|
The Cooker
''The Cooker'' is an album by American jazz trumpeter Lee Morgan recorded on September 29, 1957, and released on Blue Note in January 1958. The quintet features saxophonist Pepper Adams and rhythm section Bobby Timmons, Paul Chambers and Philly Joe Jones. Background Recording and composition Recorded and released while Morgan was still just nineteen years old, ''The Cooker'' is the first album to feature his own original compositions, as well as the first without any compositions written by Benny Golson. Style ''The Cooker'' is considered a demonstration of Morgan's early bebop virtuosity, with its frequent double time improvisational lines. It is also noted for performance trademarks which would later come to typify Morgan's style, such as clipped notes, upward slurs, half-valving, and triple-tonguing. Reception The AllMusic review by Scott Yanow states, "Morgan plays remarkably well for his age (already ranking just below Dizzy Gillespie and Miles Davis), makin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Morgan
Edward Lee Morgan (July 10, 1938 – February 19, 1972) was an American jazz trumpeter and composer. One of the key hard bop musicians of the 1960s, Morgan came to prominence in his late teens, recording on John Coltrane's '' Blue Train'' (1957) and with the band of drummer Art Blakey before launching a solo career. Morgan stayed with Blakey until 1961 and started to record as leader in the late '50s. His song " The Sidewinder", on the album of the same name, became a surprise crossover hit on the pop and R&B charts in 1964, while Morgan's subsequent recordings found him touching on other styles of music such as post-bop and avant-garde jazz as his artistry matured. Soon after '' The Sidewinder'' was released, Morgan rejoined Blakey for a short period. After leaving Blakey for the final time, Morgan continued to work prolifically as both a leader and a sideman with the likes of Hank Mobley and Wayne Shorter, becoming a cornerstone of the Blue Note label. Morgan died at t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as All-Music Guide by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reid Miles
Reid Miles (July 4, 1927 – February 2, 1993) was an American graphic designer and photographer best known for his work for Blue Note Records in the 1950s and 1960s. Biography Reid Miles was born in Chicago, Illinois, on July 4, 1927 but, following the Stock Market Crash and the separation of his parents, moved with his mother to Long Beach, California, in 1929.The Cover Art Of Blue Note Records by Graham Marsh and Glyn Callingham After high school Miles joined the Navy and, following his discharge, moved to Los Angeles to enroll at Chouinard Art Institute. After working in New York City in the early 1950s for John Hermansader and ''Esquire'' magazineRichard Cook ''Blue Note Records The Biography'', and Margaret Hockaday's advertising firm, Miles was hired in his own right around 1955 by Francis Wolff of the jazz record label Blue Note to design album covers when the label began releasing their recordings on 12" LPs. Miles designed over five hundred covers, frequently ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Van Gelder
Rudolph Van Gelder (November 2, 1924 – August 25, 2016) was an American recording engineer who specialized in jazz. Over more than half a century, he recorded several thousand sessions, with musicians including John Coltrane, Miles Davis, Thelonious Monk, Sonny Rollins, Art Blakey, Lee Morgan, Joe Henderson, Freddie Hubbard, Wayne Shorter, Horace Silver, Herbie Hancock and Grant Green. He worked with many different record companies, and recorded almost every session on Blue Note Records from 1953 to 1967. He worked on albums including John Coltrane's '' A Love Supreme'', Miles Davis's '' Walkin''', Herbie Hancock's '' Maiden Voyage'', Sonny Rollins's '' Saxophone Colossus'', and Horace Silver's '' Song for My Father''. He is regarded as one of the most influential engineers in jazz. Early life Van Gelder was born in Jersey City, New Jersey. His parents, Louis Van Gelder and the former Sarah Cohen, ran a women's clothing store in Passaic. His interest in microphones and ele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ram Ramirez
Roger "Ram" Ramirez (September 15, 1913 – 11 January 1994) was a Puerto Rican jazz pianist and composer. He was a co-composer of the song " Lover Man (Oh, Where Can You Be?)" Early life Ramirez was born in San Juan, Puerto Rico on September 15, 1913. He grew up in New York and started playing the piano at a young age. Later life and career Ramirez's first professional performances were in the early 1930s. In 1933 he played with Monette Moore, then with Rex Stewart and Sid Catlett in New York. He joined Willie Bryant in 1935, and toured Europe with Bobby Martin in 1937. During the first half of the 1940s Ramirez played with Ella Fitzgerald, Frankie Newton, Charlie Barnet, John Kirby, and Catlett, in addition to leading his own band. Ramirez wrote " Lover Man (Oh, Where Can You Be?)" in 1942, which became a jazz standard following Billie Holiday's recording of it two years later. He was a freelance into the mid-1950s, when he added electronic organ to his instruments. In 1953 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Davis (songwriter)
