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Sextet
A sextet (or hexad) is a formation containing exactly six members. The former term is commonly associated with vocal ensembles (e.g. The King's Singers, Affabre Concinui) or musical instrument groups, but can be applied to any situation where six similar or related objects are considered a single unit. Musical compositions with six parts are sextets. Many musical compositions are named for the number of musicians for which they are written. If a piece is written for six performers, it may be called a "sextet". Steve Reich's " Sextet", for example, is written for six percussionists. However, much as many string quartets do not include "string quartet" in the title (though many do), many sextets do not include "sextet" in their title. See: string sextet and piano sextet. In jazz music a sextet is any group of six players, usually containing a drum set (bass drum, snare drum, hi-hat, ride cymbal), string bass or electric bass, piano, and various combinations of the following or ot ...
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String Sextet
In classical music, a string sextet is a composition written for six string instruments, or a group of six musicians who perform such a composition. Most string sextets have been written for an ensemble consisting of two violins, two violas, and two cellos. Notable string sextets Among the earliest works in this form are the nine string sextets Op. 23 by Luigi Boccherini, written in 1776. Other notable string sextets include the String Sextets Op. 18 and 36 by Brahms, Dvořák's Op. 48, Tchaikovsky '' Souvenir de Florence'', Op. 70, Schoenberg's '' Verklärte Nacht'', Op. 4, Erich Wolfgang Korngold Op. 10, Erwin Schulhoff's String Sextet of 1924, and Charles Wuorinen's String Sextet of 1989. Less usual combinations More unusual combinations for a string sextet: * three violins, viola and two cellos: Ferdinand David (1810–1873), op. 38, Gaetano Brunetti (1744–1798), op. 1, Eugene Goossens (1893–1962), op. 37 * three violins, two violas and cello: Jan Brandts Buys ...
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Sextet (Dohnányi)
The Sextet in C major for piano, violin, viola, cello, clarinet and horn, Op. 37, was composed by Ernst von Dohnányi in 1935. History The sextet was written in 1935 during a lengthy period of illness, during which Dohnányi was bedridden with a thrombosis Thrombosis (from Ancient Greek "clotting") is the formation of a blood clot inside a blood vessel, obstructing the flow of blood through the circulatory system. When a blood vessel (a vein or an artery) is injured, the body uses platelets (thr ... for several months. It was premiered on 17 June 1935. Structure The sextet consists of four movements: Reception A reviewer for the '' Budapesti Hírlap'', who attended the premiere on 17 June 1935, wrote favorably of the work: "One of the sextet's greatest values is that it is melodically original. Every tune is invented, not borrowed, and not based on a quotation." References External links * {{Authority control Compositions for piano sextet Compositions ...
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Sextet (Poulenc)
Francis Poulenc's ''Sextuor'' (Sextet), FP 100, is a chamber music piece written for a standard wind quintet ( flute, oboe, clarinet, bassoon, and French horn) and piano. Estimates about the time of its composition range from between 1931 and 1932 and 1932 alone. It received its debut in 1933 but was later revised in 1939. Performed in its entirety, the three-movement piece lasts approximately 18 minutes. Background Francis Poulenc, though rejected by the director of the Paris Conservatoire for the tendency of his compositional style to be overly progressive, was the most prolific member of the group of 20th-century French composers known as Les Six. In his Sextet there are obvious influences of the incidental music heard during the group's weekend visits to the circus as well as their general adherence to the melodic precedents set forth by Satie. Poulenc composed the piece around the same time as his cantata ''Le Bal Masqué'' and Concerto for Two Pianos. Structure and anal ...
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Piano Sextet
A piano sextet is a composition for piano and five other musical instruments, or a group of six musicians who perform such works. There is no standard grouping of instruments with that name, and compared to the string quartet or piano quintet literature, relatively few such compositions exist. The best-known piano sextet is probably the ''Sextet'' by Poulenc, one of the pinnacles of the wind and piano repertoire. Chausson's ''Concert'' is widely regarded as one of the masterpieces of French strings and piano chamber music literature (for example, the critic Jean Gallois describes it as "superb"). The following is an incomplete list of piano sextet composers and their works in this genre: * Theodor Blumer (1881-1964), Sextet, Op. 45, composed 1921, for piano and wind quintet * Philippe Boesmans (1936–2022), Sextuor à clavier, composed 2005, for piano and string quintet * Ernest Chausson (1855–1899), ''Concert'' in D major, Op. 21, composed 1891, for piano, violin, and strin ...
