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Swamp (album)
''Swamp'' is the debut solo studio album from English songwriter-producer Phil Thornalley, released in 1988 by MCA Records, MCA. The album's title was named after Thornalley's own private studio Swamp Studios, located in Northwest London. ''Swamp'' was produced by Thornalley, with André Cymone and Tom Bailey (musician), Tom Bailey of Thompson Twins producing three tracks each with him. Jim Williams co-produced the track "Conversations". Background The album ''Swamp'' was recorded after Thornalley signed with MCA. For his official website biography, he commented: "At the studio I would stay 'after hours' to record my own songs and was signed to MCA in the USA and made my flop solo album ''Swamp''. By this time, my childhood friend Mike Nocito had started the group Johnny Hates Jazz and invited me to join for their second album called ''Tall Stories (Johnny Hates Jazz album), Tall Stories''. I realized that my passion was for writing songs; not performing them." ''Swamp'' was rel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, music sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest electronic music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History : 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, '' Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1988 Debut Albums
1988 was a crucial year in the early history of the Internet—it was the year of the first well-known computer virus, the 1988 Internet worm. The first permanent intercontinental Internet link was made between the United States (National Science Foundation Network) and Europe (Nordunet) as well as the first Internet-based chat protocol, Internet Relay Chat. The concept of the World Wide Web was first discussed at CERN in 1988. The Soviet Union began its major deconstructing towards a mixed economy at the beginning of 1988 and began its gradual dissolution. The Iron Curtain began to disintegrate in 1988 as Hungary began allowing freer travel to the Western world. The first extrasolar planet, Gamma Cephei Ab (confirmed in 2003), was detected this year and the World Health Organization began its mission to eradicate polio. Global warming also began to emerge as a more significant concern, with climate scientist James Hansen testifying before the U.S. Senate on the issue. E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ted Jensen
Ted Jensen (born September 19, 1954) is an American mastering engineer, known for having mastered many recordings, including the Eagles' '' Hotel California'', Green Day's '' American Idiot'' and Norah Jones' ''Come Away with Me''. Early life and education Jensen was born on September 19, 1954, in New Haven, Connecticut, to Carl and Margaret (Anning) Jensen, both of whom were musicians. Carl had studied at Yale University. Margaret went to Oberlin College & Conservatory and Skidmore College and was also a pilot. Carl and Margaret met on a train while going to a choral workshop. Ted has one brother, Rick, and two daughters, Kristen and Kim. While attending high school, Jensen was building his own stereo and recording equipment and began recording local bands both in the studio and at live events. During this time, he recorded several performances for the Yale Symphony Orchestra at Woolsey Hall in New Haven, and met Mark Levinson, who was starting an audio equipment company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louise Rutkowski
Louise Rutkowski (born 1964) is a Scottish singer who rose to prominence as part of the 4AD music project This Mortal Coil. Early life At 19, Louise was signed to CBS Records, recording three singles and an album with soul producer Pete Wingfield with the band Sunset Gun. Prior to forming this band with sister Dee and keyboard player Ross Campbell, Louise, along with sister Dee, performed as backing vocalists for Bourgie Bourgie; a band created by legendary Postcard Records' boss Alan Horne. In 1989, she provided backing vocals from Phil Thornalley's 1988 only solo album ''Swamp''. Career This Mortal Coil As part of the This Mortal Coil collective, Louise's distinctive voice can be heard on the seminal ''Filigree & Shadow'' and ''Blood'' albums, and as lead vocalist on The Hope Blister's critically acclaimed 1998 Smile's OK album, all of which were released on the 4AD Records recording label. Solo and collaborative career Louise also performed in The Kindness of Stranger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carol Kenyon
Carol Kenyon (sometimes spelt Karol; born 1959) is a British singer. She is best known for her vocals on the Heaven 17 hit song "Temptation", which reached number two in the UK Singles Chart in 1983. When the song was re-released as a remix by Brothers in Rhythm in 1992, again featuring Carol's vocals, it made number 4. She was also featured on the Paul Hardcastle hit " Don't Waste My Time", which got to number 8 in 1986. She also recorded the songs " Warrior Woman", "Dance with Me" and Fascinating". Background Early life When Kenyon was a child, she was encouraged to sing and dance. She took lessons and entered arts festival contests. She played piano. She enjoyed listening to the collection of jazz records her father had. She was singing with a school choir at a music festival in Harrow. A young musician also appearing there, Guy Barker, heard her. He encouraged her to work more seriously on singing. Eventually Barker encouraged her to attend an National Youth Jazz Orches ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Harp
