral concerts were directed by the fourteen-year-old Sims Reeves. Young Lloyd began singing as a chorister at Westminster Abbey, and in 1866 became a member of both Trinity College and King's College chapels in the University of Cambridge. In 1869 he joined the choir of St Andrew's, Wells Street (under Barnby) and was engaged for the Chapel Royal in 1869–71. In 1871 he sang in the St Matthew Passion at the Gloucester Festival, and came prominently to public attention. He never sang in the theatre, possibly because ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Monach Patey
Janet Monach Patey (''née'' Whytock; 1 May 1842 – 28 February 1894) was an English concert and oratorio contralto. She was born Janet Monach Whytock in London in 1842. She had a fine alto voice, which developed into a contralto, and she studied singing under John Wass, Ciro Pinsuti and Emma Lucombe (wife of Sims Reeves). Whytock's first appearance, in 1860, was made at Birmingham under the name Ellen Andrews. Her first regular engagement was in 1865, in the provinces. From 1866, in which year she sang at the Worcester Festival, and married John Patey, a bass singer, she was recognized as one of the leading contraltos; and on the retirement of Helen Sainton-Dolby in 1870 Patey was without a rival whether in oratorio or in ballad music. She toured in America in 1871, sang in Paris in 1875, Australia in 1890, and New Zealand in 1891. She died at Sheffield on 28 February 1894 and is buried in Brompton Cemetery, London. Her daughter was Ethel Patey, the artist, who under her marr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contralto
A contralto () is a type of classical female singing voice whose vocal range is the lowest female voice type. The contralto's vocal range is fairly rare; similar to the mezzo-soprano, and almost identical to that of a countertenor, typically between the F below middle C (F3 in scientific pitch notation) to the second F above middle C (F5), although, at the extremes, some voices can reach the D below middle C (D3) or the second B above middle C (B5). The contralto voice type is generally divided into the coloratura, lyric, and dramatic contralto. History "Contralto" is primarily meaningful only in reference to classical and operatic singing, as other traditions lack a comparable system of vocal categorization. The term "contralto" is only applied to female singers; men singing in a similar range are called " countertenors". The Italian terms "contralto" and " alto" are not synonymous, "alto" technically denoting a specific vocal range in choral singing without regard to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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