Blues Harp
   HOME

TheInfoList



OR:

The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of
harmonica The harmonica, also known as a French harp or mouth organ, is a free reed wind instrument used worldwide in many musical genres, notably in blues, American folk music, classical music, jazz, country, and rock. The many types of harmonica incl ...
. It is a variety of
diatonic Diatonic and chromatic are terms in music theory that are used to characterize scales. The terms are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair ...
harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three-
octave In music, an octave (: eighth) or perfect octave (sometimes called the diapason) is an interval between two notes, one having twice the frequency of vibration of the other. The octave relationship is a natural phenomenon that has been referr ...
range. The standard diatonic harmonica is designed to enable playing chords and melody in a single key. Because of this design, playing in different keys requires the player to have a separate instrument for each key they play in. Harps labeled G, A, A, B or B start (on hole 1 blow) below middle C, while those labeled D through F start above middle C (C4). Here is the layout for a standard diatonic harmonica, labeled C, starting on middle C (C4): :: Although there is a three-octave distance between 1 and 10 "blow", there is only one full
major scale The major scale (or Ionian mode) is one of the most commonly used musical scales, especially in Western music. It is one of the diatonic scales. Like many musical scales, it is made up of seven notes: the eighth duplicates the first at doubl ...
available on the harmonica, using holes 4 through 7. The lower holes are designed around the tonic (C major) and dominant (G major) chords, allowing a player to play these chords underneath a melody by blocking or unblocking the lower holes with the tongue. The notes most important in the key (the tonic triad C–E–G) play during the blow, and the secondary notes (B–D–F–A) are on the draw.


Valved diatonics

The valved diatonic is one of the most common ways of playing
chromatic scale The chromatic scale (or twelve-tone scale) is a set of twelve pitches (more completely, pitch classes) used in tonal music, with notes separated by the interval of a semitone. Chromatic instruments, such as the piano, are made to produce the ...
s on diatonic harmonicas. While chromatic is available, valved diatonic is also common, and there are reasons to use a valved diatonic rather than chromatics. It does not have a slide assembly (so that it has less air leakage), and it has a wider tonal range and dynamic. As well, it has a smaller size and is much more suitable to use with microphone, and it is still cheaper than chromatic, even for a premade one like Hohner's ''Auto Valve'' or Suzuki's ''Promaster MR-350v''. Half-Valved diatonics are made by fitting windsavers on half the lower reed in each opening: draw holes 1–6 and blow holes 7–10; this way, all these reeds can be bent down a semitone at least, although most players can easily bend down a whole tone. Alternatively, one can simply buy a factory-made valved diatonic such as the Suzuki ''Promaster Valved''. Some disadvantages of the valved diatonic is that the valves prevent other bending techniques, such as
overblowing Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the ...
, and sound different than traditional draw bends due to the valved bends being single-reed bends. One way to address the latter is by having an additional reed that activates when one bends a note; this is the philosophy of Hohner's ''XB-40'' and Suzuki's ''SUB30 Ultrabend''.


