Sometime In Oldchurch
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Sometime In Oldchurch
''Sometime In Oldchurch'' is the sixth studio album by the English band The Rubettes. It was released on the Polydor Records label in March 1978. Two singles were released from the album, both in advance: "Come On Over" and "Sometime In Oldchurch". In 1992, Dice Records (France) released the Rubettes' fifth and sixth albums ('' Baby I Know'' and ''Sometime In Oldchurch'') as a double CD set. Track listing ;Side 1 #"Great Be The Nation" (Alan Williams) - 5:20 #"Come On Over" (Alan Williams) - 4:00 #"Sometime In Oldchurch" ( John Richardson, Alan Williams) - 4:35 #"Top Of The World" (Tony Thorpe) - 6:16 ;Side 2 #"Alimonia" (John Richardson) - 3:15 #"Say What You Mean" (John Richardson) - 4:24 #"Eva St. Clair" (Mike Gower, Alan Williams) - 5:40 #"You Make It Hard" (Tony Thorpe) - 2:48 #"Let Him Bleed" (John Richardson) - 4:15Original album sleeve notes Singles :1. "Come On Over"/"Let Him Bleed" - October 1977 :2. "Sometime In Oldchurch"/"Top Of The World" - February 1978 Personn ...
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The Rubettes
The Rubettes are an English pop/glam rock band put together in 1974 after the release of " Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor Records, and his co-songwriter, Tony Waddington after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Waddington paired the group with manager John Morris, the husband of singer Clodagh Rodgers and under his guidance, the band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. Their first release, "Sugar Baby Love" was an instant hit remaining at number one in the United Kingdom for four weeks in May 1974, while reaching number 37 on the US chart that August, and remains their best-known record. Subsequent releases were to be less successful, but the band continued to tour well into the 2000s with two line-ups in existence. H ...
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Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre and form of rock music characterized by a strong commercial appeal, with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the Beat (music), beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with Pop music, pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less Authenticity in art#Authenticity of performance, authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, roc ...
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Rock & Roll
Rock and roll (often written as rock & roll, rock-n-roll, and rock 'n' roll) is a Genre (music), genre of popular music that evolved in the United States during the late 1940s and early 1950s. It Origins of rock and roll, originated from African American music such as jazz, rhythm and blues, boogie-woogie, electric blues, gospel music, gospel, and jump blues, as well as from country music. While rock and roll's formative elements can be heard in blues records from the 1920s and in country records of the 1930s,Peterson, Richard A. Creating Country Music: Fabricating Authenticity' (1999), p. 9, . the genre did not acquire its name until 1954. According to the journalist Greg Kot, "rock and roll" refers to a style of popular music originating in the United States in the 1950s. By the mid-1960s, rock and roll had developed into "the more encompassing international style known as rock music, though the latter also continued to be known in many circles as rock and roll".Kot, Greg"Rock ...
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Country Rock
Country rock is a music genre that fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' (Backbeat Books, 3rd ed., 2002), p. 1327. Country rock began with artists like Waylon Jennings, Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, New Riders of the Purple Sage, Linda Ronstadt, Little Feat, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including The Band, the ...
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Polydor Records
Polydor Limited, also known as Polydor Records, is a British record label that operates as part of Universal Music Group. It has a close relationship with Universal's Interscope Geffen A&M Records label, which distributes Polydor's releases in the United States. In turn, Polydor distributes Interscope releases in the United Kingdom. Polydor Records Ltd. was established in London in 1954 as a British subsidiary of German company Deutsche Grammophon, Deutsche Grammophon/Schallplatte Grammophon GmbH. It was renamed Polydor Ltd. in 1972. The company is usually mentioned as "Polydor Ltd. (UK)", or a similar form, for holding copyrights. Notable current and past artists signed to the label include Rainbow (rock band), Rainbow, Siouxsie and the Banshees, Yngwie J. Malmsteen, the Cure, James Brown, Ray, Goodman & Brown, Atlanta Rhythm Section, John Mayall, Deep Purple, Cream (band), Cream, the Moody Blues, the Who, Jimi Hendrix, Bee Gees, Lana Del Rey, Stephen Fretwell, the Jam, Style C ...
