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Sukiennice Museum
The Gallery of 19th-Century Polish Art at Sukiennice ( pl, Galeria Sztuki Polskiej XIX wieku w Sukiennicach), is a division of the National Museum, Kraków, Poland. The Gallery is housed on the upper floor of the Renaissance '' Sukiennice'' Cloth Hall in the center of the Main Market Square in Old Town Kraków. The Gallery holds the largest permanent exhibit of the 19th-century Polish painting and sculpture, in four grand rooms. The majority of today's collection at Sukiennice comprises gifts from collectors, artists and their families. History of the collection The National Museum in Kraków was founded on October 7, 1879 by the decree of Kraków City Council following two-year-long renovations of the '' Sukiennice'' Cloth Hall under the direction of Mayor Mikołaj Zyblikiewicz. At a ceremonial ball of October 3, 1879 it was announced that artist Henryk Siemiradzki offered his monumental painting called the ''Nero's Torches'' (''Pochodnie Nerona'') as gift to the city, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Main Market Square, Kraków
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Władysław Łuszczkiewicz
Władysław Łuszczkiewicz (September 3, 1828 – May 23, 1900) was a Polish historian and painter of the late Romantic era from Kraków, active in the period of the foreign partitions of Poland. He was a professor at the Academy of Fine Arts and served as its principal in 1893/95. One of his best students was Jan Matejko, the eminent Polish historical painter and later, his close associate. Łuszczkiewicz taught painting, drawing, anatomy and architectural styles. Highly educated, he also worked as conservator of architectural monuments in the city later on in his career, and wrote historical dissertations. Life Władysław Łuszczkiewicz was born in Kraków in 1828 and after graduating from St Anne High School (where his father Michał of the Rola coat of arms was a professor), he enrolled at the Department of History of the Jagiellonian University. At the same time, he began to study painting at the School of Fine Arts with Wojciech Stattler and Jan Nepomucen Głowacki. His tal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piotr Michałowski
Piotr Michałowski (July 2, 1800 – June 9, 1855) was a Polish painter of the Romantic period, especially known for his many portraits, and oil studies of horses. Broadly educated, he was also a social activist, legal advocate, city administrator and President of the Kraków Agricultural Society (since 1853). The Sukiennice Museum, a division of the National Museum in Kraków, contains a room that is named after him and devoted to Michałowski's work. Career Michałowski was born at an estate in Krzysztoforzyce outside Kraków, the son of landowner Józef Michałowski, senator in the Free City of Kraków. His artistic talent developed at an early age of 13 under the watchful eye of several artists including Michał Stachowicz, Józef Brodowski (1817) and Franciszek Lampi. He formally studied a broad range of subjects at the Jagiellonian University including classical philosophy, agriculture and mathematics. During the November Uprising against the Russian rulership, Micha� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kazimierz Wojniakowski
Kazimierz Wojniakowski (1771/72, Kraków – 1812, Warsaw) was a Polish painter, illustrator and Freemason, known primarily for his portraits in the sentimentalist style. Life and work He was a pupil of Marcello Bacciarelli."Wojniakowski, Kazimierz," ''Encyklopedia powszechna PWN'', vol. 4, p. 700. His work as a portraitist was influenced by that of the Austrian painter Josef Grassi (who was living in Warsaw at that time), as exemplified in his 1796 ''Portrait of Izabela Czartoryska, née Fleming''.''Encyklopedia powszechna PWN'', vol. 4, p. 700. Other noteworthy portraits by Wojniakowski include Tadeusz Kościuszko, Stanisław August Poniatowski and Stanisław Sołtyk. He also produced religious works and scenes of contemporary historic events (e.g., ''The Constitution of May 3, 1791'', 1806). Notable as well are his drawings from journeys, e.g. in Lublin Province. Selected works Image:Tadeusz Kościuszko.PNG, Tadeusz Kościuszko File:Wojniakowski Royal Baths Park wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franciszek Smuglewicz