Development/Playing in different keys

Aside from bending, Richter-tuned harmonicas are modal. Playing the harmonica in the key to which it is tuned is known as "straight harp" or "first position" playing. For example, playing music in the key of C on a C-tuned harmonica. More common (especially in blues and rock) is "crossharp" or "second position" playing which involves playing in the key which is a
perfect fourth A fourth is a interval (music), musical interval encompassing four staff positions in the music notation of Western culture, and a perfect fourth () is the fourth spanning five semitones (half steps, or half tones). For example, the ascending int ...
below the key of the harmonica (for example, on a C tuned harmonica, a second position blues would be in G—resulting in the instrument playing in
mixolydian mode Mixolydian mode may refer to one of three things: the name applied to one of the ancient Greek ''harmoniai'' or ''tonoi'', based on a particular octave species or scale; one of the medieval church modes; or a modern musical mode or diatonic s ...
). This is because the notes of the G
pentatonic scale A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient ci ...
(a commonly used scale in blues and rock) are more easily accessible on a C-tuned harmonica. The lower notes of harps in the lower keys (G through C) are easier to bend, but take more wind. Since much of crossharp is played on the inhalation, every opportunity for exhalation must be capitalized upon—by heavily exhaling on every exhaled note and during every pause. Crossharp lends itself to seventh and
ninth In music, a ninth is a compound interval consisting of an octave plus a second. Like the second, the interval of a ninth is classified as a dissonance in common practice tonality. Since a ninth is an octave larger than a second, its ...
chords (particularly G7 and G9) as well as
blue note Blue Note Records is an American jazz record label now owned by Universal Music Group and operated under Capitol Music Group. Established in 1939 by German-Jewish emigrants Alfred Lion and Max Margulis, it derived its name from the blue no ...
s (particularly on D chords, where the harmonica is tuned to play D minor while the other instruments play D major). Another method is to play in the key one whole tone above that of the harmonica. On a C-tuned harmonica, this would mean playing in the key of D. This is known as "slant harp" or "third position" playing, and results in the harmonica playing in
dorian mode The Dorian mode or Doric mode can refer to three very different but interrelated subjects: one of the Ancient Greek music, Ancient Greek ''harmoniai'' (characteristic melodic behaviour, or the scale structure associated with it); one of the mediev ...
. This is much less intuitive as it requires the ability to bend notes completely accurately, and there are fewer useful chords available than in first or second-position playing. The technique offers many notes that are not achievable in the other positions without overblows, such as the blue note on the third degree, which may or may not be favorable depending on the circumstance. The bends available at the lower end of the instrument also make playing melodies in a D major scale relatively easy for those who have any semblance of proficiency at the bending technique, though most of the notes (all but the second and fourth, E and G) in the scale are on the draw, requiring great skill and strategy in exhaling, even more so than in crossharp. Continuing along the
circle of fifths In music theory, the circle of fifths (sometimes also cycle of fifths) is a way of organizing pitches as a sequence of perfect fifths. Starting on a C, and using the standard system of tuning for Western music (12-tone equal temperament), the se ...
, fourth position, fifth position, sixth position and zeroth positions can be played, with the scales played in those positions indicated as follows: : Note that using blue notes, any of the seven positions can be used over music in its corresponding major scale if only the notes in the corresponding pentatonic scale are played.


Specially tuned instruments

Some players prefer specially tuned variants of the diatonic harmonica. Several manufacturers, for instance
Lee Oskar Lee Oskar (born 24 March 1948) is a Danish harmonica player, notable for his contributions to the sound of the rock-funk fusion group War, which was formed by Howard E. Scott and Harold Brown, his solo work, and as a harmonica manufacturer. H ...
Harmonicas, make a variety of harmonicas to help players used to a "cross-harp" style to play in other styles. Cross-harp players usually base their play around a mixolydian scale starting on 2 draw and ending a 6 blow (with a bend needed to get the second tone of the scale; a full scale can be played from 6 blow to 9 blow). Lee Oskar specially tunes harmonicas to allow players to play a natural minor or major scale from 2 draw to 6 blow, or a harmonic minor scale from 4 blow to 7 blow. Below are some sample layouts (the key labels describe the scale from 2 draw to 6 blow, whereas traditional harmonicas are labelled according to the scale between 4 and 8 blow). *Country tune: Identical to standard
Richter tuning Richter tuning is a layout plan for the notes of a diatonic instrument with multiple free reeds, such as a harmonica or accordion; the plan concerns which notes should be activated by each key (or hole). It is named after Joseph Richter, a Bohemi ...
, except hole 5 draw is raised a semitone. *Natural minor (cross harp, 6 blow to 9 blow) / Dorian (straight harp, 4 blow to 7 blow): :: *Harmonic minor (straight harp, 4 blow to 7 blow) :: *Major (cross harp, 6 blow to 9 blow), Lee Oskar ''Melody Maker'' (this will be labeled as "G": Melody Major's key indicate cross harp's key, starting from draw 2) :: :With the major second on 3 blow (where, in standard Richter tuning, the cross harp tonic would be repeated) and a major 7th (rather than a minor 7th) on 5 draw, the Melody Maker has a full major scale. This can be very useful for playing major key melodies, for example, fiddle tunes, quickly, without having to do a lot of precise bending or overblowing. This tuning, designed and marketed by Lee Oskar, is a particularly interesting evolution of the harmonica, since it allows a player accustomed to playing "cross harp" (in Mixolydian) to play in a major key (which is what the standard layout is designed for in the first place). Rather than providing the standard tonic C and dominant G7 chords, the Melody Maker provides a GM7 chord (2–5 draw), a C6 chord (1–4 blow), an Am or Am7 chord (3–5 or 3–6 blow), a D chord (4–6 draw) and a C chord (6–10 blow). If we are in the key of G, then, the melody maker provides the I chord, the IV chord, the V chord and the ii chord, allowing ii–V–I progressions as well as I–IV–V progressions. *Optimized blues tuning (this will be labeled as "C": starting from draw 1) :: It is also possible for harp players to tune the harmonica themselves. By making small scratches in a reed, the note played can be changed. It is possible to either get a higher or a lower note. Some harp players make extensive use of these modifications. One of the most famous examples is the harp solo on " On the Road Again" by
Canned Heat Canned Heat is an American blues rock band that was formed in Los Angeles in 1965. The group has been noted for its efforts to promote interest in blues music and its original artists. It was launched by two blues enthusiasts, Alan Wilson and ...
, on which the harmonicist, Alan "Blind Owl" Wilson, gets the minor third crossharp on the sixth drawn reed, which is normally the major second crossharp. There are books, toolkits and guides to tuning and harp customization available on the Internet; anyone interested in trying their hand at tuning should be prepared to sacrifice a few harmonicas during the learning process.


