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Stagecraft (horse)
Stagecraft is a technical aspect of theatrical, film, and video production. It includes constructing and rigging scenery; hanging and focusing of lighting; design and procurement of costumes; make-up; stage management; audio engineering; and procurement of props. Stagecraft is distinct from the wider umbrella term of scenography. Considered a technical rather than an artistic field, it is primarily the practical implementation of a scenic designer's artistic vision. In its most basic form, stagecraft may be executed by a single person (often the stage manager of a smaller production) who arranges all scenery, costumes, lighting, and sound, and organizes the cast. Regional theaters and larger community theaters will generally have a technical director and a complement of designers, each of whom has a direct hand in their respective designs. Within significantly larger productions, for example a modern Broadway show, effectively bringing a show to opening night requires the wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Edmond Jones
Robert Edmond Jones (December 12, 1887 – November 26, 1954) was an American scenic, lighting, and costume designer. He is credited with incorporating the new stagecraft into the American drama. His designs sought to integrate scenic elements into the storytelling instead of having them stand separate and indifferent from the play's action. His visual style, often referred to as simplified realism, combined bold vivid use of color and simple, yet dramatic, lighting. Life Born in Milton, New Hampshire, Jones attended Harvard University and graduated in 1910. Jones eventually moved to New York (1912), where, with friends made at Harvard, he began to do small design jobs. In 1913 Jones and several friends sailed to Europe to study the new stagecraft with Edward Gordon Craig in Florence. The school in Florence would not accept Jones, so he went to Berlin instead, spending a year in informal study with Max Reinhardt's Deutsches Theater. For a 1915 production of ''The Man ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Tragedy
Greek tragedy is a form of theatre from Ancient Greece and Greek inhabited Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes around human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play. Etymology Aristotelian hypothesis The origin of the word ''tragedy'' has been a matter of discussion from ancient times. The primary source of knowledge on the question is the ''Poeti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Play (theatre)
A play is a work of drama, usually consisting mostly of dialogue between characters and intended for theatrical performance rather than just reading. The writer of a play is called a playwright. Plays are performed at a variety of levels, from London's West End and Broadway in New York City – which are the highest level of commercial theatre in the English-speaking world – to regional theatre, to community theatre, as well as university or school productions. A stage play is a play performed and written to be performed on stage rather than broadcast or made into a movie. Stage plays are those performed on any stage before an audience. There are rare dramatists, notably George Bernard Shaw, who have had little preference as to whether their plays were performed or read. The term "play" can refer to both the written texts of playwrights and to their complete theatrical performance. Comedy Comedies are plays which are designed to be humorous. Comedies are often fill ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Theatre
West End theatre is mainstream professional theatre staged in the large theatres in and near the West End of London.Christopher Innes, "West End" in ''The Cambridge Guide to Theatre'' (Cambridge: Cambridge University Press, 1998), pp. 1194–1195, Along with New York City's Broadway theatre, West End theatre is usually considered to represent the highest level of commercial theatre in the English-speaking world. Seeing a West End show is a common tourist activity in London. Famous screen actors, British and international alike, frequently appear on the London stage. There are a total of 39 theatres in the West End, with the Theatre Royal, Drury Lane, opened in May 1663, the oldest theatre in London. The Savoy Theatre – built as a showcase for the popular series of comic operas of Gilbert and Sullivan – was entirely lit by electricity in 1881. Opening in October 2022, @sohoplace is the first new West End theatre in 50 years. The Society of London Theatre (SOLT) announc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Restoration
The Restoration of the Stuart monarchy in the kingdoms of England, Scotland and Ireland took place in 1660 when King Charles II returned from exile in continental Europe. The preceding period of the Protectorate and the civil wars came to be known as the Interregnum (1649–1660). The term ''Restoration'' is also used to describe the period of several years after, in which a new political settlement was established. It is very often used to cover the whole reign of King Charles II (1660–1685) and often the brief reign of his younger brother King James II (1685–1688). In certain contexts it may be used to cover the whole period of the later Stuart monarchs as far as the death of Queen Anne and the accession of the Hanoverian King George I in 1714. For example, Restoration comedy typically encompasses works written as late as 1710. The Protectorate After Richard Cromwell, Lord Protector from 1658 to 1659, ceded power to the Rump Parliament, Charles Fleetwood an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Proscenium
