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Surutti
Surutti is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the janya ragam of 28th ''Melakarta'' rāgam Harikambhoji in the 72 ''melakarta'' rāgam system. Subbarama Dikshitar classifies this a bhashanga raga. Its a Vakra raga (Zig-zag raga scale with seven notes in Arohana and nine in Avarohana) Parent scale this raga is equivalent to ''Khamaj thaat'' of Hindustani Music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras The Janaka raga of this raga is known as Harikedāragowla in the Muthuswami Dikshitar school of music. The notes of this raga is equivalent to Mixolydian mode of Western music but note order is zig-zag. Structure and Lakshana Its structure is as follows (see ''swaras'' in Carnatic music for details on below notation and terms): * : * : (notes used in this scale are ''chatushruti rishabham, antara gandharam, shuddha ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papanasam Sivan
Paapanaasam Raamayya Sivan (26 September 1890 – 1 October 1973) was an Indian composer of Carnatic music and a singer. He was awarded the Madras Music Academy's Sangeetha Kalanidhi in 1971. He was also a film score composer in Kannada cinema as well as Tamil cinema in the 1930s and 1940s. Sivan was also known as Tamil Thyaagaraja. Using Classical South Indian music as a base, Sivan created compositions popularised by M. K. Thyagaraja Bhagavathar, D. K. Pattammal, and M. S. Subbulakshmi. In 1962, he was awarded the Sangeet Natak Akademi Fellowship conferred by Sangeet Natak Akademi, India's National Academy for Music, Dance and Drama. Life Sivan's early years were spent in the Travancore area of Kerala. He was born at Polagam village in the district of Thanjavur, which was home to the musical trinity of Carnatic music. His given name was Ramaiya. In 1897, when he was 7, his father died. His mother Yogambal, along with her sons, left Thanjavur and moved to Travancore (now Thi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harikambhoji Scale
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. One of the first scales employed by the ancient Tamils (3rd century BCE) was the ''Mullaipann'', a pentatonic scale composed of the notes ''sa ri ga pa da'', equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. ''Mullaipann'' further evolved into ''Sempaalai'', a scale based on seven notes by the addition of two more notes, ''ma'' and ''ni'' to the pentatonic scale. ''Sempaalai pann'' corresponds to the Carnatic raga Harikambhoji. ''Khamaj thaat'' of Hindustani Music is the equivalent to this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is known as Harikedāragowla in t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oothukkadu Venkata Kavi
Oothukkaadu Venkata Kavi (-1765) or Oottukkaadu Venkata Subramanyar was one of the pioneering composers in Indian classical Carnatic music. He lived in South India in the present-day state of Tamil Nadu. Also known by the name Oothukkaadu Venkatasubramaniya Iyer, he composed hundreds of compositions in Sanskrit and Tamil of which over 500 are available. These were handed down from generation to generation by the descendants of the composer's brother's family. Venkata Kavi's compositions reveal that he was a complete master of the science and art of music in all senses of the term – melody, rhythm, and lyrics. He was fluent in Sanskrit and Tamil. Renowned for his rare depth, scholarship and sublime appeal, he was proficient in a variety of musical forms such as the ''kriti'', '' tillana'' and '' kaavadicchindu''. He used ''taalas'' and themes that many other Carnatic composers had or have not. His compositions are a blend of a high degree of scholarship on a variety of s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patnam Subramania Iyer
Patnam Subramania Iyer (1845 – July 31, 1902) was a composer and singer of Carnatic music. Subramaniya Iyer followed the traditions of the great composer Tyagaraja. He has left behind almost one hundred compositions. Subramaniya Iyer was born in Thiruvaiyaru in Thanjavur district of present-day Tamil Nadu. His family had a long history of musical involvement – his father Bharatam Vaidyanatha Iyer was adept at both music and Sastra and his grandfather Panchanada Sastri was the court musician in the court of Serfoji Maharaja of Thanjavur. Subramaniya Iyer learned music from his uncle, Melattur Ganapati Sastri, and later under Manambuchavadi Venkatasubbayyar who was a disciple of Tyagaraja himself. Subramaniya Iyer spent a long time in Chennapatnam (Chennai). This gave Subramaniya Iyer the prefix to his name. Many of his students such as Mysore Vasudevachar, Poochi Srinivasa Iyengar, Bhairavi Kempegowda and Tiger Varadachariar became famous composers and vocalists. His ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thillana
A Tillana or thillana is a rhythmic piece in South Indian Carnatic music that is generally performed at the end of a concert and widely used in classical indian dance performances. It was popularised by Dr. M. Balamuralikrishna, M Balamuralikrishna, Lalgudi Jayaraman and some other musicians A Tillana uses tala-like phrases in the pallavi and anupallavi (music), anupallavi, and lyrics in the charanam. The ''thillana'' is based on the tarana which was introduced by Amir Khusrau (1253-1325 CE). Popular Compositions BY Lalgudi Jayaraman * Kadanakuthuhalam Thillana * Mohanakalyani Thillana * Khamas (raga), Khamas Thillana * Mand Thillana * Revathi Thillana * Dwijavanthi Thillana BY M. Balamuralikrishna * Brindavani Thillana * Kathanakuthuhalam Thillana * Kuntalavarali Thillana * Garudadhwani Thillana * Thaya Ragamalika Thillana (Kalyani (raga), Kalyani Raga) BY OTHER COMPOSERS * Kalinga Narthana Thillana(Ragam: Gambhiranata, Gambhira Natta), Surutti Thillana, Sindhu Bha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harikambhoji