12-hole and 14-hole diatonic

Hohner had made a few non-standard harmonicas. All of them have more than 10 holes and are labeled "grosse richter". For 12 holes, Hohner makes the ''M364 Marine Band'', as well as the ''M36460 Marine Band Soloist''. The ''Marine Band Soloist'' is solo tuned, with 3 full diatonic octaves with all notes of the major scale of the key of C. Since it can bend notes in the same way as a regular diatonic harmonica in the middle octave, some players use this for blues (and even jazz) instead of the more well-known solo-tuned harmonica, the chromatic harmonica, since the bent notes sound very different from true semi-tones. (For layout, see below at Chromatic harmonica, key out) In this configuration, blues players usually play in the third position, the D-minor blue scale. In addition to the M364 models with 12 holes, there is also the Hohner ''Marine Band M365'' 14-hole harmonica. The general dimensions of the 12- and 14- hole Hohner harmonicas are a bit bigger than regular diatonic harmonicas. The M36401 and M36501 harmonicas (in the key of C) are pitched one octave lower than the standard 10-hole C diatonic. Thus, hole-4 blow is the same pitch as hole-1 on a regular diatonic harmonica in the key of C. The ''Marine Band M36408'' and M36508 (in G) are similar to a usual G diatonic, having the higher end expanded. Holes 1 through 4 and 6 are draw-bendable, and holes 8 through 14 are blow-bendable. Note the extra holes 11–14 which in theory extend the bending capabilities a lot (from A down to E in hole-14, for example), although in practice these are quite limited. : There is also the ''Steve Baker Special'' (M3658) manufactured by Hohner, a special tuned 14-hole diatonic. Below, the layout of the ''Steve Baker Special'' in the key of C: : They come in five keys: *C – M36581 *D – M36583 *F – M36586 *G – M36588 *A – M36590 This harmonica offers many interesting possibilities, especially for blues harmonica, like extended tongue-block octave playing, the possibility to play exactly the same second-position riffs in two octaves, etc.


