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The English Traveler
''The English Traveller'' is a seventeenth-century tragicomedy in five acts written by Thomas Heywood, and named as such by the playwright. The play was first performed around the year 1627, and the first printed edition came out in 1633. Consisting of two mostly self-contained, but thematically connected plots, one tragic and one comic, it trafficks in the elements of both city comedy and domestic tragedy. In the tragic plot, the recently returned traveler Young Geraldine contemplates forbidden love with the wife of his father's friend Wincott. In the comic plot, the rascal servant Reignald attempts an elaborate cover-up for Young Lionell's drunken party once his father returns from his mercantile voyages. Critics have recognized this as an important work of drama for its generic experimentation, for its investigation of the relationship between appearances and reality, and for its commentary on Renaissance households. Performance and publication The play was first performed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragedy, tragic and comedy, comic forms. Most often seen in drama, dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical antiquity, classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics (Aristotle), Poetics'', he discusses tragedy with a dual ending. In this respect, a number of An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Heywood
Thomas Heywood (early 1570s – 16 August 1641) was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece ''A Woman Killed with Kindness'', a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived. Early years Few details of Heywood's life have been documented with certainty. Most references indicate that the county of his birth was most likely Lincolnshire, while the year has been variously given as 1570, 1573, 1574 and 1575. It has been speculated that his father was a country parson and that he was related to the half-century-earlier dramatist John Heywood, whose death year is, again, uncertain, but indicated as having occurred not earlier than 1575 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
City Comedy
City comedy, also known as citizen comedy, is a genre of comedy in the English early modern theatre. Definition Emerging from Ben Jonson's late-Elizabethan comedies of humours (1598–1599), the conventions of city comedy developed rapidly in the first decade of the Jacobean era, as one playwright's innovations were soon adopted by others, such that by about 1605 the new genre was fully established. Its principal playwrights were Jonson himself, Thomas Middleton, and John Marston, though many others also contributed to its development, including Thomas Heywood, Thomas Dekker, John Day, and John Webster. Once the companies of boy players—the Children of Paul's and the Children of the Chapel—had resumed public performances from 1600 onwards, most of their plays were city comedies. The closest that William Shakespeare's plays come to the genre is the slightly earlier ''The Merry Wives of Windsor'' (c. 1597), which is his only play set entirely in England; it avoids the ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Domestic Tragedy
In English drama, a domestic tragedy is a tragedy in which the tragic protagonists are ordinary middle-class or working-class individuals. This subgenre contrasts with classical and Neoclassical tragedy, in which the protagonists are of kingly or aristocratic rank and their downfall is an affair of state as well as a personal matter. These plays were in particular contrast to De casibus tragedy like De casibus virorum illustrium by Giovanni Boccaccio The Ancient Greek theorist Aristotle had argued that tragedy should concern only great individuals with great minds and souls, because their catastrophic downfall would be more emotionally powerful to the audience; only comedy should depict middle-class people. Domestic tragedy breaks with Aristotle's precepts, taking as its subjects merchants or citizens whose lives have less consequence in the wider world. In Britain, the first domestic tragedies were written in the English Renaissance; one of the first was '' Arden of Faversham ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors of the Caroline era in London, England. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I of England, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since opening it in 1617; it was with Queen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stationers' Register
The Stationers' Register was a record book maintained by the Stationers' Company of London. This was a trade guild given a royal charter in 1557 to regulate the various professions associated with England's publishing industry, including printers, bookbinders, booksellers, and publishers. The company's charter gave it the right to seize illicit editions of published works and to bar the publication of unlicensed books, and allowed publishers to document their right to produce a particular printed work in the register, which thus constituted an early form of copyright law. For the study of English literature of the later 16th and the 17th centuries (covering the Elizabethan, Jacobean, and Caroline eras), and especially for English Renaissance theatre, the Stationers' Register is a crucial and essential resource: it provides factual information and hard data that is available nowhere else. Together with the records of the Master of the Revels (which relate to dramatic perform ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Okes