James Edward Davis (1915 – 1997) was an American songwriter, composer, singer, pianist and actor. He co-wrote the song " Lover Man (Oh, Where Can You Be?)". Davis was born in Madison, Georgia. He and his family moved to Gary, Illinois, and then to Englewood, New Jersey, where he completed his high school education. Being musically gifted, he was accepted into the Juilliard School in New York to study piano and composition, his fees being paid by a benefactress. In the late 1930s he wrote the song "Lover Man (Oh, Where Can You Be?)" with Ram Ramirez but could not initially place it, until he offered it to Billie Holiday in 1942. Because of the 1942–44 musicians' strike Holiday didn't record the song until October 1944, and although at first only a minor hit it soon achieved widespread success and went on to become a jazz standard, recorded by numerous artists including Linda Ronstadt, Barbra Streisand and Petula Clark. During the early 1940s Davis struggled to make a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lover Man
"Lover Man (Oh, Where Can You Be?)" (often called simply "Lover Man") is a 1941 popular song written by Jimmy Davis, Roger ("Ram") Ramirez, and James Sherman. It is particularly associated with Billie Holiday, for whom it was written, and her version was inducted into the Grammy Hall of Fame in 1989. Holiday's version reached No. 5 on the R&B chart and No. 16 on pop in 1945. In July 1946, Charlie Parker recorded a rendition of "Lover Man" while he was intoxicated. Dial Records producer Ross Russell had to hold him up to the microphone during the recording. Sonny Stitt played the song many times on alto saxophone in a virtuoso way, in the original key of D flat. Most jazz musicians play the song nevertheless in F. Barbra Streisand recorded a version for her album Simply Streisand in 1967, her version peaked #29 at Billboard Adult Contemporary chart. Cover versions *Sarah Vaughan recorded the song for the Guild label in 1945 with backing by an instrumental ensemble that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, '' Kiss Me, Ka ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just One Of Those Things (song)
"Just One of Those Things" is a popular song written by Cole Porter for the 1935 musical ''Jubilee''. Porter had written the score for ''Jubilee'' while on an extended sea cruise in the early part of 1935: however, in September 1935 while he was visiting a friend's farm in Ohio with ''Jubilees librettist Moss Hart, the latter mentioned that the play's second act required an additional song, and Porter had "Just One of Those Things" completed by the following morning (he had previously used the title for a song intended for but not featured in the 1930 musical '' The New Yorkers''—apart from the title the two songs are distinct). Porter's original lyric lacked an adjective for the line "a trip to the moon on ''gossamer'' wings": "gossamer" would be suggested by his friend, Ed Tauch. A recording by Richard Himber reached the charts of the day in 1935 and Peggy Lee's stylized arrangement of the song was a No. 14 hit in the Billboard charts in 1952. Other recordings The song has b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frank Paparelli
Frank Paparelli (* December 25, 1917 in Providence, Rhode Island; † May 24, 1973 in Los Angeles, California) was an American Jazz pianist, Composer and Author. He was a pianist in Dizzy Gillespie's band during the mid-1940s, and is notable as the co-writer (with Gillespie) of the bebop standard " A Night in Tunisia" and "Blue 'n' Boogie". Publications *''The Blues and how to Play 'em''. Piano method book. New York, Leeds Music 1942 *Don Raye/Frank Paparelli: ''Piano Music – (That Place) Down the Road a Piece''. D. Davis & Co. 1943. *''Nat 'King' Cole – Piano Capers'', Transcribed and Edited by Frank Paparelli. New York: Leeds Music Ltd. 1946 *''2 to the Bar - Dixieland Piano Method''. New York City, Leeds Music Corporation 1946 *''Thelonious Monk, Dizzy Gillespie – 52nd Street Theme - Be-Bop (New Jazz)'', arranged by Frank Paparelli. London, Bosworth & Co 1948 *''Dizzy Gillespie, Gil Fuller, Jay Roberts – Oop Bop SH-Bam - Be-Bop (New Jazz)'', arranged by Frank Paparell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Night In Tunisia
"A Night in Tunisia" is a musical composition written by Dizzy Gillespie around 1940–42, while Gillespie was playing with the Benny Carter band. It has become a jazz standard. It is also known as "Interlude", and with lyrics by Raymond Leveen was recorded by Sarah Vaughan in 1944. Composition Gillespie called the tune "Interlude" and said "some genius decided to call it 'Night in Tunisia'". He said the tune was composed at the piano at Kelly's Stables in New York. He gave Frank Paparelli co-writer credit in compensation for some unrelated transcription work, but Paparelli had nothing to do with the song. "A Night in Tunisia" was one of the signature pieces of Gillespie's bebop big band, and he also played it with his small groups. In January 2004, The Recording Academy added the 1946 Victor recording by Gillespie to the Grammy Hall of Fame. On the album '' A Night at Birdland Vol. 1'', Art Blakey introduced his 1954 cover version with this statement: "At this time we'd lik ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miles Davis
Miles Dewey Davis III (May 26, 1926September 28, 1991) was an American trumpeter, bandleader, and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Davis adopted a variety of musical directions in a five-decade career that kept him at the forefront of many major stylistic developments in jazz. Born in Alton, Illinois, and raised in East St. Louis, Davis left to study at Juilliard in New York City, before dropping out and making his professional debut as a member of saxophonist Charlie Parker's bebop quintet from 1944 to 1948. Shortly after, he recorded the '' Birth of the Cool'' sessions for Capitol Records, which were instrumental to the development of cool jazz. In the early 1950s, Davis recorded some of the earliest hard bop music while on Prestige Records but did so haphazardly due to a heroin addiction. After a widely acclaimed comeback performance at the Newport Jazz Festival, he signed a long-term co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Lee Morgan")
