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The Giuseppi Logan Quintet
''The Giuseppi Logan Quintet'' is an album by American jazz saxophonist Giuseppi Logan, recorded in September 2009 and released in 2010 on the Tompkins Square label. The album, which includes five Logan originals and three standards, marks Logan's first recorded appearance following a hiatus of over 40 years, and features two of his collaborators from the 1960s, pianist Dave Burrell and drummer Warren Smith, along with bassist Francois Grillot and trumpeter / bass clarinetist Matt Lavelle. (Lavelle was largely responsible for bringing Logan back into the music world.) The recording came about after Josh Rosenthal, who runs Tompkins Square Records, heard Logan playing in Tompkins Square Park and offered him a recording deal with an advance. Rosenthal recalled: "The main thing for me, to be honest, was just to make Giuseppi feel good and to give him some money and some CDs to sell in the park... He made his first record in 45 years, and that was enough. But the record was surprising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppi Logan
Giuseppi Logan (May 22, 1935 – April 17, 2020) was a jazz musician, originally from Philadelphia, Pennsylvania, who taught himself to play piano and drums before switching to reeds at the age of 12. At the age of 15 he began playing with Earl Bostic and later studied at the New England Conservatory. In 1964 he relocated to New York and became active in the free jazz scene. Biography Logan played alto and tenor saxophone, bass clarinet, flute, piano and oboe. He collaborated with Archie Shepp, Pharoah Sanders and Bill Dixon before forming his own quartet made up of pianist Don Pullen, bassist Eddie Gómez and percussionist Milford Graves. After Pullen's departure, pianist Dave Burrell joined the group. Logan was a member of Byard Lancaster's band and toured with and appeared on records by Patty Waters. He recorded two albums for the ESP-Disk record label and later appeared on an album by Roswell Rudd on the Impulse! label. A 1965 press release from ESP-Disk indicates that a thir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliott Sharp
Elliott Sharp (born March 1, 1951) is an American contemporary classical composer, multi-instrumentalist, and performer. A central figure in the avant-garde and experimental music scene in New York City since the late 1970s, Sharp has released over eighty-five recordings ranging from contemporary classical, avant-garde, free improvisation, jazz, experimental, and orchestral music to noise, no wave, and electronic music. He pioneered the use of personal computers in live performance with his ''Virtual Stance'' project of the 1980s. He has used algorithms and fibonacci numbers in experimental compositionAmbrose, PElliott Sharp's Instrumental Vision The Morning News, October 4, 2005 since the 1970s.Tessalation Row, Elliott Sharp with the Soldier String Quartet All Music Guide He has cited literature as an inspiration for his music and often favors improvisation. He is an inveterate performer, playing mainly guitar, saxophone and bass clarinet. Sharp has led many ensembles over th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the '' Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Freeloader
"Freddie Freeloader" is a composition by Miles Davis and is the second track on his 1959 album ''Kind of Blue''. The piece takes the form of a twelve-bar blues in B, but the chord over the final two bars of each chorus is an A7, not the traditional B7 followed by either F7 for a turnaround or some variation of B7 for an ending. Davis employed Wynton Kelly as the pianist for this track in place of Bill Evans, as Kelly was something of a blues specialist. The solos are by Kelly, Miles Davis, John Coltrane, Cannonball Adderley and Paul Chambers. The origin of the title is disputed. Jon Hendricks and ''Kind of Blue'' chronicler Ashley Kahn claim that Fred Tolbert was a Philadelphia bartender whose business card read "Freddie the Freeloader". According to the documentary ''Kind of Blue: Made in Heaven'', and an anecdote from the jazz pianist Monty Alexander, the piece was named after an individual named Freddie who would frequently try to see the music Davis and others performed with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", " Bewitched, Bothered and Bewildered", and " My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years.< ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including '' Pal Joey'', '' A Connecticut Yankee'', '' On Your Toes'' and '' Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', '' Flower Drum Song'', '' Carousel'', ''South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for bringing the Broadway musical to a new maturity by telling stories that were focused on characters and drama rathe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Moon (1934 Song)
"Blue Moon" is a popular song written by Richard Rodgers and Lorenz Hart in 1934 that has become a standard ballad. Early recordings included those by Connee Boswell and by Al Bowlly in 1935. The song was a hit twice in 1949, with successful recordings in the U.S. by Billy Eckstine and Mel Tormé. In 1961, "Blue Moon" became an international number-one hit for the doo-wop group The Marcels, on the ''Billboard'' 100 chart and in the UK Singles Chart, and later that same year, an instrumental version by The Ventures charted at No. 54. Over the years, "Blue Moon" has been covered by many artists, including versions by Frank Sinatra, Jo Stafford, Ella Fitzgerald, Under the Streetlamp, Ray Stevens, Billie Holiday, Al Bowlly, Amália Rodrigues, Elvis Presley, Bobby Vinton, Sam Cooke, The Platters, The Mavericks, Dean Martin, Yvonne De Carlo, The Supremes, Cyndi Lauper, New Edition, Bob Dylan, Chromatics, and Rod Stewart. Bing Crosby included the song in a medley on his album '' O ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yip Harburg
Edgar Yipsel Harburg (born Isidore Hochberg; April 8, 1896 – March 5, 1981) was an American popular song lyricist and librettist who worked with many well-known composers. He wrote the lyrics to the standards "Brother, Can You Spare a Dime?" (with Jay Gorney), " April in Paris", and " It's Only a Paper Moon", as well as all of the songs for the film ''The Wizard of Oz'', including " Over the Rainbow". He was known for the social commentary of his lyrics, as well as his leftist leanings. He championed racial and gender equality and union politics. He also was an ardent critic of religion. Early life and career Harburg, the youngest of four surviving children (out of ten), was born Isidore Hochberg on the Lower East Side of New York City on April 8, 1896.Yip Harburg: Biography from Answers.com Retrieved January 2, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including " Over the Rainbow", Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the RIAA and the NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band as a young man. He achieved some local success as a pianist and singer before moving to New York City in his early twenties, where he worked as an accompanist in vaudeville and changed his name to Harold Arlen. Between 1926 and about 1934, Arlen appeared occasionally as a band vocalist on records by The Buffalodians, Red Nichols, Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All About Jazz
''All About Jazz'' is a website established by Michael Ricci in 1995. A volunteer staff publishes news, album reviews, articles, videos, and listings of concerts and other events having to do with jazz. Ricci maintains a related site, ''Jazz Near You'', about local concerts and events. The Jazz Journalists Association voted ''All About Jazz'' Best Website Covering Jazz for thirteen consecutive years between 2003 and 2015, when the category was retired. In 2015, Ricci said the site received a peak of 1.3 million readers per month in 2007. Another source said that the site has over 500,000 readers around the world. Ricci was born in Philadelphia. He heard classical and jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a majo ... from his father's music collection. He played trumpet and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