Nicholas Okes (died 1645) was an English printer in London of the Jacobean and Caroline eras, remembered for printing works of English Renaissance drama. He was responsible for early editions of works by many of the playwrights of the period, including William Shakespeare, Ben Jonson, John Webster, Thomas Middleton, Thomas Dekker, Thomas Heywood, James Shirley, and John Ford. Life and work Okes was the son of a "horner," a man who made hornbooks for the elementary education of small children; Okes's grandfather may have been a lute player. Nicholas Okes began his apprenticeship with printer Richard Field at Christmas 1595. He was made a "freeman" (full member) of the Stationers Company on 5 December 1603. His career advanced in 1606, in connection with the printing establishment of George and Lionel Snowden; Lionel left the firm and Okes took the man's place as George Snowden's partner (29 January 1606). Snowden, in turn, left the business on 13 April 1607, when Okes bough ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Edition
''Early Edition'' is an American fantasy comedy-drama television series that aired on CBS from September 28, 1996, to May 27, 2000. Set in Chicago, Illinois, it follows the adventures of a man who mysteriously receives each ''Chicago Sun-Times'' newspaper the day before it is actually published, and who uses this knowledge to prevent terrible events every day. Created by Ian Abrams, Patrick Q. Page, and Vik Rubenfeld, the series starred actor Kyle Chandler as Gary Hobson, and it featured many real Chicago locations over the course of the series' run. The show was canceled on May 27, 2000, after 90 episodes were made, and it began airing in syndication on Fox Family Channel that same month. Fan conventions about the show were held for multiple years. CBS Home Entertainment released the first two seasons on the DVD format in the United States in 2008 and 2009. Plot summary The show chronicles the life of Gary Hobson, a resident of Chicago, Illinois, who mysteriously receives ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Title Page
The title page of a book, thesis or other written work is the page at or near the front which displays its title (publishing), title, subtitle, author, publisher, and edition, often artistically decorated. (A half title, by contrast, displays only the title of a work.) The title page is one of the most important parts of the "front matter" or "preliminaries" of a book, as the data on it and its verso (together known as the "title leaf") are used to establish the "title proper and usually, though not necessarily, the statement of responsibility and the data relating to publication". This determines the way the book is cited in library catalogs and academic references. The title page often shows the title of the work, the person or body responsible for its intellectual content, and the imprint, which contains the name and address of the book's publisher and its date of publication. Particularly in paperback editions it may contain a shorter title than the cover or lack a descriptiv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admission, to this more ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Woman Killed With Kindness
''A Woman Killed with Kindness'' is an early seventeenth-century stage play, a tragedy written by Thomas Heywood. Acted in 1603 and first published in 1607, the play has generally been considered Heywood's masterpiece, and has received the most critical attention among Heywood's works. Along with the anonymous '' Arden of Faversham,'' Heywood's play has been regarded as the apex of Renaissance drama's achievement in the subgenre of bourgeois or domestic tragedy. The play was originally performed by Worcester's Men, the company for which Heywood acted and wrote in the early Jacobean era. The records of Philip Henslowe show that Heywood was paid £6 for the play in February and March 1603. The 1607 quarto was printed by William Jaggard for the bookseller John Hodgets. A second quarto was issued in 1617 by William Jaggard's son Isaac Jaggard. The plot of Heywood's play derives from an Italian novel by Illicini, which was translated into English and published in ''The Palace o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plautus
Titus Maccius Plautus ( ; 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andronicus, the innovator of Latin literature. The word Plautine () refers to both Plautus's own works and works similar to or influenced by his. Biography Not much is known about Titus Maccius Plautus's early life. It is believed that he was born in Sarsina, a small town in Emilia Romagna in northern Italy, around 254 BC.''The Concise Oxford Companion to Classical Literature'' (1996) Ed. M.C. Howatson and Ian Chilvers, Oxford University Press, Oxford Reference Online According to Morris Marples, Plautus worked as a stage-carpenter or scene-shifter in his early years. It is from this work, perhaps, that his love of the theater originated. His acting talent was eventually discovered; and he adopted the nomen "Maccius" (from Maccus, a clownis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
