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Slap House
A : Emphasizes a repetitive, hypnotic and trance-like style, often with samples or spoken lines instead of lyrics. It has core electronic "squelch" sounds that were developed around the mid-1980s, particularly by DJs from Chicago who experimented with the Roland TB-303 electronic synthesizer-sequencer. : Afro house is the South African subgenre of house music that started as a niche underground genre involving elements of kwaito, tribal house, deep house, and soulful house music. : Afro tech is a subgenre of house music which originates and is predominantly made in South Africa. It is a combination of classic techno sounds, led by African percussion and various indigenous African instruments. : Amapiano is a popular style of house originating in Gauteng, South Africa in mid to late 2010s. Amapiano is a sophisticated hybrid of deep house, jazz and lounge music characterized by synths, airy pads, wide (log drum) basslines, and deep low pitched kicks. : Ambient house is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acid House
Acid house (also simply known as just " acid") is a subgenre of house music developed around the mid-1980s by DJs from Chicago. The style is defined primarily by the squelching sounds and basslines of the Roland TB-303 electronic bass synthesizer-sequencer, an innovation attributed to Chicago artists Phuture and Sleezy D circa 1986. Acid house soon became popular in the United Kingdom and continental Europe, where it was played by DJs in the acid house and later rave scenes. By the late 1980s, acid house had moved into the British mainstream, where it had some influence on pop and dance styles. Acid house brought house music to a worldwide audience. The influence of acid house can be heard in later styles of dance music including trance, hardcore, jungle, big beat, techno and trip hop. Characteristics Acid house's minimalist sound combined house music's ubiquitous programmed four-on-the-floor 4/4 beat with the electronic squelch sound produced by the Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balearic Beat
Balearic beat, also known as Balearic house, Balearic, Ibiza house or Ibizan chillout, is an eclectic blend of DJ-led dance music that emerged in the mid-1980s. It later became the name of a more specific style of electronic dance/house music that was popular into the mid-1990s. Balearic beat was named for its popularity among European nightclub and beach rave patrons on the Balearic island of Ibiza, a popular tourist destination. Some dance music compilations referred to it as "the sound of Ibiza", even though many other, more aggressive and upbeat forms of dance music could be heard on the island, such as Balearic trance. History This style was popularized at Amnesia, an Ibizan nightclub, by DJ Alfredo from Argentina, who had a residency there. DJ Alfredo, whose birth name is Alfredo Fiorito, has been credited as the "Father of the Balearic beat". Alfredo played an eclectic mix of dance music with his style encompassing the indie hypno grooves of the Woodentops, the mystic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Room House
Big room house or simply big room is a fusion subgenre of house music (notably progressive house and electro house) that gained popularity in the early 2010s. Although the term "big room" started appearing in news articles circa 2007, the current state of this subgenre emerged around 2010—12 and was popularized by songs such as "Epic" and " Cannonball". From 2013 on, artists like Martin Garrix, KSHMR, Dimitri Vegas & Like Mike, Hardwell, Nicky Romero, Afrojack, and R3HAB began experimenting with this sound in their compositions. The genre is generally set at a tempo that falls between 126 and 132 BPM. Songs typically include long buildups followed by an electro-style drop accompanied by the four on the floor kick drums typical of house music. Melodies are often simple and minimal, though a Techno-inspired supersaw is frequently used. History By the fall of 2012, the popularity of Electronic dance music (EDM) had exploded. EDM-only festivals began to pop up all over ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Bass
UK bass, also called bass music, is club music that emerged in the United Kingdom during the mid-2000s under the influence of diverse genres such as house, grime, dubstep, Future garage, R&B, and UK funky. The term "UK bass" came into use as artists began ambiguously blending the sounds of these defined genres while maintaining an emphasis on percussive, bass-led rhythm. UK bass is sometimes conflated with bassline or post-dubstep. It is not to be confused with the hip hop and electro-based genre Miami bass, which is sometimes called "bass music" as well. Origins The breadth of styles that have come to be associated with the term preclude it from being a specific musical genre. ''Pitchfork'' writer Martin Clark has suggested that "well-meaning attempts to loosely define the ground we're covering here are somewhat futile and almost certainly flawed. This is not one genre. However, given the links, interaction, and free-flowing ideas… you can't dismiss all these acts as unre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Riddim (EDM)