Franciszek Smuglewicz ( lt, Pranciškus Smuglevičius; 6 October 1745 – 18 September 1807) was a Polish-Lithuanian draughtsman and painter. Smuglewicz is considered a progenitor of Lithuanian art in the modern era. He was precursor of historicism in Polish painting. He was also a founder of Vilnius school of art, his most prominent students were Jan Rustem, Jan Krzysztof Damel, Gaspar Borowski and Józef Oleszkiewicz. His father Łukasz Smuglewicz and brother Antoni were also painters. Biography Franciszek Smuglewicz was born in Warsaw as son of Łukasz Smuglewicz, who was also a painter, and Regina Olesińska. His mother, Regina Olesińska, was the niece of painter Szymon Czechowicz. Edward Rastawiecki. ''Słownik malarzów polskich, tudzież obcych w Polsce osiadłych lub czasowo w niéj przebywających''. Vol. 2. 1851. p. 171 He made his first steps as a painter in his father and Czechowicz joint workshop in Warsaw. In 1763 Franciszek journeyed to Rome, where he be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aleksander Orłowski
Aleksander Orłowski (9 March 1777 – 13 March 1832) was a Polish painter and sketch artist, and a pioneer of lithography in the Russian Empire. Life Orłowski was born in 1777 in Warsaw into an impoverished noble family, his father was a tavern-keeper. In early childhood he became known as a prodigy, and soon Izabela Czartoryska financed his first painting classes with the artist Jan Piotr Norblin. In 1793 Orłowski joined the Polish Army and fought in the Kościuszko Uprising against Imperial Russia and Prussia; he was wounded and returned to Warsaw for further studies, financed by Prince Józef Poniatowski. He studied with many notable painters of the age, including Norblin, Marcello Bacciarelli and Wincenty Lesserowicz. In 1802, after the Partitions of Poland, he moved to Saint Petersburg, where he became a pioneer of lithography. He died there, aged fifty-five. His works include countless sketches of everyday life in Poland and Russia, and scenes from the Kościu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Per Krafft The Elder
Per Krafft the Elder (16 January 1724 – 7 November 1793) was a Swedish portraitist. He was the father of the artists Per Krafft the Younger and Wilhelmina Krafft. Early life Per Krafft was born in Arboga, and studied in Uppsala, where he in 1736 became interested in the arts. From 1739 he was for several years a student of portrait painter Johan Henrik Scheffel in Stockholm . His self-portrait from 1745 and a portrait of his sister Anna Lisa (married Askblom ) shows clear influences from Scheffel. In 1745 Krafft went to Copenhagen, where he came under Carl Gustaf Pilo's influence, as seen in the 1748 autographed portraits of Anna Bohr and a Miss Leijonhufvud as a shepherdess. In 1749, Per Krafft went to Skåne and painted Governor Wilhelm Lindenstedts portrait in baroque style. Krafft had a patron in Denmark then Finance Minister Otto Thott, to whom he copied several hundred family portraits at various Danish castle, which was collected in Gavnø. In 1752 Krafft painted the Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Baptist Von Lampi The Elder
Johann Baptist von Lampi the Elder (german: Johann Baptist von Lampi der Ältere, pl, Jan Chrzciciel Lampi; 31 December 1751 – 11 February 1830) was an Austrian- Italian historical and portrait painter. He settled in the Russian Empire after the third and final partition of Poland, enticed by an extremely generous offer from the Tsar. Life Johann Baptist Lampi was born at Romeno in the County of Tyrol to Matteo, or Matthias, Lampi (1698-1780), a decorative painter. Frescoes by his father may be found in many elegant buildings there. He studied art under his father in Verona and later in Salzburg. In 1773 he went to Trento, where he learned to become a portraitist in canvases and miniatures. He travelled to Innsbruck, then to Vienna, where the Emperor Joseph II appointed him a professor at the Vienna Academy in 1786. That same year, he was invited to Warsaw by the court of King Stanisław II Augustus ''(pictured)''. He worked in Warsaw until the complete military Parti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josef Grassi
