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Shi Tao
Shitao or Shi Tao (; other department Yuan Ji (), 1642 – 1707), born into the Ming dynasty imperial clan as Zhu Ruoji (朱若極), was a Chinese Buddhist monk, calligrapher, and landscape painter during the early Qing dynasty. Born in the Quanzhou County in Guangxi province, Shitao was a member of the royal house descended from the elder brother of Zhu Yuanzhang. He narrowly avoided catastrophe in 1644 when the Ming dynasty fell to invading Manchus and civil rebellion. Having escaped by chance from the fate to which his lineage would have assigned him, he assumed the name Yuanji Shitao no later than 1651 when he became a Buddhist monk. He moved from Wuchang, where he began his religious instruction, to Anhui in the 1660s. Throughout the 1680s he lived in Nanjing and Yangzhou, and in 1690 he moved to Beijing to find patronage for his promotion within the monastic system. Frustrated by his failure to find a patron, Shitao converted to Daoism in 1693 and returned to Yangzhou wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtesy Name
A courtesy name ( zh, s=字, p=zì, l=character), also known as a style name, is an additional name bestowed upon individuals at adulthood, complementing their given name. This tradition is prevalent in the East Asian cultural sphere, particularly in China, Japan, Korea, Taiwan and Vietnam. Courtesy names are a marker of adulthood and were historically given to men at the age of 20, and sometimes to women upon marriage. Unlike art names, which are more akin to pseudonyms or pen names, courtesy names served a formal and respectful purpose. In traditional Chinese society, using someone's given name in adulthood was considered disrespectful among peers, making courtesy names essential for formal communication and writing. Courtesy names often reflect the meaning of the given name or use homophonic characters, and were typically disyllabic after the Qin dynasty. The practice also extended to other East Asian cultures, and was sometimes adopted by Mongols and Manchu people, Manchus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ink Wash Painting
Ink wash painting ( zh, t=水墨畫, s=水墨画, p=shuǐmòhuà) is a type of Chinese ink brush painting which uses Wash (visual arts), washes of black ink, such as that used in East Asian calligraphy, in different concentrations. It emerged during the Tang dynasty of China (618–907), and overturned earlier, more Realism (arts), realistic techniques. It is typically monochrome, using only shades of black, with a great emphasis on virtuoso brushwork and conveying the perceived "spirit" or "essence" of a subject over direct Mimesis, imitation. Ink wash painting flourished from the Song dynasty in China (960–1279) onwards, as well as in Japan after it was introduced by Zen Buddhist monks in the Muromachi period, 14th century. Some Western scholars divide Chinese painting (including ink wash painting) into three periods: times of representation, times of expression, and historical Oriental art. Chinese scholars have their own views which may be different; they believe that contempo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chan Buddhism
Chan (; of ), from Sanskrit '' dhyāna'' (meaning " meditation" or "meditative state"), is a Chinese school of Mahāyāna Buddhism. It developed in China from the 6th century CE onwards, becoming especially popular during the Tang and Song dynasties. Chan is the originating tradition of Zen Buddhism (the Japanese pronunciation of the same character, which is the most commonly used English name for the school). Chan Buddhism spread from China south to Vietnam as Thiền and north to Korea as Seon, and, in the 13th century, east to Japan as Japanese Zen. History The historical records required for a complete, accurate account of early Chan history no longer exist. Periodisation The history of Chan in China can be divided into several periods. Zen, as we know it today, is the result of a long history, with many changes and contingent factors. Each period had different types of Zen, some of which remained influential, while others vanished. Andy Ferguson distinguishes thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mount Huang
Huangshan ( zh, s=黄山),Bernstein, pp. 125–127. literally meaning the Yellow Mountain(s), is a mountain range in southern Anhui province in eastern China. It was originally called "Yishan", and it was renamed because of a legend that Emperor Xuanyuan once made alchemy here. Vegetation on the range is thickest below , with trees growing up to the treeline at . The area is well known for its scenery, sunsets, peculiarly-shaped granite peaks, Huangshan pine trees, hot springs, winter snow and views of the clouds from above. Huangshan is a frequent subject of traditional Chinese paintings and literature, as well as modern photography. It is a UNESCO World Heritage Site and one of China's major tourist destinations. Physical description The Huangshan mountain range has many peaks, some more than 1,000 meters (3,250 feet) high. The three tallest and best-known peaks are ''Lotus Peak'' (Lianhua Feng, 1,864 m), ''Bright Peak'' (Guangming Ding, 1,860 m) and ''Celestial Pea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zhang Rong (poet)
Zhang Rong (; 443–497), courtesy name Siguang (), was a Chinese official and poet during the period of the Northern and Southern Dynasties. A native of Jiangsu, he entered upon official life as secretary to the Prince of Xin'an. When the Emperor Xiaowu of Liu Song was building a shrine to the memory of his favourite concubine, the Prince's mother, Zhang would only subscribe a hundred cash. This caused the Emperor to say sarcastically that he must be provided with some well-paid post, and to send him to Fengxi () in Annam. Zhang declared at starting that he had no fear as to returning; his only fear was that he might be sent back again. On the road, he fell into the hands of bandits; but when they were about to cut his head off, they found him quietly reciting a poem, at which they were so astonished that they let him go. He managed to reach Huế Huế (formerly Thừa Thiên Huế province) is the southernmost coastal Municipalities of Vietnam, city in the North Central Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Xianzhi (calligrapher)