Extra-reed harmonicas

Two harmonica models have been released with altered designs that allow for increased bending abilities, and in effect, chromatic playing on a diatonic harmonica. They are often referred to as "extra-reed" harmonicas, because they carry more than the usual 20 reeds of a diatonic harp. The Hohner XB-40, invented by
Rick Epping Rick Epping is a California-born musician who has immersed himself in American old-time and Irish traditional music since the 1960s. He is a player of the harmonica, concertina, banjo and jaw harp. During the 1970s he lived in Ireland where he stu ...
, features an entirely new body design, though in practice, it is still a Richter-tuned (diatonic) harmonica. Here the blow reeds and the draw reeds are sealed off one from another with valves, effectively creating two separate cells in the comb for each hole in the mouthpiece: one for blow and another for draw. A second reed is then placed in this cell at a zero-offset (no gapping) so that it does not sound under normal playing. However, it is placed on the opposite side of the reed-plate from the speaking reed and tuned so that it responds when the player “bends” the note downwards in pitch. This allows for every note on the XB-40 to be bent downwards a whole-tone or more, whereas on standard diatonics only certain notes (the higher-pitched in the cell) will bend at all. :


Blues harp players

Sonny Boy Williamson I John Lee Curtis "Sonny Boy" Williamson (March 30, 1914 – June 1, 1948) was an American blues harmonica player and singer-songwriter. He is often regarded as the pioneer of the blues harp as a solo instrument. He played on hundreds of r ...
created basics of blues harp play style. He was killed during a robbery. After that Rice Miller, better known as
Sonny Boy Williamson II Alex or Aleck Miller (originally Ford, possibly December 5, 1912 – May 24, 1965), known later in his career as Sonny Boy Williamson, was an American blues harmonica player, singer and songwriter. He was an early and influential blues harp s ...
, is one of the most important harmonicists of this era. Using a full blues band, he became one of the most popular acts in the South due to his daily broadcasts on the ' King Biscuit Hour', originating live from
Helena, Arkansas Helena is the eastern portion of Helena–West Helena, Arkansas, a city in Phillips County, Arkansas, located on the west bank of the Mississippi River. It was founded in 1833 by Nicholas Rightor and is named after the daughter of Sylvanus Phil ...
. He also helped make popular the cross-harp technique, opening the possibilities of harp playing to new heights. This technique has now become one of the most important blues harmonica methods. Sonny Boy Williamson II used hand effects to give a talkative feel to his harp playing. A number of his compositions have also become standards in the blues world. Williamson had a powerful sound and extended his influence on the young British white blues rockers in the 1960s, recording with
Eric Clapton Eric Patrick Clapton (born 1945) is an English Rock music, rock and blues guitarist, singer, and songwriter. He is regarded as one of the most successful and influential guitarists in rock music. Clapton ranked second in ''Rolling Stone''s l ...
and
The Yardbirds The Yardbirds are an English rock music, rock band formed in London in 1963. The band started the careers of three of rock's most famous guitarists: Eric Clapton (1963–1965), Jeff Beck (1965–1966) and Jimmy Page (1966–1968), all of whom ...
and appearing on live British television. In the late 1940s, a young harmonicist Marion "
Little Walter Marion Walter Jacobs (May 1, 1930 – February 15, 1968), known as Little Walter, was an American blues musician, singer, and songwriter, whose revolutionary approach to the harmonica had a strong impact on succeeding generations, earning him ...
" Jacobs would revolutionize the instrument. He began to play the harmonica with his hands cupped over the microphone, creating the amplified blues harp. His " Juke" and "
My Babe "My Babe" is a Chicago blues song and a List of blues standards, blues standard written by Willie Dixon for Little Walter. Released in 1955 on Checker Records, a subsidiary of Chess Records, the song was the only Dixon composition ever to become ...
" are
blues standards Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues s ...
.
Big Walter Horton Walter Horton (April 6, 1921 – December 8, 1981), known as Big Walter (Horton) or Walter "Shakey" Horton, was an American blues harmonica player. A quiet, unassuming, shy man, he is remembered as one of the premier harmonica players in the hi ...