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Sextet (Penderecki)
The Sextet is a two-movement composition for clarinet, horn, violin, viola, cello, and piano by Polish composer Krzysztof Penderecki. The composition was written in 2000 and is, according to some critics, the composer's most substantial chamber work. Composition This composition takes approximately 30 minutes to perform. The movement list is as follows: # Allegro moderato # Larghetto Given its very unusual nature, for Penderecki's chamber music is rare, the melodic lines of this composition are very well defined, because Penderecki usually writes scores for large orchestras and ensembles. This work is remarkable for its chromatic scales, present all along the piece. This sextet was commissioned by Auftragswerk der Gesellschaft der Musikfreunde and was eventually premiered on June 7, 2000 in Vienna's Musikverein by Paul Meyer (clarinet), Radovan Vlatkovic (horn), Julian Rachlin (violin), Yuri Bashmet (viola), fellow musician Mstislav Rostropovich Mstislav Leopoldovich ...
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Affabre Concinui
Affabre Concinui, also known as Affabre – The Chamber Singers, are a Polish a cappella vocal ensemble (sextet) founded in 1983 by alumni of two famous Polish choirs: Poznań Boys' Choir and Poznań Nightingales, inspired by the British ensemble The King's Singers. The name of the ensemble (Affabre Concinui) means in Latin "perfectly attuned" or "ideally harmonized", which is an artistic credo of the group. They quickly gained renown in Poland and many other countries. History The group has always consisted of six singers, with their membership changing over the years. The current ensemble is composed of: * Robert Hylla (countertenor 1) * Leszek Marciniak (countertenor 2) * Przemysław Czekała (tenor) * Piotr Lewandowski (baritone) * Piotr Dziurla (bass 1) * Artur Hoffmann (bass 2) Former members include Wojciech Drabowicz, Krzysztof Piernik, Przemysław Stanisławski, Tadeusz Gawroński, and Radosław Skrzypczak. Repertoire Their concerts combine many forms of music: tr ...
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String Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in concertos, solo, and

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Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best known works include '' Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', '' Polish Requiem'', '' Anaklasis'' and '' Utrenja''. Penderecki's ''oeuvre'' includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works''.'' Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the Academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, ''The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became ...
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Bassist
A bassist (also known as a bass player or bass guitarist) is a musician who plays a bass instrument such as a double bass (upright bass, contrabass, wood bass), bass guitar (electric bass, acoustic bass), synthbass, keyboard bass or a low brass instrument such as a tuba or trombone. Different musical genres tend to be associated with one or more of these instruments. Since the 1960s, the electric bass has been the standard bass instrument for funk, R&B, soul music, rock and roll, reggae, jazz fusion, heavy metal, country and pop music. The double bass is the standard bass instrument for classical music, bluegrass, rockabilly, and most genres of jazz. Low brass instruments such as the tuba or sousaphone are the standard bass instrument in Dixieland and New Orleans-style jazz bands. Despite the associations of different bass instruments with certain genres, there are exceptions. Some new rock bands and bassist used a double bass, such as Lee Rocker of Stray Cats, Barenaked La ...
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Ernst Von Dohnányi
Ernst von Dohnányi (Hungarian: ''Dohnányi Ernő'', ; 27 July 1877 – 9 February 1960) was a Hungarian composer, pianist and conductor. He used a German form of his name on most published compositions. Biography Dohnányi was born in Pozsony, Kingdom of Hungary, Austria-Hungary (today Bratislava, capital of Slovakia). He was the son of Frigyes Dohnányi and his wife Ottilia Szlabey. He first studied music with his father, a professor of mathematics and an amateur cellist, and then when he was eight years old, with Carl Forstner, organist at the local cathedral. In 1894, in his 17th year, he moved to Budapest and enrolled in the '' Royal National Hungarian Academy of Music'', studying piano with István Thomán and composition with Hans von Koessler, a cousin of Max Reger. István Thomán had been a favorite student of Franz Liszt, while Hans von Koessler was a devotee of Johannes Brahms's music. These two influences played an important part in Dohnányi's life: Liszt on his ...
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The Allman Brothers Band
The Allman Brothers Band was an American rock band formed in Jacksonville, Florida in 1969 by brothers Duane Allman (founder, slide guitar and lead guitar) and Gregg Allman (vocals, keyboards, songwriting), as well as Dickey Betts (lead guitar, vocals, songwriting), Berry Oakley (bass), Butch Trucks (drums), and Jai Johanny "Jaimoe" Johanson (drums). Subsequently based in Macon, Georgia, they incorporated elements of blues, jazz, and country music, and their live shows featured jam band-style improvisation and instrumentals. Their first two studio releases, '' The Allman Brothers Band'' (1969) and '' Idlewild South'' (1970) (both released by Capricorn Records), stalled commercially, but their 1971 live release '' At Fillmore East'' was an artistic and commercial breakthrough. It features extended versions of their songs " In Memory of Elizabeth Reed" and " Whipping Post", and is considered among the best live albums ever made. Group leader Duane Allman was killed in ...
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Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet '' Les biches'' (1923), the '' Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera '' Dialogues des Carmélites'' (1957), and the ''Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as '' Les Six ...
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