Harikambhoji (pronounced harikāmbhōji) is a rāgam in Carnatic music (musical scale of South Indian classical music). It is the 28th ''Melakarta'' rāgam (parent scale) in the 72 ''melakarta'' rāgam system. One of the first scales employed by the ancient Tamils (3rd century BCE) was the ''Mullaipann'', a pentatonic scale composed of the notes ''sa ri ga pa da'', equivalent to C, D, E, G and A in the western notations. These fully harmonic scales, constitutes the raga Mohanam in the Carnatic music style. ''Mullaipann'' further evolved into ''Sempaalai'', a scale based on seven notes by the addition of two more notes, ''ma'' and ''ni'' to the pentatonic scale. ''Sempaalai pann'' corresponds to the Carnatic raga Harikambhoji. '' Khamaj thaat'' of Hindustani Music is the equivalent to this rāgam.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras It is known as Harikedāragowla in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuttyedathi
''Kuttyedathi'' () is a 1971 Malayalam language film, directed by P. N. Menon and written by M. T. Vasudevan Nair. It was widely regarded as one of the best South Indian films made in the 1970s. The film is woven around the life of a girl, who is an ugly duckling with tomboyish tendencies, and who is continuously discriminated against in favour of her prettier younger sister. The film was shot at Edappal. Cast * Sathyan as Appunni * S. P. Pillai as Govindan Nair * Jayabharathi as Janu * Jeassy * Kuttyedathi Vilasini as Malu (Kuttiyedathi) * Master Sathyajith as Vasu * Kuthiravattam Pappu as Kuttishankaran * Raman Menon * Ammini * Balan K. Nair * Nilambur Balan as Karuthan * Philomina as Narayani * Kozhikode Shantha Devi as Meenakshi Soundtrack The music was composed by M. S. Baburaj and the lyrics were written by Swathi Thirunal and Sreekumaran Thampi Sreekumaran Thampi (born 16 March 1940) is an Indian lyricist, music director, film director, director, film producer, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annamacharya
Tallapaka Annamacharya () (09 May 1408 – 23 February 1503), also popularly known as Annamayya, was a Telugu musician, composer, and a Hindu saint. He is the earliest known Indian musician to compose songs called '' samkirtanas.'' His devotional samkirtanas were in the praise of Venkateswara, a form of Vishnu. Annamayya is said to have composed as many as 32,000 samkirtanas (songs) in the praise of Venkateswara of which only about 12,000 are available today. He wrote the highest number of Kirtanas of all time in the praise of Lord Vishnu The musical form of the kirtana songs that he composed, which are still popular among Carnatic music concert artists, have strongly influenced the structure of Carnatic music compositions. Jackson (1999), p. 216. His compositions are classified as Adhyatma (spiritual) and Sringara (romantic). Annamacharya is remembered for his saintly life, as one of the greatest musicians and is honoured as a great devotee of Vishnu by devotees and saintly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varnam
Varṇam is a type of composition in the Carnatic music system that encapsulates the key features of a raga, and considered as a foundational element in the learning path. Varnams capture the essence of the ragam in terms of typical swara patterns used, vishesha prayogas, highlighting the main notes (jeeva swaras), etc. This forms the basis for creative presentation (manodharma) of the raga in the form of raga aalapana, kalpana swarams and neraval. Varnams are a fundamental form in Carnatic music. All varnams consist of lyrics, Bradnock (1992), p631 as well as ''swara'' passages, including a '' pallavi'', an '' anupallavi'', ''muktaayi swaras'', a '' charanam'', and '' chitta swaras''. There are different types of varnams, such as ''taana varnam'', ''pada varnam'', ''daru varnam'' and ''ragamalika varnam''. They also come in different ''taalams'' (beat cycles). Though the most popular varnams are in ''Aadi'' and ''Ata taalas'', there are a number of varnams in other ''talas'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dharmapuri Subbarayar
Dharmapuri Jaavali Subbarayar was a composer of Carnatic music who lived during the nineteenth century. He composed mainly in the Telugu language and used ''Dharmapuri'', the name of his birthplace and a city in Tamil Nadu, as his ''mudra''. Compositions See also * List of Carnatic composers List of composers of Carnatic music, a subgenre of Indian classical music. Chronologically they can be grouped into 4 different Eras: Pre-Trinity Era, Trinity Era, Post Trinity Era and Modern Era. Composers are listed here based on this classif ... References External links Karnatic.com biography Year of birth missing Year of death missing Carnatic composers {{Carnatic-music-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poochi Srinivasa Iyengar
Poochi Srinivasa Iyengar (1860 - 1919), whose real name was Ramanathapuram Srinivasa Iyengar, was a singer and composer of Carnatic music. Early life He was born in Ramanathapuram in Tamil Nadu on August 16, 1860. He studied music under Patnam Subramania Iyer (1845 - 1902), a singer of Carnatic music and came in the sishya parampara of Saint Thyagaraja. He had a large number of disciples, of whom the most popular was Ariyakudi Ramanuja Iyengar. He composed over 100 songs and used the ''Mudra (music), mudra'' ''Srinivasa'' in his compositions. He died on July 20, 1919. "The appellation 'Poochi'(பூச்சி) meaning 'insect' is rather strange. There are surmises that his raga elaboration resembled the humming of a beetle, or that he used to apply sandal paste on his body and the Tamil word 'Poochu' had become 'Poochi', or that he was known for his tireless activity like the bee; but the real reason is not known. Compositions References and audio links See also ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
