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Spam Lit
Spam poetry, sometimes called spoetry, is poetic verse composed primarily from the subject lines or content of spam e-mail messages. History Several writers have claimed to have created spam poetry, and consensus has not emerged about a single origin. Some early examples come from a spam poetry competition held in 2000 by the website ''Satire Wire''. Canadian poet Rob Read began writing and sending out spam poems to a group of 'subscribers' through his Daily Treated Spam email series in September, 2003. A selection from the first two years were published as ''O Spam, Poams: Selected Daily Treated Spam'' in 2005 by BookThug. Daily Treated Spam continued until 2011, and a new series, subtitled Spamdemic, began in August 2020. Animator Don Hertzfeldt began writing spam poems in his production journal in 2004. Translator Jorge Candeias wrote Portuguese "spoems" daily, between 5 May 2003 and 5 May 2004, using spam subject lines as title and inspiration. A book entitled ''Machine Langua ...
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E-mail Spam
Email spam, also referred to as junk email, spam mail, or simply spam, refers to unsolicited messages sent in bulk via email. The term originates from a Monty Python sketch, where the name of a canned meat product, "Spam," is used repetitively, mirroring the intrusive nature of unwanted emails. Since the early 1990s, spam has grown significantly, with estimates suggesting that by 2014, it comprised around 90% of all global email traffic. Spam is primarily a financial burden for the recipient, who may be required to manage, filter, or delete these unwanted messages. Since the expense of spam is mostly borne by the recipient, it is effectively a form of " postage due" advertising, where the recipient bears the cost of unsolicited messages. This cost imposed on recipients, without compensation from the sender, makes spam an example of a " negative externality" (a side effect of an activity that affects others who are not involved in the decision). The legal definition and status of ...
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Paul Graham (computer Programmer)
Paul Graham (; born November 13, 1964) is an English-American computer scientist, writer and essayist, entrepreneur and investor. His work includes the programming language Arc, the startup Viaweb (later renamed ''Yahoo! Store''), co-founding the startup accelerator and seed capital firm Y Combinator, a number of essays and books, and the media webpage Hacker News. He is the author of the computer programming books '' On Lisp'', ''ANSI Common Lisp'', and '' Hackers & Painters''. Technology journalist Steven Levy has described Graham as a "hacker philosopher". Graham was born in England, where he and his family have maintained a permanent residence since 2016. He is also a citizen of the United States, where he attended all of his schooling and lived for 48 years prior to returning to England. Education and early life Graham and his family moved to Pittsburgh, Pennsylvania, in 1968, where he later attended the Gateway High School. Graham gained an interest in science and ...
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Literary Concepts
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.; see also Homer. Literature is a method of recording, preserving, and transmitting knowledge and entertainment. It can also have a social, psychological, spiritual, or political role. Literary criticism is one of the oldest academic disciplines, and is concerned with the literary merit or intellectual significance of specific texts. The study of books and other texts as artifacts or traditions is instead encompassed by textual criticism or the history of the book. "Literature", as an art form, is sometimes used synonymously with literary fiction, fiction written with the goal of artistic merit, but can also include works in various non-fiction ...
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Neo-Dada
Neo-Dada was an art movement with audio, visual and literary manifestations that had similarities in method or intent with earlier Dada artwork. It sought to close the gap between art and daily life, and was a combination of playfulness, iconoclasm, and appropriation. In the United States the term was popularized by Barbara Rose in the 1960s and refers primarily, although not exclusively, to work created in that and the preceding decade. There was also an international dimension to the movement, particularly in Japan and in Europe, serving as the foundation of Fluxus, Pop Art and Nouveau réalisme. Neo-Dada has been exemplified by its use of modern materials, popular imagery, and absurdist contrast. It was a reaction to the personal emotionalism of Abstract Expressionism and, taking a lead from the practice of Marcel Duchamp and Kurt Schwitters, denied traditional concepts of aesthetics. Trends Interest in Dada followed in the wake of documentary publications, such as Rober ...
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Poetic Devices
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. Poetic diction Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention. Poetic devices shape a poem and its meanings. Types of poetic dictions Sound Poetic devices that have a sonic quality achieve specific effects when heard. Words with a sound-like quality can strike readers as soothing or dissonant while evoking certain thoughts and feelings associated with them. * Alliteration–Repeated consonant sounds at the beginning of words placed near each other, usually on the same or ...
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Flarf Poetry
Flarf poetry was an ''avant-garde'' poetry movement of the early 21st century. The term ''flarf'' was coined by the poet Gary Sullivan, who also wrote and published the earliest Flarf poems. Its first practitioners, working in loose collaboration on an email mailing list, used an approach that rejected conventional standards of quality and explored subject matter and tonality not typically considered appropriate for poetry. One of their central methods, invented by Drew Gardner, was to mine the Internet with odd search terms then distill the results into humorous or disturbing poems, plays and other texts. Pioneers of the movement include Jordan Davis, Katie Degentesh, Drew Gardner, Nada Gordon, Mitch Highfill, Rodney Koeneke, Michael Magee, Sharon Mesmer, Mel Nichols, Katie F-S, K. Silem Mohammad, Rod Smith, Gary Sullivan and others. Overview Joyelle McSweeney wrote in the ''Constant Critic'': Joshua Clover wrote in ''The Claudius App'': In 2007, Barrett Watten, a poet ...