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Alan Blakley
Alan David Blakley (1 April 1942 – 1 June 1996) was a British musician and record producer. A member of the Tremeloes from 1958 to 1996. He was the father of actress Claudie Blakley. As a producer, he worked on the hit song She's Gonna Win for Bilbo, and nearly all the studio albums for glam rock sensations The Rubettes. Blakley left the Tremeloes in 1975 to produce for Bilbo and Rubettes, eventually returning a few years later. Alan was forced to retire in 1996 due to cancer, which he died from not long after, aged 54. Career The Tremeloes Blakley is best known as the rhythm guitarist and keyboard player with the Tremeloes. He was the co-writer of most of their hits until January 1972, when he started writing for other bands. Blakley formed Brian Poole and the Tremeloes (originally spelt grammatically correct as “Tremoloes”) in 1958. They initially found success in the British Invasion era with lead singer Brian Poole, scoring a UK chart-topper in 1963 wi ...
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Baby I Know
''Baby I Know'' is the fifth studio album by the English band The Rubettes. It was released on the State Records label in April 1977. The album contained five singles, three UK and two non-UK, including the band's two last charting UK singles - "Under One Roof" and "Baby I Know". In 1992, Dice Records (France) released the Rubettes' fifth and sixth albums (''Baby I Know'' and '' Sometime In Oldchurch'') as a double CD set. In 2015, Caroline Records released the album ''Baby I Know'', with three bonus tracks, as part of a box CD set of the Rubettes' first five studio albums. Track listing ;Side 1 #"Summertime Rock'n'Roll" ( John Richardson, Alan Williams) - 3:02 #"Baby I Know" (John Richardson, Alan Williams) - 4:18 #"I'm In Love With You" (Mick Clarke) - 4:25 #"Ooh La La" (John Richardson, Alan Williams) - 3:35 #"Ladies Of Laredo" (John Richardson, Alan Williams, Mick Clarke, Tony Thorpe) - 5:38 ;Side 2 #"Rock'n'Roll Lady" (John Richardson, Alan Williams) - 2:58 #"Allez Oop" ...
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Still Unwinding
''Still Unwinding'' is the seventh studio album by the English band The Rubettes. It was released on the Polydor label in October 1978, just seven months after their previous studio album ''Sometime In Oldchurch''. It was the last album the band released in the 1970s - their next album ''Shangri'la'', despite being recorded in 1979, was not released until 1992. The album contained two singles, both released in advance of the album - "Goodbye Dolly Gray" and "Movin'". In 1992, Dice Records (France) released the Rubettes' seventh and eighth albums (''Still Unwinding'' and ''Shangri'la'') as a double CD set. Track listing ;Side 1 #"Movin'" (Tony Thorpe) - 4:05 #"No No Cherie" (John Richardson) - 3:20 #"Still Unwinding" (John Richardson) - 4:36 #"New York Tower" (Alan Williams) - 4:48 #"San Andreas" (John Richardson) - 3:32 ;Side 2 #"Goodbye Dolly Gray" (John Richardson, Alan Williams) - 4:14 #"Truth Of The Matter" (Alan Williams) - 4:02 #"When Hays Was Young" (Tony Thorpe) - 4:18 ...
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Record Label
"Big Three" music labels A record label or record company is a brand or trademark of Sound recording and reproduction, music recordings and music videos, or the company that owns it. Sometimes, a record label is also a Music publisher, publishing company that manages such brands and trademarks, coordinates the production, manufacturing, manufacture, distribution (marketing), distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting Artists and repertoire, talent scouting and development of new artists, artist financing and maintaining Recording contract, contracts with recording artists and their managers. The term "record label" derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer ...
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Jayadev (Musician)
The Rubettes are an English pop/glam rock band put together in 1974 after the release of "Sugar Baby Love", a recording assembled of studio session musicians in 1973 by the songwriting team of Wayne Bickerton, the then head of A&R at Polydor Records, and his co-songwriter, Tony Waddington after their doo-wop and 1950s American pop-influenced songs had been rejected by a number of existing acts. Waddington paired the group with manager John Morris, the husband of singer Clodagh Rodgers and under his guidance, the band duly emerged at the tail end of the glam rock movement, wearing trademark white suits and cloth caps on stage. Their first release, "Sugar Baby Love" was an instant hit remaining at number one in the United Kingdom for four weeks in May 1974, while reaching number 37 on the US chart that August, and remains their best-known record. Subsequent releases were to be less successful, but the band continued to tour well into the 2000s with two line-ups in existence. Hi ...
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Mick Clarke (bassist)
Mick Clarke may refer to: * Mick Clarke (footballer) * Mick Clarke (musician) See also * Mick Clark, English rugby league player * Michael Clarke (other) Michael or Mike Clarke may refer to: * J. Michael Clarke, British acoustic and electroacoustic musician * Michael Clarke (skier) (born 1970), Australia's first world champion in a winter sport * Michael Clarke (academic), British academic who speci ...
{{hndis, Clarke, Mick ...
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The Rubettes Albums
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee'') ...
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