Josef Grassi (22 April 1757 – 7 January 1838) was an Austrian portrait and history painter. His middle name is usually given as "Maria", although there is evidence that it was actually "Mathias".Michael Lorenz Wien 2012 He is also called "Giuseppe Grassi". Life Josef Grassi was born in Vienna, the younger brother of sculptor and porcelain modeller . Their father, Ottilio, was a goldsmith from Udine. Josef studied at the Vienna Academy of Fine Arts. He felt that he was being unfairly treated there so, when he lost a competition for a travel scholarship to Heinrich Friedrich Füger, he took the advice of some friends who were Polish nationalists and moved to Warsaw. There, he became a teacher of Teresa Jabłonowska (a descendant of Stanisław Jan Jabłonowski) and established himself as a successful portrait painter. When the Kościuszko Uprising broke out in 1794, he was able to leave the battle zone through the mediation of Kościuszko, whose portrait he had painted. In 1799 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcello Bacciarelli
Marcello Bacciarelli (; 16 February 1731 – 5 January 1818) was a Polish- Italian painter of the late- baroque and Neoclassic periods. Biography He was born in Rome, and studied there under Marco Benefial. In 1750, with the recommendation of the architect Gaetano Chiaveri, Marcello was recruited to Dresden in Saxony, where he was employed by Elected King Augustus III of Poland. After the death of King Augustus, Marcello went to Vienna, and thence to Warsaw. In Dresden, he met Bernardo Bellotto and worked with this Italian painter throughout his life. He was recruited by King Stanisław II Augustus in 1766 to become the Director of the newly founded Royal Buildings and Estates. In Dresden, he married Federicka Richter, a woman painter known for miniature portraits. In Vienna, Marcello painted portraits of the imperial family, including the four daughters of Maria Teresa, Maria Christina, Duchess of Teschen and her husband, prince Albert. In Warsaw, he painted a set of po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanisław August Poniatowski
Stanisław II August (born Stanisław Antoni Poniatowski; 17 January 1732 – 12 February 1798), known also by his regnal Latin name Stanislaus II Augustus, was King of Poland and Grand Duke of Lithuania from 1764 to 1795, and the last monarch of the Polish–Lithuanian Commonwealth. Born into wealthy Polish aristocracy, Poniatowski arrived as a diplomat at the Russian imperial court in Saint Petersburg in 1755 at the age of 22 and became intimately involved with the future empress Catherine the Great. With her connivance, he was elected King of Poland by the Polish Diet in September 1764 following the death of Augustus III. Contrary to expectations, Poniatowski attempted to reform and strengthen the large but ailing Commonwealth. His efforts were met with external opposition from neighbouring Prussia, Russia and Austria, all committed to keeping the Commonwealth weak. From within he was opposed by conservative interests, which saw the reforms as a threat to their traditiona ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque In Poland
The Polish Baroque lasted from the early 17th to the mid-18th century. As with Baroque style elsewhere in Europe, Poland's Baroque emphasized the richness and triumphant power of contemporary art forms. In contrast to the previous, Renaissance style which sought to depict the beauty and harmony of nature, Baroque artists strove to create their own vision of the world. The result was manifold, regarded by some critics as grand and dramatic, but sometimes also chaotic and disharmonious and tinged with affectation and religious exaltation, thus reflecting the turbulent times of the 17th-century Europe. Baroque and Sarmatism The Polish Baroque was influenced by Sarmatism, the culture of the Polish nobility (''szlachta'').Michael J. Mikoś, ''Polish Baroque and Enlightenment Literature: An Anthology''. Ed. Michael J. Mikoś. Columbus, Ohio/Bloomington, Indiana: Slavica Publishers. 1996. 104-108.Cultural background/ref> Sarmatism became highly influenced by the Baroque style and pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
