Shakerley Marmion
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Shakerley Marmion
Shackerley Marmion (January 1603 – 1639), also Shakerley, Shakerly, Schackerley, Marmyon, Marmyun, or Mermion, was an early 17th-century dramatist, often classed among the Sons of Ben, the followers of Ben Jonson who continued his style of comedy. He was also a friend and perhaps a protégé of Thomas Heywood. Background The playwright's father, Shackerley Marmion (son of a London lawyer and member of a junior line of the Marmion Barons of Tamworth), held the manor at Aynho in Northamptonshire but was habitually in debt; in time he would pass his debts on to his son. Shakerley Jnr was baptised on 21 Jan 1603 in Aynho church. After Lord Williams's School at Thame in Oxfordshire, Marmion graduated from Wadham College, Oxford, with an M.A. in July 1624. (During his years at Oxford, his father Shackerley Marmion was forced to sell his estate an Aynho to pay his debts.) Details of his life after university are unclear, though there are intimations of legal troubles, disor ...
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Dramatist
A playwright or dramatist is a person who writes plays, which are a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than just reading. Ben Jonson coined the term "playwright" and is the first person in English literature to refer to playwrights as separate from poets. The earliest playwrights in Western literature with surviving works are the Ancient Greeks. William Shakespeare is amongst the most famous playwrights in literature, both in England and across the world. Etymology The word "play" is from Middle English , from Old English ("play, exercise; sport, game; drama, applause"). The word '' wright'' is an archaic English term for a craftsperson or builder (as in a wheelwright or cartwright). The words combine to indicate a person who has "wrought" words, themes, and other elements into a dramatic form — a play. (The homophone with "write" is coincidental.) The first recorded use of the t ...
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Prince Charles's Men
Prince Charles's Men (known as the Duke of York's Men from 1608 to 1612) was a playing company or troupe of actors in Jacobean and Caroline England. The Jacobean era troupe The company was formed in 1608 as the Duke of York's Men, under the titular patronage of King James' second son, the eight-year-old Charles (1600–49), then the Duke of York. Upon the death of Charles's elder brother Prince Henry in 1612, the company became Prince Charles's Men. They played mainly in the provinces for the first two years of their existence, but in 1610 they received a renewed royal patent that authorized them to play in London, "in such usual houses as themselves shall provide." Seven actors are listed in the patent: John Garland, William Rowley, Thomas Hobbes, Robert Dawes, Joseph Taylor, John Newton, and Gilbert Reason. Rowley was their dramatist and clown; Joseph Taylor would be their leading man in future years, and then fill the same function with the King's Men, when he replaced t ...
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Commendatory Verse
The epideictic oratory, also called ceremonial oratory or praise-and-blame rhetoric, is one of the three branches, or "species" (eidē), of rhetoric, as outlined in Aristotle's ''Rhetoric'', to be used to praise or blame, during ceremonies. Origin and pronunciation The term's root has to do with display or show (δεῖξις ''deixis''). It is a literary or rhetorical term from the Greek ἐπιδεικτικός "for rhetorical effect". It is generally pronounced . Characteristics This is rhetoric of ceremony, commemoration, declamation, demonstration, on the one hand, and of play, entertainment and display, including self-display. It is also the rhetoric used at festivals, the Olympic games, state visits and other formal events like the opening and closing ceremonies, and celebrations of anniversaries of important events, including illustrious victories, births, deaths, and weddings. Its major subject is praise and blame, according to Aristotle in the limited space he pr ...
