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Stiffelio Original 1850 Poster
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for ''Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Gaetano Donizetti, and Vincenzo Bellini, whose works significantly influenced him. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he became professionally successful, he was able to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salvadore Cammarano
Salvadore Cammarano (also Salvatore) (born Naples, 19 March 1801 – died Naples 17 July 1852) was a prolific Italian librettist and playwright perhaps best known for writing the text of '' Lucia di Lammermoor'' (1835) for Gaetano Donizetti. For Donizetti he also contributed the libretti for '' L'assedio di Calais'' (1836), '' Belisario'' (1836), ''Pia de' Tolomei'' (1837), ''Roberto Devereux'' (1837), '' Maria de Rudenz'' (1838), ''Poliuto'' (1838), and '' Maria di Rohan'' (1843), while for Giuseppe Persiani he was the author of '' Ines de Castro''. For Verdi he wrote ''Alzira'' (1845), '' La battaglia di Legnano'' (1849) and '' Luisa Miller'' (1849), but after he died in July 1852, Verdi worked with Leone Emanuele Bardare to complete the libretto for '' Il trovatore'' (1853).Budden, Vol. 2, p.65 Cammarano also started work on libretto for a proposed adaptation of William Shakespeare's play ''King Lear'', named '' Re Lear'', but he died before completing it; a detailed scena ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musicologist
Musicology (from Greek μουσική ''mousikē'' 'music' and -λογια ''-logia'', 'domain of study') is the scholarly analysis and research-based study of music. Musicology departments traditionally belong to the humanities, although some music research is scientific in focus (psychological, sociological, acoustical, neurological, computational). Some geographers and anthropologists have an interest in musicology so the social sciences also have an academic interest. A scholar who participates in musical research is a musicologist. Musicology traditionally is divided in three main branches: historical musicology, systematic musicology and ethnomusicology. Historical musicologists mostly study the history of the western classical music tradition, though the study of music history need not be limited to that. Ethnomusicologists draw from anthropology (particularly field research) to understand how and why people make music. Systematic musicology includes music theory, aest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Opera
The Metropolitan Opera (commonly known as the Met) is an American opera company based in New York City, resident at the Metropolitan Opera House at Lincoln Center, currently situated on the Upper West Side of Manhattan. The company is operated by the non-profit Metropolitan Opera Association, with Peter Gelb as general manager. As of 2018, the company's current music director is Yannick Nézet-Séguin. The Met was founded in 1883 as an alternative to the previously established Academy of Music opera house, and debuted the same year in a new building on 39th and Broadway (now known as the "Old Met"). It moved to the new Lincoln Center location in 1966. The Metropolitan Opera is the largest classical music organization in North America. Until 2019, it presented about 27 different operas each year from late September through May. The operas are presented in a rotating repertory schedule, with up to seven performances of four different works staged each week. Performances ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathleen Kuzmick Hansell
Kathleen Kuzmick Hansell, ''née'' Kuzmick, (born 21 September 1941) is an American musicologist and organist. Amongst her publications are pioneering research on the role of dance in 18th century opera and critical editions of opera scores by Mozart, Rossini, and Verdi.Jones, Barrie (ed.) (2014)"Hansell, Kathleen (Amy Kuzmick) (1941– )" ''The Hutchinson Concise Dictionary of Music'', p. 279. Routledge. . Life and career Hansell was born in Bridgeport, Connecticut and studied as an undergraduate at Wellesley College, receiving her BA in 1963. She then studied at the University of Illinois where she received her master's degree in music in 1969 and at the University of California, Berkeley, where she received her PhD in 1980. Her doctoral dissertation was entitled ''Opera and ballet at the Regio Ducal Teatro of Milan, 1771–1776: a musical and social history.'' She worked as an organist and teacher in Illinois from 1967 and at Grinnell College in Iowa from 1976. From 1982 she wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Critical Edition (opera)
A critical edition of an opera has been defined by American musicologist Philip Gossett as "an edition that bases itself wherever possible on the very finest and most accurate sources for an opera. That means that it must study the entire performance history of a work." Gossett continues: :In some cases of course we have an autograph manuscript, and that helps us, but it is also where many of the problems start, because composers are known to have made mistakes in their autograph manuscripts. And therefore we are required—we feel it is necessary—to intervene and to correct errors that sometimes have been perpetrated on these works by printed editions from the beginning, so they are just mistakes in the old editions, simple mistakes.Luiz Gazzola"Exclusive ''Opera Lively'' Interview with Italian Opera scholar Dr. Philip Gossett"on operalively.com. 17 June 2012. Retrieved 26 September 2013 The emergence of critical editions of many works from the 19th-century Italian operatic repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Testament