Wang Xianzhi (, 344–386), courtesy name Zijing (子敬), was a famous Chinese calligrapher of the Eastern Jin dynasty. Xianzhi was born to the Wang clan of Langya, an influential kin group descended from the Qin dynasty general Wang Jian. He was the seventh and youngest son of the famed calligrapher Wang Xizhi. Wang inherited his father's talent for the arts, and although several of his siblings were notable calligraphers, only Xianzhi was able to eventually equal his father in status, with the pair later attaining the appellation, "The Two Wangs (二王 èr wáng)." Wang Xianzhi's (also referred to as "Wang Junior" 小王) style is substantially more fluid and stylistic than that of his father ("Wang Senior" 大王), whose structural firmness nonetheless remains unrivaled. Xianzhi's most celebrated accomplishment is his refinement of the "running-cursive" script (行草), a writing style which, as the name implies, combines features of both the cursive and running scripts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wang Xizhi
Wang Xizhi ( zh, c=王羲之; courtesy name: Yishao ( zh, labels=no, c=逸少); ) was a Chinese politician, general and calligrapher from the Jin dynasty (266–420) known for his mastery of Chinese calligraphy. He is often regarded as the greatest calligrapher in Chinese history. His most famous work, composed in 353, is the (; "Preface to the Poems Composed at the Orchid Pavilion"). Born in Langya Commandery (in present-day Linyi, Shandong), Wang fled to southern China in his childhood after the collapse of the Western Jin dynasty. He studied calligraphy under the tutelage of relatives, including Wei Shuo, and became engaged to Xi Xuan around the year 323. They had eight children, including Wang Xianzhi (calligrapher), Wang Xianzhi, who later became a renowned calligrapher in his own right. Between 324 and 354, Wang Xizhi served in various government positions. He received his highest title, "General of the Right Army", in 347, and was appointed administrator of Kuaiji (presen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Calligraphy
Calligraphy () is a visual art related to writing. It is the design and execution of lettering with a pen, ink brush, or other writing instruments. Contemporary calligraphic practice can be defined as "the art of giving form to signs in an expressive, harmonious, and skillful manner". In East Asia and the Islamic world, where written forms allow for greater flexibility, calligraphy is regarded as a significant art form, and the form it takes may be affected by the meaning of the text or the individual words. Modern Western calligraphy ranges from functional inscriptions and designs to fine-art pieces where the legibility of letters varies. Classical calligraphy differs from type design and non-classical hand-lettering, though a calligrapher may practice both. CD-ROM Western calligraphy continues to flourish in the forms of wedding invitations and event invitations, font design and typography, original hand-lettered logo design, religious art, announcements, graphic des ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Colophon (publishing)
In publishing, a colophon () is a brief statement containing information about the publication of a book such as an "imprint" (the place of publication, the publisher, and the date of publication). A colophon may include the device (logo) of a printer or publisher. Colophons are traditionally printed at the ends of books (see History below for the origin of the word), but sometimes the same information appears elsewhere (when it may still be referred to as colophon) and many modern (post-1800) books bear this information on the title page or on the verso of the title leaf, which is sometimes called a ''biblio page'' or (when bearing copyright data) the '' copyright page''. History The term ''colophon'' derives from the Late Latin ''colophōn'', from the Greek κολοφών (meaning "summit" or "finishing touch"). The term colophon was used in 1729 as the bibliographic explication at the end of the book by the English printer Samuel Palmer in his ''The General History of Prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Li Yong (artist)
Li Yong may refer to: * Li Yong (poet) (678–747), Tang dynasty poet and calligrapher * Li Yong (chancellor) (died 820), Tang Dynasty chancellor * Li Yong (prince) (died 838), Tang Dynasty prince * Li Yong (politician) Li Yong (; born October 1951) is the former Vice-Minister of the Ministry of Finance of China and the former Director General of the United Nations Industrial Development Organization. Biography Li was born in Jining, Shandong, China to Han Chi ... (born 1951), Chinese politician * Li Yong (executive), Chinese executive who served as general manager of the China National Offshore Oil Corporation between 2020 and 2023 * Li Yong (television host) (1968–2018), Chinese television host {{hndis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ni Zan
Ni Zan (; 1301–1374) was a Chinese painter during the Yuan Dynasty, Yuan and early Ming Dynasty, Ming periods. Along with Huang Gongwang, Wu Zhen (painter), Wu Zhen, and Wang Meng (painter), Wang Meng, he is considered to be one of the Four Masters of the Yuan dynasty. Life Ni Zan was born into a wealthy family in Wuxi. His courtesy name was Yuan Zhen (元鎮), and his art names were Yun Lin Zi (雲林子), Huan Xia Sheng (幻霞生), and Jing Man Min (荊蠻民).Cihai: Page 253. He was born after the death of the Kublai Khan, the Mongol ruler who defeated the Southern Song, Song and established dominance over all the areas that had traditionally been considered China. The Yuan rulers did not trust many of the Confucian scholars and instead preferred to appoint Mongolians and Muslims to administrative positions. Ni Zan was born into an elite family who could afford the cost of a rigorous Confucian education for him in spite of the unavailability of high-paying governmental jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