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Listserv
The term Listserv (styled by the registered trademark licensee, L-Soft International, Inc., as LISTSERV) has been used to refer to electronic mailing list software applications in general, but is more properly applied to a few early instances of such software, which allows a sender to send one email to a list, which then transparently sends it on to the addresses of the subscribers to the list. The original Listserv software, the Bitnic Listserv (also known as BITNIC LISTSERV) (1984–1986), allowed mailing lists to be implemented on IBM VM mainframes and was developed by Ira Fuchs, Daniel Oberst, and Ricky Hernandez in 1984. This mailing list service was known as Listserv@Bitnic (also known as LISTSERV@BITNIC) and quickly became a key service on the BITNET network. It provided functionality similar to a UNIX Sendmail alias and, as with Sendmail, subscriptions were managed manually. In 1986, Éric Thomas developed an independent application, originally named "Revised Listser ...
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Public Domain
The public domain (PD) consists of all the creative work to which no Exclusive exclusive intellectual property rights apply. Those rights may have expired, been forfeited, expressly Waiver, waived, or may be inapplicable. Because no one holds the exclusive rights, anyone can legally use or reference those works without permission. As examples, the works of William Shakespeare, Ludwig van Beethoven, Miguel de Cervantes, Zoroaster, Lao Zi, Confucius, Aristotle, L. Frank Baum, Leonardo da Vinci and Georges Méliès are in the public domain either by virtue of their having been created before copyright existed, or by their copyright term having expired. Some works are not covered by a country's copyright laws, and are therefore in the public domain; for example, in the United States, items excluded from copyright include the formulae of Classical mechanics, Newtonian physics and cooking recipes. Other works are actively dedicated by their authors to the public domain (see waiver) ...
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Spam (electronic)
Spamming is the use of messaging systems to send multiple unsolicited messages (spam) to large numbers of recipients for the purpose of commercial advertising, non-commercial proselytizing, or any prohibited purpose (especially phishing), or simply repeatedly sending the same message to the same user. While the most widely recognized form of spam is email spam, the term is applied to similar abuses in other media: messaging spam, instant messaging spam, Newsgroup spam, Usenet newsgroup spam, spamdexing, Web search engine spam, spam in blogs, wiki spam, classified advertising, online classified ads spam, mobile phone spam, mobile phone messaging spam, Forum spam, Internet forum spam, junk fax, junk fax transmissions, social spam, spam mobile apps, television advertising and file sharing spam. It is named after Spam (food), Spam, a luncheon meat, by way of a Spam (Monty Python sketch), Monty Python sketch about a restaurant that has Spam in almost every dish in which Vikings annoyi ...
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Dada
Dada () or Dadaism was an anti-establishment art movement that developed in 1915 in the context of the Great War and the earlier anti-art movement. Early centers for dadaism included Zürich and Berlin. Within a few years, the movement had spread to New York City and a variety of artistic centers in Europe and Asia. Within the umbrella of the movement, people used a wide variety of artistic forms to protest the logic, reason, and aestheticism of modern capitalism and modern war. To develop their protest, artists tended to make use of nonsense, irrationality, and an anti-bourgeois sensibility. The art of the movement began primarily as performance art, but eventually spanned visual, literary, and sound media, including collage, sound poetry, cut-up technique, cut-up writing, and sculpture. Dadaist artists expressed their discontent toward violence, war, and nationalism and maintained political affinities with radical politics on the left-wing and far-left politics. The movem ...
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Limerick (poetry)
A limerick ( ) is a form of verse that appeared in England in the early years of the 18th century. In combination with a refrain, it forms a limerick (song), limerick song, a traditional humorous drinking song often with obscene verses. It is written in five-line, predominantly Anapaest, and amphibrach trimeter with a strict rhyme scheme of AABBA, in which the first, second and fifth line rhyme, while the third and fourth lines are shorter and share a different rhyme. It was popularized by Edward Lear in the 19th century, although he did not use the term. From a Folklore, folkloric point of view, the form is essentially transgressive; violation of taboo is part of its function. According to Gershon Legman, who compiled the largest and most scholarly anthology, this folk form is always obscene and the exchange of limericks is almost exclusive to comparatively well-educated men. Women are figuring in limericks almost exclusively as "villains or victims". Legman dismissed the "clea ...
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Concrete Poetry
Concrete poetry is an arrangement of linguistic elements in which the typographical effect is more important in conveying meaning than verbal significance. It is sometimes referred to as visual poetry, a term that has now developed a distinct meaning of its own. Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject. Development Though the term 'concrete poetry' is modern, the idea of using letter arrangements to enhance the meaning of a poem is old. Such shaped poetry was popular in Greek Alexandria during the 3rd and 2nd centuries BCE, although only the handful which were collected together in the ''Greek Anthology'' now survive. Examples include poems by Simmias of Rhodes in the shape of an egg, wings and a ha ...
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