The New Testament grc, Ἡ Καινὴ Διαθήκη, transl. ; la, Novum Testamentum. (NT) is the second division of the Christian biblical canon. It discusses the teachings and person of Jesus, as well as events in first-century Christianity. The New Testament's background, the first division of the Christian Bible, is called the Old Testament, which is based primarily upon the Hebrew Bible; together they are regarded as sacred scripture by Christians. The New Testament is a collection of Christian texts originally written in the Koine Greek language, at different times by various authors. While the Old Testament canon varies somewhat between different Christian denominations, the 27-book canon of the New Testament has been almost universally recognized within Christianity since at least Late Antiquity. Thus, in almost all Christian traditions today, the New Testament consists of 27 books: * 4 canonical gospels ( Matthew, Mark, Luke, and John) * The Acts of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Protestantism
Protestantism is a Christian denomination, branch of Christianity that follows the theological tenets of the Reformation, Protestant Reformation, a movement that began seeking to reform the Catholic Church from within in the 16th century against what its followers perceived to be growing Criticism of the Catholic Church, errors, abuses, and discrepancies within it. Protestantism emphasizes the Christian believer's justification by God in faith alone (') rather than by a combination of faith with good works as in Catholicism; the teaching that Salvation in Christianity, salvation comes by Grace in Christianity, divine grace or "unmerited favor" only ('); the Universal priesthood, priesthood of all faithful believers in the Church; and the ''sola scriptura'' ("scripture alone") that posits the Bible as the sole infallible source of authority for Christian faith and practice. Most Protestants, with the exception of Anglo-Papalism, reject the Catholic doctrine of papal supremacy, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stiffelio Original 1850 Poster
''Stiffelio'' is an opera in three acts by Giuseppe Verdi, from an Italian libretto by Francesco Maria Piave. The origin of this was the novel ''Le pasteur d’hommes'', by Émile Souvestre, which was published in 1838. This was adapted into the French play ''Le pasteur, ou L'évangile et le foyer'' by Souvestre together with Eugène Bourgeois. (Its premiere was on 10 February 1849 at the Théâtre de la Porte Saint-Martin in Paris.) That play was in turn translated into Italian by Gaetano Vestri as ''Stifellius''; this formed the basis of Piave's libretto. Verdi's experience in Naples for ''Luisa Miller'' had not been a good one and he returned home to Busseto to consider the subject for his next opera. The idea for ''Stiffelio'' came from his librettist and, entering into a contract with his publisher, Ricordi, he agreed to proceed, leaving the decision as to the location of the premiere to Ricordi. This became the Teatro Grande (now the Teatro Comunale Giuseppe Verdi) in Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Traviata
''La traviata'' (; ''The Fallen Woman'') is an opera in three acts by Giuseppe Verdi set to an Italian libretto by Francesco Maria Piave. It is based on '' La Dame aux camélias'' (1852), a play by Alexandre Dumas ''fils'' adapted from his own 1848 novel. The opera was originally titled ''Violetta'', after the main character. It was first performed on 6 March 1853 at La Fenice opera house in Venice. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, "c. 1700". It was not until the 1880s that the composer's and librettist's original wishes were carried out and " realistic" productions were staged. ''La traviata'' has become immensely popular and is among the most frequently performed of all operas. Composition history For Verdi, the years 1851 to 1853 were filled with operatic activity. First, he had agreed with the librettist Salvadore Cammarano on a subject for what ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Parker
Roger Parker (born London United Kingdom, 2 August 1951) is an English musicologist and, since January 2007, has been Thurston Dart Professor of Music at King's College London. His work has centred on opera. Between 2006 and 2010, while Professor of Music at Gresham College, London, Parker presented four series of free public lectures, one example being "Verdi and Milan" in 2007 which is available on video. In addition to teaching, Parker has been active as joint editor in the preparation of critical editions of the work of 19th-century Italian composer Gaetano Donizetti for the Milan publishing house Ricordi. He also acts as Repertory Consultant to the UK's specialised recording company, Opera Rara, which has commissioned performances and recordings of rare Donizetti operas such as ''Belisario'' in 2012 and ''Les Martyrs'' in 2014. Additionally, Parker has presented talks on UK radio on aspects of opera, including his talk "Verdi 200: Viva Verdi" on BBC Radio 3 on 6 January ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