A proscenium ( grc-gre, προσκήνιον, ) is the metaphorical vertical plane of space in a theatre, usually surrounded on the top and sides by a physical proscenium arch (whether or not truly "arched") and on the bottom by the stage floor itself, which serves as the frame into which the audience observes from a more or less unified angle the events taking place upon the stage during a theatrical performance. The concept of the fourth wall of the theatre stage space that faces the audience is essentially the same. It can be considered as a social construct which divides the actors and their stage-world from the audience which has come to witness it. But since the curtain usually comes down just behind the proscenium arch, it has a physical reality when the curtain is down, hiding the stage from view. The same plane also includes the drop, in traditional theatres of modern times, from the stage level to the "stalls" level of the audience, which was the original meaning of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Globe Theatre
The Globe Theatre was a theatre in London associated with William Shakespeare. It was built in 1599 by Shakespeare's playing company, the Lord Chamberlain's Men, on land owned by Thomas Brend and inherited by his son, Nicholas Brend, and grandson, Sir Matthew Brend, and was destroyed by fire on 29 June 1613. A second Globe Theatre was built on the same site by June 1614 and stayed open until the London theatre closures of 1642. A modern reconstruction of the Globe, named " Shakespeare's Globe", opened in 1997 approximately from the site of the original theatre.Measured using Google earth Locations Examination of old property records has identified the plot of land occupied by the Globe as extending from the west side of modern-day Southwark Bridge Road eastwards as far as Porter Street and from Park Street southwards as far as the back of Gatehouse Square. The precise location of the building remained unknown until a small part of the foundations, including one orig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plen-an-gwary
A plen-an-gwarry or plain-an-gwary ( kw, Plen an Gwari), is a "playing-place" or round, a medieval amphitheatre found in Cornwall. A circular outdoor space used for plays, sports, and public events, the plen-an-gwary was a Cornish variant of a construction style found across Great Britain. Formerly common across Cornwall, only two survive nearly complete today: the ''Plain'' in St Just in Penwith () and Saint Piran's Round near Perranporth ().''St Just Plain-an-Gwarry''. Historic Cornwall. Retrieved 23 September 2012. The theatre area could be used for local gatherings, sports events, and production of plays. Cornwall culture had a type of play called miracle plays, written in the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deus Ex Machina
''Deus ex machina'' ( , ; plural: ''dei ex machina''; English "god out of the machine") is a plot device whereby a seemingly unsolvable problem in a story is suddenly and abruptly resolved by an unexpected and unlikely occurrence. Its function is generally to resolve an otherwise irresolvable plot situation, to surprise the audience, to bring the tale to a happy ending, or act as a comedic device. Origin of the expression ''Deus ex machina'' is a Latin calque . The term was coined from the conventions of ancient Greek theater, where actors who were playing gods were brought onto stage using a machine. The machine could be either a crane ('' mechane'') used to lower actors from above or a riser that brought them up through a trapdoor. Aeschylus introduced the idea, and it was used often to resolve the conflict and conclude the drama. The device is associated mostly with Greek tragedy, although it also appeared in comedies. Ancient examples Aeschylus used the device in his '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mechane
A mechane (; el, μηχανή, ''mēkhanḗ'') or machine was a crane used in Greek theatre, especially in the 5th and 4th centuries BC. Made of wooden beams and pulley systems, the device was used to lift an actor into the air, usually representing flight. This stage machine was particularly used to bring gods onto the stage from above,Plato, '' Crat.'' 425d; '' Clit''. 407a hence the Latin term ''deus ex machina'' ("god from the machine"). Euripides' use of the mechane in ''Medea'' (431 BC) is a notable use of the machine for a non-divine character. It was also often used by Aeschylus. It was used to allow actors playing gods to fly through the air. Use in ancient Rome Stage machines were also used in ancient Rome, e.g. during the sometimes highly dramatic performances at funerals. For Julius Caesar's funeral service, Appian reports a mechane that was used to present a blood-stained wax effigy of the deceased dictator to the funeral crowd. The mechane was used to turn the b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scenery Wagon
A scenery wagon, also known as a ''stage wagon'', is a mobile platform that is used to support and transport movable, three-dimensional theatrical scenery on a theater stage. In most cases, the scenery is constructed on top of the wagon such that the wagon, and the scenery it supports, forms a single, integrated structure. Heavy duty casters are mounted to the underside of the platform so that the entire assembly can be quickly moved onstage or offstage, so as to facilitate rapid scenery changes during live productions. Scenery wagons are built in a wide range of sizes, ranging from less than one square foot up to the size of the playing area of the stage. Scenery wagons comprise one of the four methods used to move scenery during the course of a theatre performance, the other three being "flying" (suspending) scenery from a fly system, elevating or lowering scenery on a stage lift, or "running" (manually carrying) the scenery. Components Casters Various caster types are used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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