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1638 In Literature
This article contains information about the literary events and publications of 1638. Events *January 3 – Joost van den Vondel's historical play '' Gijsbrecht van Aemstel'' is first performed, to mark the opening of the Schouwburg of Van Campen, Amsterdam's first public theatre (postponed from 26 December 1637). It is then performed annually in the city on New Year's Day until 1968. *February 6 – '' Luminalia'', a masque written by Sir William Davenant and designed by Inigo Jones, is staged at the English Court. *March 27 – The King's Men perform Chapman's tragedy '' Bussy D'Ambois'' at the English Court. *May – English poet John Milton sets out for a tour of the European continent. He spends the summer in Florence where he later claims to have met the incarcerated Galileo. * October 27 – The King's Men act Ben Jonson's satirical city comedy '' Volpone'' (1606) at the Blackfriars Theatre in London. *''unknown dates'' **An Armenian language edition of the Psal ...
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The Golden Ass
The ''Metamorphoses'' of Apuleius, which Augustine of Hippo referred to as ''The Golden Ass'' (Latin: ''Asinus aureus''), is the only ancient Roman novel in Latin to survive in its entirety. The protagonist of the novel is Lucius. At the end of the novel, he is revealed to be from Madauros, Madaurus, the hometown of Apuleius himself. The plot revolves around the protagonist's curiosity (''curiositas'') and insatiable desire to see and practice magic. While trying to perform a spell to transform into a bird, he is accidentally transformed into an donkey, ass. This leads to a long journey, literal and metaphorical, filled with The Golden Ass#Inset stories, inset tales. He finally finds salvation through the intervention of the goddess Isis, whose cult he joins. Origin The date of composition of the ''Metamorphoses'' is uncertain. It has variously been considered by scholars as a youthful work preceding Apuleius' ''Apology'' of 158–159, or as the climax of his literary career, an ...
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Cupid And Psyche
Cupid and Psyche is a story originally from ''Metamorphoses'' (also called ''The Golden Ass''), written in the 2nd century AD by Lucius Apuleius Madaurensis (or Platonicus). The tale concerns the overcoming of obstacles to the love between Psyche (; , ) and Cupid (, ) or (, Greek Eros, ), and their ultimate union in a sacred marriage. Although the only extended narrative from antiquity is that of Apuleius from the 2nd century AD, Eros and Psyche appear in Greek art as early as the 4th century BC. The story's Neoplatonic elements and allusions to mystery religions accommodate multiple interpretations, and it has been analyzed as an allegory and in light of folktale, '' Märchen'' or fairy tale, and myth. The story of Cupid and Psyche was known to Boccaccio in c. 1370. The '' first printed version'' dates to 1469. Ever since, the reception of ''Cupid and Psyche'' in the classical tradition has been extensive. The story has been retold in poetry, drama, and opera, and d ...
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1637 In Literature
This article contains information about the literary events and publications of 1637. Events *January – Pierre Corneille's tragicomedy '' Le Cid'' first performed at the Théâtre du Marais in Paris. Based on Guillén de Castro's play ''Las mocedades del Cid'' ( 1618), it is first published later in the year and sparks the debate of the '' Querelle du Cid'' at the ''Académie française'' over its failure to observe all the classical unities of drama and supposed lack of moral purpose, but proves popular with audiences. *January 24 – ''Hamlet'' is performed before King Charles I and Queen Henrietta Maria at Hampton Court Palace. * July 10 – Thomas Browne is registered as a physician, following which he settles in Norwich. * August 30 – The King's Men mount a production for the English Court of William Cartwright's ''The Royal Slave'' at Christ Church, Oxford. The company is paid an extra £30 "for their pains in studying and acting" the drama. * October 2 – Th ...
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Platonic Love
Platonic love is a type of love in which sexual desire or romantic features are nonexistent or have been suppressed or sublimated, but it means more than simple friendship. The term is derived from the name of Greek philosopher Plato, though the philosopher never used the term himself. Platonic love, as devised by Plato, concerns rising through levels of closeness to wisdom and true beauty, from carnal attraction to individual bodies to attraction to souls, and eventually, union with the truth. Platonic love is contrasted with romantic love. Classical philosophical interpretation Platonic love is examined in Plato's dialogue, the '' Symposium'', which has as its topic the subject of love, or more generally the subject of Eros. It explains the possibilities of how the feeling of love began and how it has evolved, both sexually and non-sexually, and defines genuine platonic love as inspiring a person's mind and soul and directing their attention towards spiritual matter ...
