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Solus (typeface)
Solus is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation and released in 1929. Solus has a structure of straight, regular serifs reminiscent of slab-serif typefaces of the nineteenth century, but with a reduced build giving an impression of crispness. Along with these characteristics, Solus bears the distinct personality of Gill's characteristic preferences in letterforms, such as the pointed end to the top left of the letter 'a'. James Mosley describes Solus as "essentially a mechanistic type — a ‘light Egyptian’", a conclusion also reached by editor Robert Harling in his book on Gill's work. Solus was not particularly popular during the metal type period, which Harling suggests was because it was too similar to Gill's pre-existing Perpetua, not having an italic and having little appeal in display use, unlike more aggressive slab serif designs. see also Harling's ''The Type Designs of Eric Gill'' in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solus Artwork , a serif typeface
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Solus may refer to: *Solus or Soluntum, an ancient city of Sicily * ''Solus'' (comics), an American comic book series *Solus (operating system), an operating system based on the Linux kernel * ''Solus'' (moth), a genus of moths in the family Saturniidae *Solus (typeface) Solus is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation and released in 1929. Solus has a structure of straight, regular serifs reminiscent of slab-serif typefaces of the ninet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Tracy
Walter Valentine Tracy RDI (14 February 1914 – 28 April 1995) was an English type designer, typographer and writer. Biography Walter Tracy was born in Islington, London and attended Shoreditch Secondary school. At the age of fourteen he was apprenticed to the large printing firm William Clowes as a compositor. When he had completed his apprenticeship, Tracy went to work in the typographic studio of The Baynard Press, a printing house. From 1938 to 1946, Tracy had been rejected by the army's medical examination, he worked in an advertising agency as a print buyer. From 1947 Tracy began to work part-time for the British Linotype & Machinery Ltd. (L&M) company, a subsidiary of Mergenthaler Linotype. The following year he was hired as a full-time employee by L&M, where he was going to spend the following 30 years. There he became involved with designing typefaces for newspapers, and classified advertising. His typeface Jubilee, designed to be more robust than Stanley Moriso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monotype Typefaces
Monotype fonts were developed by the Monotype company. This name has been used by three firms. Two of them had their roots in "hot metal" or lead type in the printing industry. They did not adapt when the market changed as computer, offset and photographic systems became dominant. These were: * Lanston Monotype Cooperation in Philadelphia, USA * The Monotype Corporation Limited in Salfords, UK A third firm produces fonts for computer use: * Monotype Imaging Inc. The latter firm is in a sense the successor to the English Monotype factory. It has the rights to the original designs, and later obtained rights to many more designs from other sources. The remains of the production archive and what is left of the machines are at the Type Museum in London, England. There the original matrices can still be accessed and parts of the old machines ordered. The collection itself is the property of the British Science Museum. The survival of the Type Museum is threatened since the building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slab Serif Typefaces
Slab or SLAB may refer to: Physical materials * Concrete slab, a flat concrete plate used in construction * Stone slab, a flat stone used in construction * Slab (casting), a length of metal * Slab (geology), that portion of a tectonic plate that is subducting ** Slab pull force, the tectonic plate force due to subduction ** Slab suction, one of the major plate tectonic driving forces ** Slab window, a gap that forms in a subducted oceanic plate ** Slab (fossil) and counter slab, the two counterparts of a fossil impression * Slab hut, a kind of dwelling made from slabs of split or sawn timber * Slab of beer, a flat package containing a large number of cans of beer Places * Slab Point, a rocky point in the South Shetland Islands, Antarctica United States * Slab, West Virginia, an unincorporated community in Ritchie County, West Virginia * Slab City, California, a locality in the Colorado Desert * Slab City, Wisconsin, an unincorporated community in Shawano County, Wisconsin * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Optical Size
In metal typesetting, a font is a particular size, weight and style of a typeface. Each font is a matched set of type, with a piece (a " sort") for each glyph. A typeface consists of a range of such fonts that shared an overall design. In modern usage, with the advent of computer fonts, the term "font" has come to be used as a synonym for "typeface", although a typical typeface (or "font family") consists of a number of fonts. For instance, the typeface "Bauer Bodoni" (sample shown here) includes fonts " Roman" (or "Regular"), "Bold" and ''" Italic"''; each of these exists in a variety of sizes. The term "font" is correctly applied to any one of these alone but may be seen used loosely to refer to the whole typeface. When used in computers, each style is in a separate digital "font file". In both traditional typesetting and modern usage, the word "font" refers to the delivery mechanism of the typeface. In traditional typesetting, the font would be made from metal or wood type: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kris Sowersby
The kris, or ''keris'' in the Indonesian language, is an asymmetrical dagger with distinctive blade-patterning achieved through alternating laminations of iron and nickelous iron (''pamor''). Of Javanese origin, the kris is famous for its distinctive wavy blade, although many have straight blades as well, and is one of the weapons commonly used in the '' pencak silat'' martial art native to Indonesia. A kris can be divided into three parts: blade ( or ), hilt (), and sheath (). Each part of the kris is considered a piece of art, often carved in meticulous detail and made from various materials: metal, precious or rare types of wood, or gold or ivory. A kris's aesthetic value covers the (the form and design of the blade, with around 60 variants), the (the pattern of metal alloy decoration on the blade, with around 250 variants), and referring to the age and origin of a kris. Depending on the quality and historical value of the kris, it can fetch thousands of dollars or more. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joanna (typeface)
