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Synthetiklezmer
''Synthetiklezmer'' was the first EP release by the Mexican music producer and recording artist Sotelúm. Released during hanukkah 2011, this material is an experimental fusion between sephardic fanfare sounds and klezmer with drum machines and synthesizers A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and ..., the EP counted with the special collaboration of Gustavo Bulgach, Argentine-American clarinetist and bandleader of ''Klezmer Juice'' and ''Yiddish Tango Club''. References {{Authority control 2011 EPs The Klezmatics albums Albums produced by Sotelúm Electronic dance music EPs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sotelúm
Sotelúm (Shlúm «Lúm» Sotelo ; born December 1, 1989, in Tijuana) is a Mod (subculture), modernist and independent music artist, listed by UABC Radio and other local press media as an elemental post-Nortec Collective, nortec visionary in the Mexican ''avant garde'' of electronic music. Career From his early experiences as trumpet player, Sotelúm always expressed his affinity for Folktales of Mexico, Mexican folklore and Hebrew music, especially sephardic music, sephardic brass and klezmer styles. His music career began professionally in 2006 when he joined a mariachi street band on the world-famous ''Santa Cecilia'' square, where he practiced the Mexican music tradition, unnoticed until 2008. From 2008 Sotelúm performed live in many projects including Nortec Panoptica Orchestra, Pato Banton & The Ghostownians and ''S''otelúm & The Minarete Brass Orchestra (his own production). In early 2010, with the help of Pato Banton, Sotelúm founded Share The Light Music and launch h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimal House
Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno. History Microhouse has its roots in the minimal techno, bitpop (both developed in the early 1990s), and house (developed in the early 1980s) genres of music. Its first echoes appeared in a glitch album by German experimental artist Oval, in 1993. Like many contemporary electronic genres, Microhouse has many influences, most notably techno and the "click and pop" garage house that has emerged from Yorkshire Bleeps and Bass (or "Bleep"), bitpop and minimal techno. Contrasting with tech house, which is often thought of as 'house music with elements of techno in its arrangement and instrumentation', microhouse is more aptly described as 'housey minimal techno' – a marriage of the funky and groovy backroom house elements with bitpop and the driving, repetitive sound of techno. Emphasis tended to fall on cushiony kick-drum thumps and the accompanying hi-h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Dance Music
Electronic dance music (EDM), also referred to as dance music or club music, is a broad range of percussive electronic music genres originally made for nightclubs, raves, and List of electronic dance music festivals, festivals. It is generally produced for gapless playback, playback by DJs who create seamless selections of tracks, called a DJ mix, by segueing from one recording to another. EDM producers also perform their music live in a concert or festival setting in what is sometimes called a live PA. Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of Rave music, raving, pirate radio, Party crews, underground festivals, and an upsurge of interest in club culture, EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in the United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Alt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sephardic Music
Sephardic music is an umbrella term used to refer to the music of the Sephardic Jewish community. Sephardic Jews have a diverse repertoire the origins of which center primarily around the Mediterranean basin. In the secular tradition, material is usually sung in dialects of Judeo-Spanish, though other languages including Hebrew, Turkish, Greek, and other local languages of the Sephardic diaspora are widely used. Sephardim maintain geographically unique liturgical and para-liturgical traditions. Songs which are sung by women are traditionally sung while performing household tasks, without accompaniment or harmony. Tambourines and other percussion instruments are sometimes used, especially in wedding songs. Oud and qanún are also used in some instrumentations of Sephardic music, and more modern performers incorporate countless other imported instruments. History Sephardic music has its roots in the musical traditions of the Jewish communities in medieval Spain and medieval Por ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer
Klezmer ( or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman Empire, Ottoman (especially Greek music, Greek and Romanian music, Romanian) music, Baroque music, German and Slavic people, Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sidney Beckerman (musician), Sid Beckerman and Ray Musiker. After t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
EP Album
An extended play (EP) is a musical recording that contains more tracks than a single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm long play (LP), but , also applies to mid-length CDs and downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were vertically cut 78 rpm discs known as "2-in-1" records. These had finer grooves than usual, like Edison Disc Records. By 1949, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Klezmer
Klezmer ( or ) is an instrumental musical tradition of the Ashkenazi Jews of Central and Eastern Europe. The essential elements of the tradition include dance tunes, ritual melodies, and virtuosic improvisations played for listening; these would have been played at weddings and other social functions. The musical genre incorporated elements of many other musical genres including Ottoman Empire, Ottoman (especially Greek music, Greek and Romanian music, Romanian) music, Baroque music, German and Slavic people, Slavic folk dances, and religious Jewish music. As the music arrived in the United States, it lost some of its traditional ritual elements and adopted elements of American big band and popular music. Among the European-born klezmers who popularized the genre in the United States in the 1910s and 1920s were Dave Tarras and Naftule Brandwein; they were followed by American-born musicians such as Max Epstein, Sidney Beckerman (musician), Sid Beckerman and Ray Musiker. After t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Machines
A drum machine is an electronic musical instrument that creates percussion sounds, drum beats, and patterns. Drum machines may imitate drum kits or other percussion instruments, or produce unique sounds, such as synthesized electronic tones. A drum machine often has pre-programmed beats and patterns for popular genres and styles, such as pop music, rock music, and dance music. Most modern drum machines made in the 2010s and 2020s also allow users to program their own rhythms and beats. Drum machines may create sounds using analog synthesis or play prerecorded samples. While a distinction is generally made between drum machines (which can play back pre-programmed or user-programmed beats or patterns) and electronic drums (which have pads that can be struck and played like an acoustic drum kit), there are some drum machines that have buttons or pads that allow the performer to play drum sounds "live", either on top of a programmed drum beat or as a standalone performance. Drum ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizers
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first sold in 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2011 EPs
Eleven or 11 may refer to: *11 (number) * One of the years 11 BC, AD 11, 1911, 2011 Literature * ''Eleven'' (novel), a 2006 novel by British author David Llewellyn *''Eleven'', a 1970 collection of short stories by Patricia Highsmith *''Eleven'', a 2004 children's novel in The Winnie Years by Lauren Myracle *''Eleven'', a 2008 children's novel by Patricia Reilly Giff *''Eleven'', a short story by Sandra Cisneros Music * Eleven (band), an American rock band * Eleven: A Music Company, an Australian record label *Up to eleven, an idiom from popular culture, coined in the movie ''This Is Spinal Tap'' Albums * ''11'' (The Smithereens album), 1989 * ''11'' (Ua album), 1996 * ''11'' (Bryan Adams album), 2008 * ''11'' (Sault album), 2022 * ''Eleven'' (Harry Connick, Jr. album), 1992 * ''Eleven'' (22-Pistepirkko album), 1998 * ''Eleven'' (Sugarcult album), 1999 * ''Eleven'' (B'z album), 2000 * ''Eleven'' (Reamonn album), 2010 * ''Eleven'' (Martina McBride album), 2011 * ''Eleven'' (Mr F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Klezmatics Albums
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albums Produced By Sotelúm
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), vinyl (record), audio tape (like 8-track or cassette), or digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popularity of the cassette reached its peak during the late 1980s before sharply declinin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