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1641 In Literature
This article contains information about the literary events and publications of 1641. Events *March 12 – Abraham Cowley's play ''The Guardian'' is acted at Trinity College, Cambridge, in the presence of Prince Charles (later King Charles II). *Spring – Pierre Corneille marries Marie de Lampérière. *c. May – William Davenant is convicted of high treason for his part in the First Army Plot in England and flees to France. * August 5 – Because of an increase in cases of bubonic plague, John Lowin delivers warrants to London theatres ordering them to close. *c. December – Edward Hyde, 1st Earl of Clarendon, becomes an advisor to King Charles I of England. New books Prose * George Abbot – ''Vindiciae Sabbathi'' * Moses Amyraut – ''De l'elevation de la foy et de l'abaissement de la raison en la creance des mysteres de la religion'' * Richard Baker – ''Apologie for Laymen's Writing in Divinity, with a Short Meditation upon the Fall of Lucifer'' *Sir Edward Coke ...
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Cockpit Theatre
The Cockpit was a theatre in London, operating from 1616 to around 1665. It was the first theatre to be located near Drury Lane. After damage in 1617, it was named The Phoenix. History The original building was an actual cockpit; that is, a staging area for cockfights. Most likely a round building with a peaked roof, about in diameter, it was erected under Henry VIII, c. 1530-32, as part of a gaming complex. Records indicate a major restoration in 1581-82 and renovations in 1589-90, 1602-3, and 1608-9 (the latter under the supervision of John Best, "cockmaster" to Henry Frederick, Prince of Wales, King James I's eldest son and heir). In August 1616, Christopher Beeston acquired the lease to the building and converted it to an indoor playhouse. In March 1617, rioting apprentices attempted to destroy the playhouse, probably out of anger that their favorite plays had been removed from the Red Bull outdoor amphitheater, which charged only one penny for admission, to this more ...
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Queen Henrietta's Men
Queen Henrietta's Men was an important playing company or troupe of actors of the Caroline era in London, England. At their peak of popularity, Queen Henrietta's Men were the second leading troupe of the day, after only the King's Men. Beginnings The company was formed in 1625, at the start of the reign of King Charles I of England, by theatrical impresario Christopher Beeston under royal patronage of the new queen, Henrietta Maria. They were sometimes called the Queen's Majesty's Comedians or other variations on their name. The company was founded after an eight-month closure of the London theatres due to bubonic plague (March to October, 1625). The Lady Elizabeth's Men, then called the Queen of Bohemia's Men, had been resident at Beeston's Cockpit Theatre up to the plague closing, and provided the foundation of the new organization. Success Theatre manager Beeston had had several different companies acting in his Cockpit Theatre since opening it in 1617; it was with Queen ...
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The Antiquary (play)
''The Antiquary'' is a Caroline era stage play, a comedy written by Shackerley Marmion. It was acted in the 1634–36 period by Queen Henrietta's Men at the Cockpit Theatre, and first published in 1641. ''The Antiquary'' has been succinctly described as "Marmion's best play." Contemporary references The play drew upon several contemporary sources for its inspiration. Antiquarianism and the collection of "rarities" was a growing trend in Marmion's era. Marmion's title character, Veterano, has a habit of staring at a sculpture with a broken nose; this may have been intended as an allusion to Thomas Howard, 21st Earl of Arundel, a famous antiquarian and art collector of the day. Marmion also was influenced by a contemporary controversy: in 1629, King Charles I and his Privy Council developed a scheme to confiscate the collection of the celebrated antiquary Charles Cotton the elder. Synopsis Marmion set his play in Pisa (although, with references to the Rialto and the senate, he s ...
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