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic scale, diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-octave range. The standard diatonic harmonica is designed to enable playing chords and melody in a single key. Because of this design, playing in different keys requires the player to have a separate instrument for each key they play in. Harps labeled G, A, A, B or B start (on hole 1 blow) below middle C, while those labeled D through F start above middle C (C4). Here is the layout for a standard diatonic harmonica, labeled C, starting on middle C (C4): :: Although there is a three-octave distance between 1 and 10 "blow", there is only one full major scale available on the harmonica, using holes 4 through 7. The lower holes are designed around the tonic chord, tonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mel Collins
Melvyn Desmond Collins (born 5 September 1947, Isle of Man) is a British saxophonist, flautist and session musician. Collins has played in several progressive rock groups, having been a member of King Crimson on two occasions (the first from 1970 to 1972 and the second from 2013 to 2021) and having played with Camel, the Alan Parsons Project, Roger Waters and Chris Squire. He has also worked in a wide variety of contexts ranging from R&B and blues rock to jazz. Career Collins was born into a family of musicians. His mother was Bebe Collins a singer while his father was Derek Collins a saxophonist and session musician who toured with Judy Garland and Shirley Bassey. Collins has worked with a large number of notable recording artists, including 10cc, Alexis Korner, Alvin Lee, Child, Clannad, Eric Clapton, Bad Company, Pino Daniele, Dire Straits, Bryan Ferry, Roger Chapman, Marianne Faithfull, The Rolling Stones, Roger Waters, Gerry Rafferty, Tears for Fears, Go West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian language, Indonesian and ; ; zh, c=鑼, p=luó; ; ; ; ; is a percussion instrument originating from Southeast Asia, and used widely in Southeast Asian and East Asian musical traditions. Gongs are made of metal and are circular and flat or bowl-like in shape, and can come in various sizes. They are typically struck with a mallet. They can be played alone, giving a characteristic "crashing" sound, or played as part of a tuned set that produce bell-like sounds. The earliest possible depictions of gongs is from the details on the surface of the Ngọc Lũ I Dong son drum, bronze drum () from the Dong Son culture of northern Vietnam. It depicts what looks like seven-gong ensembles along with other instruments (including cymbals/bells and the bronze drums themselves). The oldest undisputed historical mention of gongs can be found in sixth century AD Chinese records, which mentioned it as a foreign instrument that came from a country between Tibet and Bur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Drum
A tom drum (also known as a tom-tom) is a cylindrical drum with no snares, named from the Anglo-Indian and Sinhala language. It was added to the drum kit in the early part of the 20th century. Most toms range in size between in diameter, though floor toms can go as large as . Design history The drum called "Thammattama", played by the Sinhalese people of Sri Lanka, is used in a number of Buddhist rituals in that country. It is commonly heard in Theravada Buddhist temple Vihāras paired along with the reed instrument called horanava. This may be etymologically derived from the Tamil term "Thappattam" or "Thappu", a frame drum associated with South Indian Tamil culture. However, the tom-tom drums on the Western drum set clearly resemble the Sri Lankan version more than the frame drum. The British colonists complained loudly about the noise generated by the "tom-toms" of the natives throughout South Asia. It is likely that the term tom-toms thus comes from their experiences ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-hat
A hi-hat (hihat, high-hat, etc.) is a combination of two cymbals and a pedal, all mounted on a metal stand. It is a part of the standard drum kit used by drummers in many styles of music including rock music, rock, popular music, pop, jazz, and blues. Hi-hats consist of a matching pair of small to medium-sized cymbals mounted on a stand, with the two cymbals facing each other. The bottom cymbal is fixed and the top is mounted on a rod which moves the top cymbal toward the bottom one when the pedal is depressed (a hi-hat that is in this position is said to be "closed" or "closed hi-hats"). The hi-hat evolved from a "sock cymbal", a pair of similar cymbals mounted at ground level on a hinged, spring-loaded foot apparatus. Drummers invented the first sock cymbals to enable one drummer to play multiple percussion instruments at the same time. Over time these became mounted on short stands—also known as "low-boys"—and activated by pedals similar to those used in modern hi-hats. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
