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Text Declamation
Text declamation refers to the manner in which a composer sets words to music. Aesthetically, declamation is conceived of as "accurate" (approximating the natural rhythms and patterns of human speech) or not, which informs perceptions about emotional power as expressed through the relationship between words and music. Renaissance composers and word painting Late Renaissance composers in particular were concerned with matching text up with music in such a way that the latter could be said to express the former. Madrigalists used a declamation technique known as word painting (text painting or tone painting) to make musical notes illustrate word meanings, trying literally to paint visual images with sonic materials. Thomas Weelkes' madrigal "As Vesta was from Latmos hill descending" uses word painting throughout to declaim textual meaning:Altas, Allan W. 1998. Renaissance Music: Music in Western Europe, 1400-1600. New York: W.W. Norton, 681. mm 1-9: "Latmos hill" - "hill" is al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lyrics
Lyrics are words that make up a song, usually consisting of verses and choruses. The writer of lyrics is a lyricist. The words to an extended musical composition such as an opera are, however, usually known as a "libretto" and their writer, as a " librettist". The meaning of lyrics can either be explicit or implicit. Some lyrics are abstract, almost unintelligible, and, in such cases, their explication emphasizes form, articulation, meter, and symmetry of expression. Rappers can also create lyrics (often with a variation of rhyming words) that are meant to be spoken rhythmically rather than sung. Etymology The word ''lyric'' derives via Latin ' from the Greek ('), the adjectival form of ''lyre''. It first appeared in English in the mid-16th century in reference to the Earl of Surrey's translations of Petrarch and to his own sonnets. Greek lyric poetry had been defined by the manner in which it was sung accompanied by the lyre or cithara, as opposed to the chanted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music
Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of music vary considerably around the world, though it is an aspect of all human societies, a cultural universal. While scholars agree that music is defined by a elements of music, few specific elements, there is Elements of music#Selection of elements, no consensus on their precise definitions. The creation of music is commonly divided into musical composition, musical improvisation, and musical performance, though the topic itself extends into #Academic study, academic disciplines, Music journalism, criticism, Philosophy of music, philosophy, and Music psychology, psychology. Music may be performed or improvised using a vast range of musical instrument, instruments, including the human voice. In some musical contexts, a performance or composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to medieval music and the new era dated from the rise of triadic harmony and the spread of the ''contenance angloise'' style from the British Isles to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410s or '20s–1497) and Josquin des Prez (late 1450s–1521), and culminating during the Counter-Reformation in the florid counterpoint of Palestrina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Word Painting
Word painting, also known as tone painting or text painting, is the musical technique of composing music that reflects the literal meaning of a song's lyrics or story elements in programmatic music. Historical development Tone painting of words goes at least as far back as Gregorian chant. Musical patterns expressed both emotive ideas and theological meanings in these chants. For instance, the pattern ''fa-mi-sol-la'' signifies the humiliation and death of Christ and his resurrection into glory. ''Fa-mi'' signifies deprecation, while ''sol'' is the note of the resurrection, and ''la'' is above the resurrection, His heavenly glory ("''surrexit Jesus''"). Such musical words are placed on words from the Biblical Latin text; for instance when ''fa-mi-sol-la'' is placed on "''et libera''" (e.g., introit for Sexagesima Sunday) in the Christian faith it signifies that Christ liberates us from sin through his death and resurrection. Word painting developed especially in the late 16th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Weelkes
Thomas Weelkes (baptised 25 October 1576 – 30 November 1623) was an English composer and organist. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services. Life Weelkes was baptised in the little village church of Elsted near Chichester in West Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. He dedicated the volume to George Philpot. Early in his life he was in service at the house of the courtier Edward Darcy. At the end of 1598, probably aged 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrigal (music)
A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th c.) and early Baroque (1600–1750) periods, although revisited by some later European composers. The polyphonic madrigal is unaccompanied, and the number of voices varies from two to eight, but usually features three to six voices, whilst the metre of the madrigal varies between two or three tercets, followed by one or two couplets. Unlike the verse-repeating strophic forms sung to the same music, most madrigals are through-composed, featuring different music for each stanza of lyrics, whereby the composer expresses the emotions contained in each line and in single words of the poem being sung. As written by Italianized Franco–Flemish composers in the 1520s, the madrigal partly originated from the three-to-four voice frottola (1470–1530); partly from composers' renewed interest in poetry written in vernacular Italian; partly from the stylistic influence of the French chanson; and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Imitative Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to "su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oriana
{{Unreferenced, date=December 2009 Oriana is a given name, primarily of a female, that is widespread in Europe. Variants include ''Orianna'', ''Oriane'' or ''Orianne''. Sometimes ''Orian, Oreste'' or ''Dorian'' may be a male given name or a family name, as ''Orians, Oriani'', or '' Doria.'' Possible roots of the name There is the Latin meaning of ''rising'' (as in sunrise; see a similar word root in Orient). Things get even more complicated as in the languages of the Iberian peninsula, namely Spanish and Portuguese, there is the medieval ''Oroana'' or ''Ouroana'', from ''Oro'' or ''Ouro'' meaning Gold, whose origin is the Latin ''Aurum'', and whose root, ''Aur'', may be related to ''Ori''. The Irish version of this name means ' the golden one' and stems from 'Ór' which is the Irish for gold. Notable people Notable people with the name include: *Nickname for English queen Elizabeth I; the Oriana madrigals were written for her. *Oriana Wilson (1876-1945), MBE, British hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Longa (music)
A longa (pl. ''longae'', or sometimes ''longe''), long, quadruple note (Am.), or quadruple whole note is a musical note that could be either twice or three times as long as a breve A breve (, less often , neuter form of the Latin "short, brief") is the diacritic mark ˘, shaped like the bottom half of a circle. As used in Ancient Greek, it is also called , . It resembles the caron (the wedge or in Czech, in ... (Am.: double whole note, or double note), four or six times as long as a semibreve (Am.: whole note), that appears in early music. The number of breves in a long was determined by the "modus" or "mode" of a passage. Sections in perfect mode used three breves to the long while sections in imperfect mode used two breves to the long. Imperfect longs, worth two breves, existed in perfect mode from the earliest sources (late 12th century), while the fourteenth century saw the introduction of perfect longs, worth three breves, in imperfect mode through th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Techniques
Musical is the adjective of music. Musical may also refer to: * Musical theatre, a performance art that combines songs, spoken dialogue, acting and dance * Musical film and television, a genre of film and television that incorporates into the narrative songs sung by the characters * MusicAL, an Albanian television channel * Musical isomorphism, the canonical isomorphism between the tangent and cotangent bundles See also * Lists of musicals * Music (other) * Musica (other) Musica (Latin), or La Musica (Italian) or Música (Portuguese and Spanish) may refer to: Music Albums * '' Musica è'', a mini album by Italian funk singer Eros Ramazzotti 1988 * ''Musica'', an album by Ghaleb 2005 * ), a German album by Giov ... * Musicality, the ability to perceive music or to create music * {{Music disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