Riddim (also called Trench) is a subgenre of dubstep known for its heavy use of repetitive and minimalist sub-bass and triplet percussion arrangements. It shares the same name as the Jamaican genre that influenced both it and dubstep, which originally derived from dub, reggae, and dancehall. Originating in the United Kingdom, specifically Croydon, in the early 2010s as a resurgence of the style used by early dubstep works, riddim started to gain mainstream presence in the electronic music scene around 2015. Despite receiving criticism for its sometimes repetitive drops, it has grown in popularity due to various well-known electronic music DJs playing songs of the subgenre in their live sets as well as various well-known electronic music artists producing the genre. History Origins and evolution The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm". The derived genre originally stemmed from dub, reggae, and dancehall. Although the term was widely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary R&B
Contemporary R&B (or simply R&B) is a popular music Music genre, genre, originating from African Americans, African-American musicians in the 1980s that combines rhythm and blues with elements of Pop music, pop, Soul music, soul, funk, Hip-hop, hip hop, and electronic music. The genre features a distinctive Record producer, record production style and a smooth, lush style of vocal arrangement. Electronic music, Electronic influences and the use of hip hop or electronic dance music, dance-inspired beat (music), beats are typical, although the roughness and grit inherent in hip hop may be reduced and smoothed out. Contemporary R&B vocalists often use melisma, and since the mid-1980s, R&B rhythms have been combined with elements of hip hop culture and music, pop culture and pop music. Precursors According to Geoffrey Himes speaking in 1989, the progressive soul movement of the early 1970s "expanded the musical and lyrical boundaries of [R&B] in ways that haven't been equaled since" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hip Hop Music
Hip-hop or hip hop (originally disco rap) is a popular music Music genre, genre that emerged in the early 1970s from the African Americans, African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire hip-hop culture, subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and hip hop production, instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly The Bronx, Bronx. DJs began expanding the instrumental Break (music), breaks of popular records when they noticed how excited it would make the crowds. The extend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miami Bass
Miami bass (also known as booty music or booty bass) is a subgenre of hip hop music that became popular in the 1980s and 1990s. The use of drums from the Roland TR-808, sustained kick drum, heavy bass, raised dance tempos, and frequently sexually explicit lyrical content differentiate it from other hip hop subgenres. Music author Richie Unterberger has characterized Miami bass as using rhythms with a "stop-start flavor" and "hissy" cymbals with lyrics that "reflected the language of the streets, particularly Miami's historically black neighborhoods such as Liberty City, Goulds, and Overtown". Despite Miami bass never having consistent mainstream acceptance, early national media attention in the 1980s resulted in a profound impact on the development of hip hop, dance music, and pop. History 1980s origins During the 1980s, the focus of Miami bass tended to be on DJs and record producers, rather than individual performers. Record labels such as Pandisc, HOT Records, 4-Si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghetto House
Ghetto house or booty house is a subgenre of house music which started being recognized as a distinct style from around 1992 onwards. It features minimal 808 and 909 drum machine-driven tracks and sometimes sexually explicit lyrics. The template of classic Chicago house music (primarily, "It's Time for the Percolator" by Cajmere) was used with the addition of sexual lyrics. It has usually been made on minimal equipment with little or no effects. It usually features either a " 4-to-the-floor" kick drum or beat-skipping kick drums such as those found in the subgenre "juke" (full sounding, but not too long or distorted) along with Roland 808 and 909 synthesized tom-tom sounds, minimal use of analogue synths, and short, slightly dirty sounding (both sonically and lyrically) vocals samples, often repeated in various ways. Also common are 808 and 909 clap sounds, and full " rapped" verses and choruses. Ghetto house music artists include: DJ Deeon, Jammin' Gerald, DJ Funk, DJ M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltimore Club
Baltimore club, also called B'more club, B'more house or simply B'more, is a music genre that fuses breakbeat and house. It was created in Baltimore in the early 1990s by Frank Ski, Scottie B, Shawn Caesar, DJ Technics, DJ Class, DJ Patrick, Kenny B, among others. Baltimore club is based on an 8/4 beat structure, and includes tempos around 130 beats per minute. It combines repetitive, looped vocal snippets similar to trap, bounce, ghetto house and ghettotech . The instrumental tracks include heavy breakbeats and call and response stanzas similar to those found in the go-go music of neighboring city Washington, D.C. The most prominent breakbeats sampled include "Sing Sing" by disco band "Gaz" and "Think (About It)" by Lyn Collins. History Origins Early promoters of Baltimore club included Scottie B and his colleagues at Unruly Records. UK breakbeat hardcore records were influential to the genre. "The Blapps!" Records label released several British rave classic records ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
