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Sher (poem)
A bayt (, , ) is a metrical unit of Arabic, Azerbaijani, Ottoman, Persian, Punjabi, Sindhi and Urdu poetry. In Arabic poetry, a bayt corresponds to a single line divided into two hemistichs of equal length, each containing two, three or four feet, or from 16 to 32 syllables."Arabian Poetry for English Readers," by William Alexander Clouston (1881)p. 379in Google Books In Persian, Turkic and Urdu poetry, the word bayt has come to refer to two lines (like a couplet, although the two lines of a Persian, Turkic or Urdu bayt do not have to rhyme). William Alexander Clouston concluded that this fundamental part of Arabic prosody originated with the Bedouins or Arabs of the desert, as, in the nomenclature of the different parts of the line, one foot is called "a tent-pole", another "tent-peg" and the two hemistichs of the verse are called after the folds or leaves of the double-door of the tent or "house". Through Ottoman Turkish, it got into Albanian as and the bards of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prosody (poetry)
In poetry, metre ( Commonwealth spelling) or meter (American spelling; see spelling differences) is the basic rhythmic structure of a verse or lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, " prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and sometimes between poetic traditions.) Characteristics An assortment of features can be identified when classifying poetry and its metre. Qualitative versus quantitative metre The metre of most poetry of the Western world and elsewhere is based on patterns of syllables of particular types. The familiar type of metre in English-language poetry is called qualitative metre, with stressed syllables coming ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urdu-language Poetry
Urdu (; , , ) is an Indo-Aryan language spoken chiefly in South Asia. It is the national language and ''lingua franca'' of Pakistan. In India, it is an Eighth Schedule language, the status and cultural heritage of which are recognised by the Constitution of India. Quote: "The Eighth Schedule recognizes India's national languages as including the major regional languages as well as others, such as Sanskrit and Urdu, which contribute to India's cultural heritage. ... The original list of fourteen languages in the Eighth Schedule at the time of the adoption of the Constitution in 1949 has now grown to twenty-two." Quote: "As Mahapatra says: "It is generally believed that the significance for the Eighth Schedule lies in providing a list of languages from which Hindi is directed to draw the appropriate forms, style and expressions for its enrichment" ... Being recognized in the Constitution, however, has had significant relevance for a language's status and functions. It also has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sindhi Folklore
Sindhi folklore () is a rich cultural tradition that has evolved in Sindh over centuries. The region is abundant in folklore, expressed in diverse forms and vibrant colors, ranging from the well-known tales of Watayo Faqir and the legend of Moriro to the epic poetry of Dodo Soomro, Dodo Chanesar and the heroic story of Umar Marvi. Sindhi folklore stands out among the region's traditions, particularly with the love story of Sassui Punhun, Sassui, who longs for her lover Punhu, a tale sung and cherished in every Sindhi house. Other notable stories include the legend of Umar Marvi, Umar Marui and the tale of Sur Sohni, Suhuni Mehar (Sohni Mahiwal, known as Sohni Mahiwal in Punjab).Kalyan Adwani, ed. ''Shah Jo Risalo''. Jamshoro: Sindhi Adabi Board, 2002. Sindhi folk singers and women play a crucial role in preserving and transmitting these folktales. They passionately sing the stories of Sindh in every village, keeping the folklore alive through their music. Details Sindhi fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Poetics
Indian or Indians may refer to: Associated with India * of or related to India ** Indian people ** Indian diaspora ** Languages of India ** Indian English, a dialect of the English language ** Indian cuisine Associated with indigenous peoples of the Americas * Indigenous peoples of the Americas ** First Nations in Canada ** Native Americans in the United States ** Indigenous peoples of the Caribbean ** Indigenous languages of the Americas Places * Indian, West Virginia, U.S. * The Indians, an archipelago of islets in the British Virgin Islands Arts and entertainment Film * ''Indian'' (film series), a Tamil-language film series ** ''Indian'' (1996 film) * ''Indian'' (2001 film), a Hindi-language film Music * Indians (musician), Danish singer Søren Løkke Juul * "The Indian", an unreleased song by Basshunter * "Indian" (song), by Sturm und Drang, 2007 * "Indians" (song), by Anthrax, 1987 * Indians, a song by Gojira from the 2003 album '' The Link'' Other uses ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arabic And Central Asian Poetics
Arabic (, , or , ) is a Central Semitic language of the Afroasiatic language family spoken primarily in the Arab world. The International Organization for Standardization (ISO) assigns language codes to 32 varieties of Arabic, including its standard form of Literary Arabic, known as Modern Standard Arabic, which is derived from Classical Arabic. This distinction exists primarily among Western linguists; Arabic speakers themselves generally do not distinguish between Modern Standard Arabic and Classical Arabic, but rather refer to both as ( "the eloquent Arabic") or simply ' (). Arabic is the third most widespread official language after English and French, one of six official languages of the United Nations, and the liturgical language of Islam. Arabic is widely taught in schools and universities around the world and is used to varying degrees in workplaces, governments and the media. During the Middle Ages, Arabic was a major vehicle of culture and learning, especially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Poetic Rhythm
In poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ..., metre (British English, Commonwealth spelling) or meter (American English, American spelling; see American and British English spelling differences#-re, -er, spelling differences) is the basic rhythm, rhythmic structure of a verse (poetry), verse or Line (poetry), lines in verse. Many traditional verse forms prescribe a specific verse metre, or a certain set of metres alternating in a particular order. The study and the actual use of metres and forms of versification are both known as prosody. (Within linguistics, "Prosody (linguistics), prosody" is used in a more general sense that includes not only poetic metre but also the rhythmic aspects of prose, whether formal or informal, that vary from language to language, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bejtexhi
A bejtexhi (, , a compound of Arabic ] and [from Turkish , occupational suffix]; plural: bejtexhinj ) was a popular bard of the Muslim tradition in Ottoman Albania. The genre of literature created by bejtexhinj in the 18th century prevailed in different cities of what is now Albania, Kosovo, Chameria as well as in religious centers. The spread of the bejtexhinj was a product of two different significant factors. One factor was a demand in religious practices to write in Albanian and to free it from foreign influence. The other factor was the accretion of ideological pressure from Turkish rulers. The ruling Ottomans sought the submission of Albanians through the Muslim religion and culture. Albania rulers opened their own schools with many bejtexhinj in attendance. History The bejtexhinj wrote Albanian in the Elifba alphabet, an adaption of the Ottoman Turkish alphabet, often with heavy influence from Ottoman Turkish in the form of loanwords. Bejtexhi literature had two deve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanian Literature
Albanian literature stretches back to the Middle Ages and comprises those literary texts and works written in Albanian language, Albanian. It may also refer to literature written by Albanians in Albania, Kosovo and the Albanian diaspora particularly in Arbëreshë people, Italy. Albanian occupies an Isolated language, independent branch within the Indo-European languages, Indo-European family and does not have any other closely related language. The origin of Albanian is not entirely known, but it may be a successor of the ancient Illyrian languages, Illyrian language. The Archbishop of Antivari Guillaume Adam wrote a report in 1332 in which he said that Albanians used Latin letters in their books although their language was quite different from the Latin language. The oldest surviving documents written in Albanian are the "Formula e pagëzimit" (Baptismal formula) recorded by Pal Engjëlli, Bishop of Durrës in 1462 in the Gheg Albanian, Gheg dialect, and some New Testament ver ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bard
In Celtic cultures, a bard is an oral repository and professional story teller, verse-maker, music composer, oral historian and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities. With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". Oxford Dictionary of English, s.v. ''bard'', n.1. In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). Etymology The English term ''bard'' is a loan word from the Celtic languages: Gaulish: ''bardo-'' ('bard, poet'), and ('bard, poet'), ('singer, poet'), Middle Breton: ''b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albanian Language
Albanian (Endonym and exonym, endonym: , , or ) is an Indo-European languages, Indo-European language and the only surviving representative of the Albanoid, Albanoid branch, which belongs to the Paleo-Balkan languages, Paleo-Balkan group. It is the native language of the Albanian people. Standard Albanian is the official language of Albania and Kosovo, and a co-official language in North Macedonia and Montenegro, where it is the primary language of significant Albanian minority communities. Albanian is recognized as a minority language in Italy, Croatia, Romania, and Serbia. It is also spoken in Greece and by the Albanian diaspora, which is generally concentrated in the Americas, Europe and Oceania. Albanian is estimated to have as many as 7.5 million native speakers. Albanian and other Paleo-Balkan languages had their formative core in the Balkans after the Indo-European migrations in the region. Albanian in antiquity is often thought to have been an Illyrian language for ob ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Turkish Language
Ottoman Turkish (, ; ) was the standardized register (sociolinguistics), register of the Turkish language in the Ottoman Empire (14th to 20th centuries CE). It borrowed extensively, in all aspects, from Arabic and Persian language, Persian. It was written in the Ottoman Turkish alphabet. Ottoman Turkish was largely unintelligible to the less-educated lower-class and to rural Turks, who continued to use ("raw/vulgar Turkish"; compare Vulgar Latin and Demotic Greek), which used far fewer foreign loanwords and is the basis of the modern standard. The Tanzimat, Tanzimât era (1839–1876) saw the application of the term "Ottoman" when referring to the language ( or ); Modern Turkish uses the same terms when referring to the language of that era ( and ). More generically, the Turkish language was called or "Turkish". History Historically, Ottoman Turkish was transformed in three eras: * (Old Ottoman Turkish): the version of Ottoman Turkish used until the 16th century. It wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