,
George "Harmonica" Smith George "Harmonica" Smith (born Allen George Smith, April 22, 1924 – October 2, 1983) was an American electric blues harmonica player. Apart from his solo recordings, Smith is best known for his work backing both Muddy Waters and Big Mama Thornt ...
, Carey Bell,
Sonny Terry Saunders Terrell (October 24, 1911 – March 11, 1986), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and occas ...
,
Lazy Lester Leslie Johnson (June 20, 1933 – August 22, 2018), known as Lazy Lester, was an American blues musician who sang and played the harmonica and guitar. In a career spanning the 1950s to 2018, he pioneered swamp blues, and also played harmonic ...
,
Junior Wells Junior Wells (born Amos Wells Blakemore Jr.; December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song " Messin' with the Kid" and his 1965 album '' Hoodoo Man Blues ...
,
Big Mama Thornton Willie Mae "Big Mama" Thornton (December 11, 1926 – July 25, 1984), was an American singer and songwriter of blues and R&B. The ''Encyclopedia of Pop, Rock and Soul'' described Thornton by saying: "Her booming voice, sometimes 200-pound fra ...
,
James Cotton James Henry Cotton (July 1, 1935 – March 16, 2017) was an American blues harmonica player, singer and songwriter, who performed and recorded with many fellow blues artists and with his own band. He also played drums early in his career. ...
,
Paul Oscher Paul Allan Oscher (February 26, 1947 – April 18, 2021) was an American blues singer, songwriter, and instrumentalist. Primarily a harmonica player, he was the first permanent white member of Muddy Waters' band.Norman Darwen, "Obituary: Paul ...
,
Billy Boy Arnold William "Billy Boy" Arnold (born September 16, 1935) is an American blues harmonica player, singer and songwriter. Arnold is a self-taught harmonica player and has worked with blues legends such as Bo Diddley, Johnny Shines, Otis Rush, Earl H ...
, Birmingham Jones, Louis Myers,
John Mayall John Brumwell Mayall (29 November 1933 – 22 July 2024) was an English blues and Rock music, rock musician, songwriter and producer. In the 1960s, he formed John Mayall & the Bluesbreakers, a band that has counted among its members some of ...
,
Lester Davenport Lester "Mad Dog" Davenport (January 16, 1932 – March 17, 2009), was an American Chicago blues harmonica player and singer. Born in Tchula, Mississippi, Davenport moved to Chicago, Illinois, United States, when he was 14. There he played wi ...
, Big Leon Brooks, Little Willie Anderson, George "Mojo" Buford,
Sugar Blue James Joshua Whiting (born December 16, 1949), known professionally as Sugar Blue, is an American blues harmonica player. He is best known for playing on the 1978 Rolling Stones album '' Some Girls'', and well as his partnership with blues guita ...
,
Snooky Pryor James Edward "Snooky" Pryor (September 15, 1919 or 1921 – October 18, 2006) was an American Chicago blues harmonica player. He claimed to have pioneered the now-common method of playing amplified harmonica by cupping a small microphone in hi ...
, Billy Branch,
Paul Butterfield Paul Vaughn Butterfield (December 17, 1942May 4, 1987) was an American blues harmonica player, singer, and bandleader. After early training as a Western concert flute, classical flautist, he developed an interest in blues harmonica. He explored ...
,
Charlie Musselwhite Charles Douglas Musselwhite (born January 31, 1944) is an American blues harmonica player and bandleader who came to prominence, along with Mike Bloomfield, Paul Butterfield, and Elvin Bishop, as a pivotal figure in helping to revive the Chicago ...
, Little Sonny,
Jerry Portnoy Jerry Portnoy (born November 25, 1943, in Evanston, Illinois, United States) is an American harmonica blues musician, who has toured with Muddy Waters and Eric Clapton. Biography Portnoy grew up in Chicago. He first heard the blues played outs ...
, and
Kim Wilson Kim Wilson (born January 6, 1951) is an American blues singer and harmonica player. He is best known as the lead vocalist and frontman for The Fabulous Thunderbirds on two hit songs of the 1980s, " Tuff Enuff" (which was the group's only Top ...
are also blues harp players. Blues guitarist
Jimmy Reed Mathis James Reed (September 6, 1925 – August 29, 1976) was an American blues musician and songwriter. His particular style of electric blues was popular with a wide variety of audiences. Reed's songs such as "Honest I Do" (1957), "Baby Wha ...
(1925 - 1976) sometimes played blues harp.


References

{{DEFAULTSORT:Richter-Tuned Harmonica Harmonica Blues Diatonic instruments