Joanna is a serif typeface designed by Eric Gill (1882–1940) in the period 1930–31, and named for one of his daughters. Gill chose Joanna for setting ''An Essay on Typography,'' a book by Gill on his thoughts on typography, typesetting, and page design. He described it as "a book face free from all fancy business". Design Joanna is based on the traditional old-style serif model of the Renaissance. However, the spare, sharp squared serifs and minimal contrast of strokes give the design a 20th-century modernist feeling, reminiscent of the Didone and slab serifs of the nineteenth century but far lighter than most typefaces of this genre. This is very similar to Gill's earlier typeface Solus, also rather light and monoline with horizontal serifs similar to Monotype's pre-existing Bodoni 135 typeface. (Solus was never particularly popular, perhaps because it did not have an italic.) Many of the letter forms of Joanna are characteristic of Gill's preferences, for example the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Type
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Owing to the influence from calligraphy, italics normally slant slightly to the right. Italics are a way to emphasise key points in a printed text, to identify many types of creative works, to cite foreign words or phrases, or, when quoting a speaker, a way to show which words they stressed. One manual of English usage described italics as "the print equivalent of Underline, underlining"; in other words, underscore in a manuscript directs a typesetter to use italic. The name comes from the fact that calligraphy-inspired typefaces were first designed in Italy, to replace documents traditionally written in a handwriting style called chancery hand. Aldus Manutius and Ludovico Arrighi (both between the 15th and 16th centuries) were the main type designers involved in this process at the time. Along with blackletter and Roman type, it served as one of the major typefaces in the history ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perpetua (typeface)
Perpetua is a serif typeface that was designed by English sculptor and stonemason Eric Gill for the British Monotype Corporation. Perpetua was commissioned at the request of Stanley Morison, an influential historian of printing and adviser to Monotype around 1925, at a time when Gill's reputation as a leading artist-craftsman was high. Perpetua was intended as a crisp, contemporary design not following any specific historic model, with a structure influenced by Gill's experience of carving lettering for monuments and memorials. Perpetua is commonly used for covers and headings and also sometimes for body text; it has been particularly popular in fine book printing. Perpetua was released with characters for the Greek alphabet and a matching set of titling capitals for headings. Perpetua is named for the Christian martyr Vibia Perpetua, an account of whose life was used in one of its first showings; its companion italic is named "Felicity" for her companion of that name. The choi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Harling (typographer)
Robert Henry Harling (27 March 1910 in London – 1 July 2008 in Godstone, Surrey) was a British typographer, designer, journalist and novelist who lived to the age of 98. Early life and work Robert Harling's success came despite an unpromising upbringing. He was born in Highbury, London, in 1910, and was orphaned at an early age being brought up by his mother's friend, a nurse whom he regarded as an ''aunt''. After her marriage they moved to Brighton, bringing him in contact with the Royal Pavilion, and a lifelong appreciation for architecture and design, and the Sea, where he learnt to swim and sail. With the death of his ''uncle'' he returned to Islington with his ''aunt'', and was enrolled in Owen's School. This was the story he put about. "Later research showed this was complete invention. He grew up and went to school in Islington, with a living mother and a father who drove a London taxi. He had a brother and a first wife who, like his parents, had been ruthlessly excis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serif
In typography, a serif () is a small line or stroke regularly attached to the end of a larger stroke in a letter or symbol within a particular font or family of fonts. A typeface or "font family" making use of serifs is called a serif typeface (or serifed typeface), and a typeface that does not include them is sans-serif. Some typography sources refer to sans-serif typefaces as "grotesque" (in German language, German, ) or "Gothic", and serif typefaces as "Roman type, roman". Origins and etymology Serifs originated from the first official Greek writings on stone and in Latin alphabet with Roman square capitals, inscriptional lettering—words carved into stone in Roman Classical antiquity, antiquity. The explanation proposed by Father Edward Catich in his 1968 book ''The Origin of the Serif'' is now broadly but not universally accepted: the Roman letter outlines were first painted onto stone, and the stone carvers followed the brush marks, which flared at stroke ends and corners, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Mosley
James Mosley (born 1935) is a retired librarian and historian whose work has specialised in the history of printing and letter design. The main part of Mosley's career has been 42 years as Librarian of the St Bride Printing Library in London, where he curated and worked to expand the museum's large collection of printing and lettering materials, books and examples. This collection greatly expanded with the close of the metal type era, which saw many companies and printing shops selling off their equipment and archives. Mosley also expanded the library's collection of lettering and signs. He has also been a lecturer and professor at the University of Reading since 1964, and founded the British Printing Historical Society in that year. Particular areas of focus of his career have been, in Britain, William Caslon, Vincent Figgins and Talbot Baines Reed, Eric Gill (with whose brother Evan he worked in the 1950s), and, in Europe, the Romain du Roi. Education Mosley grew up in Tw ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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