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Longa (music)
A longa (pl. ''longae'', or sometimes ''longe''), long, quadruple note (Am.), or quadruple whole note is a musical note that could be either twice or three times as long as a breve (Am.: double whole note, or double note), four or six times as long as a semibreve (Am.: whole note), that appears in early music. The number of breves in a long was determined by the "modus" or "mode" of a passage. Sections in perfect mode used three breves to the long while sections in imperfect mode used two breves to the long. Imperfect longs, worth two breves, existed in perfect mode from the earliest sources (late 12th century), while the fourteenth century saw the introduction of perfect longs, worth three breves, in imperfect mode through the use of dots of addition (''puncti additiones''). Prior to the innovations of Franco of Cologne in the mid-thirteenth century, the value of the longa was in common usage in both theoretical and practical sources but appeared primarily in pre-mensural ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scorewriter
A scorewriter, or music notation program is software for creating, editing and printing sheet music. A scorewriter is to music notation what a word processor is to text, in that they typically provide flexible editing and automatic layout, and produce high-quality printed results. The first modern score manipulation program was Mockingbird, written by John Maxwell and Severo Ornstein at Xerox PARC in 1980 on a Dorado computer. It preceded MIDI so an electronic keyboard had to be modified to enable interaction (input and playback) with the program. The WYSIWYG program was envisioned as a composer's amanuensis, but as it was an experimental program it never reached beyond PARC, though it influenced commercial programs which soon followed. Most scorewriters, especially those from the 2000s, can record notes played on a MIDI keyboard (or other MIDI instruments), and play music back via MIDI or virtual instruments. Playback is especially useful for novice composers and music s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language '' Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge, Massachusetts
Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. It is a suburb in the Greater Boston metropolitan area, located directly across the Charles River from Boston. The city's population as of the 2020 United States census, 2020 U.S. census was 118,403, making it the most populous city in the county, the List of municipalities in Massachusetts, fourth-largest in Massachusetts behind Boston, Worcester, Massachusetts, Worcester, and Springfield, Massachusetts, Springfield, and List of cities in New England by population, ninth-most populous in New England. The city was named in honor of the University of Cambridge in Cambridge, England, which was an important center of the Puritans, Puritan theology that was embraced by the town's founders. Harvard University, an Ivy League university founded in Cambridge in 1636, is the oldest institution of higher learning in the United States. The Massachusetts Institute of Technology (MIT), Lesley University, and Hult Inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Musical Symbols
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including Pitch (music), pitch, Duration (music), duration, Dynamics (music), dynamics, or articulation (music), articulation of musical notes; tempo, metre (music), metre, Musical form, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which fingers, keys, or pedals are to be used, whether a string instrument should be bowed or plucked, or whether the bow of a string instrument should move up or down). Lines Clefs A clef assigns one particular pitch to one particular line of the staff on which it is placed. This also effectively defines the pitch range or tessitura of the music on that staff. A clef is usually the leftmost symbol on a staff, although a different clef may appear elsewhere to indicate a change in register. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Half Note
In music, a half note (American) or minim (British) is a Musical note, note played for half the duration of a whole note (or semibreve) and twice the duration of a quarter note (or crotchet). It was given its Latin name (''minima'', meaning "least or smallest") because it was the shortest of the five note values used in mensural notation, early medieval music notation. Half notes are notated with a hollow oval notehead like a whole note and straight note stem with no flag (music), flags like a quarter note (see Figure 1). The half rest (or minim rest) denotes a silence of the same duration. Half rest (music), rests are drawn as filled-in rectangles sitting on top of the middle line of the musical staff, although in polyphonic music the rest may need to be moved to a different line or even a ledger line. As with all notes with stems, half notes are drawn with upward stems on the right when they are below the middle line of the staff and downward stems on the left when they are on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LilyPond
LilyPond is a computer program and file format for music engraving. One of LilyPond's major goals is to produce scores that are engraved with traditional layout rules, reflecting the era when scores were engraved by hand. LilyPond is cross-platform, and is available for several common operating systems; released under the terms of the GNU General Public License, LilyPond is free software and part of the GNU Project. History The LilyPond project was started in 1996 by Han-Wen Nienhuys and Jan Nieuwenhuizen, after they decided to abandon work on MPP ( MusiXTeX PreProcessor), a project they began collaborating on in 1995. Its name was inspired both by the Rosegarden project and an acquaintance of Nienhuys and Nieuwenhuizen named Suzanne, a name that means lily in Hebrew (). Version 1.0 LilyPond 1.0 was released on July 31, 1998, highlighting the development of a custom music font, Feta, and the complete separation of LilyPond from MusiXTeX. Version 2.0 LilyPond 2.0 was rele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxima (music)
A maxima, duplex longa, larga (in British usage: large), or octuple whole note was a musical note used commonly in thirteenth and fourteenth century music and occasionally until the end of the sixteenth century. It was usually twice or, rarely, three times as long as a longa, usually four or six or nine times as long as a breve, usually 8, 12, or 18, or, rarely, 27 times as long as a semibreve (whole note), and usually 16, 24, 36, or 54 or, rarely, 81 times as long as a minim (half note). Like the stem of the longa, the stem of the maxima generally pointed downwards except occasionally when it appeared on the bottom line or space. Before around 1430, the maxima was written with a solid, black body. Over the course of the fifteenth century, like most other note values, the head of the maxima became void. In most early sources the duplex longa had twice the body of a longa, but before 1250 there is often no clear difference of shape and the presence of the duplex longa is i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for polyphony, polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values. Its modern name is derived from the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neumes, neume notation throughout the period. Besides these, some solely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franco Of Cologne
Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone. The result was Franconian notation, described most famously in his '' Ars cantus mensurabilis''. Life Some details are known about his life, and more can be inferred. In his own treatise he described himself as the papal chaplain and the preceptor of the Knights Hospitallers of St. John at Cologne, an extremely powerful position in northern Europe in the 13th century. Other documents of the time refer to him as "Franco of Paris" as well as "Franco teutonicus"; since his writing on music is intimately associated with the Notre Dame school of Paris, and his Teutonic origin is mentioned in several sources, he was probabl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
