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Samayā
Samaya () or Samayam () is a Sanskrit term referring to the "appointed or proper time, heright ''moment'' for doing anything." In Indian languages, ''samayam'', or ''samay'' in Indo-Aryan languages, is a unit of time. Meaning In contemporary usage, ''samayam'' means time in Dravidian languages such as Kannada, Malayalam, and Tamil, and in Indo-Aryan languages such as Bengali, Hindi, Marathi, Gujarati. Jainism Meaning Samaya represents the most infinitesimal part of time that cannot be divided further. The blink of an eye, or about a quarter of a second, has innumerable ''samaya'' in it. For all practical purposes a second happens to be the finest measurement of time. Jainism, however, recognizes a very small measurement of time known as ''samaya'', which is an infinitely small part of a second. Measurements The following are measures of time as adopted by Jainism: * indivisible time = 1 ''samaya'' * innumerable samaya = 1 * 16,777,216 = 1 * 30 = 1 day and night * 15 days ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashoka Chakra
Ashoka (, ; also ''Asoka''; 304 – 232 BCE), popularly known as Ashoka the Great, was the third emperor of the Maurya Empire of Indian subcontinent during to 232 BCE. His empire covered a large part of the Indian subcontinent, stretching from present-day Afghanistan in the west to present-day Bangladesh in the east, with its capital at Pataliputra. A patron of Buddhism, he is credited with playing an important role in the spread of Buddhism across ancient Asia. Much of the information about Ashoka comes from his Brahmi edicts, which are among the earliest long inscriptions of ancient India, and the Buddhist legends written centuries after his death. Ashoka was son of Bindusara, and a grandson of the dynasty's founder Chandragupta. During his father's reign, he served as the governor of Ujjain in central India. According to some Buddhist legends, he also suppressed a revolt in Takshashila as a prince, and after his father's death, killed his brothers to ascen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siddhashila
Siddhashila is an area in Jain cosmology at the apex of the universe, which is where the Jains believe people who have become '' arihants'' and ''tirthankaras'' go after they die and attain ''moksha''. Such people are called '' siddhas'' after they discard their mortal body, hence the origin of the term. See also * Kevala Jnana * Jainism and non-creationism According to Jain doctrine, the universe and its constituents—soul, matter, space, time, and principles of motion—have always existed. Jainism does not support belief in a creator deity. All the constituents and actions are governed by uni ... * Timeline of Jainism References Moksha Jain cosmology {{Jainism-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Religious Cosmology
Religious cosmology is an explanation of the origin, evolution, and eventual fate of the universe from a religious perspective. This may include beliefs on origin in the form of a creation myth, subsequent evolution, current organizational form and nature, and eventual fate or destiny. There are various traditions in religion or religious mythology asserting how and why everything is the way it is and the significance of it all. Religious cosmologies describe the spatial lay-out of the universe in terms of the world in which people typically dwell as well as other dimensions, such as the seven dimensions of religion; these are ritual, experiential and emotional, narrative and mythical, doctrinal, ethical, social, and material. Religious mythologies may include descriptions of an act or process of creation by a creator deity or a larger pantheon of deities, explanations of the transformation of chaos into order, or the assertion that existence is a matter of endless cyclical tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hasta (unit)
The ''hasta'' ( sa, हस्त (hásta); ()) is a traditional Indian unit of length, measured from the elbow to the tip of the middle finger. It equals 24 ''aṅgulas'' orﾠ about 18 inches, about 45 centimetres. 4 ''hastas'' make one ''dhanus'', and 400 ''hastas'' make one ''nalva Nalva (from Sanskrit ) is a measure of distance equal to 400 Hastas (Cubits).According to Nīlakaṇṭha Caturdhara, nalvo - hasta-catuḥ-śataṃ That is equal to 9600 Aṅgula, which is believed to be equal to approximately 180&nbs ...''. 8 ''hastas'' make one ''rajju''. See also * Cubit Notes Units of length Customary units in India {{measurement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palya
A palya is a length of time used in Jainism to describe when the Lord Adinath ("First Lord") came to India, 100,000,000,000,000 palyas ago.Pratt, James B. (1917). Book review, The Harvard Theological Review', Vol. X, p.303. Harvard University Press. .Sharma, Suresh K. and Sharma, Usha (2004). ''Cultural and Religious Heritage of India: Jainism'', p.85. Mittal Publications. . A palya is defined as the time it takes to build a cube of lambswool 1 (or possibly 100) yojans high (between 4 and 9 miles or 6.4 km and 14.5 km), if one strand was laid down every century. The concept of Palya was born of the desire to quantify relative dimensions in time and space in proportion to the achievement of Nirvana or some similar enlightened state. See also * Rajju *Religious cosmology *Hindu cosmology *Jain cosmology Jain cosmology is the description of the shape and functioning of the Universe (''loka'') and its constituents (such as living beings, matter, space, time etc.) acc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jain Cosmology
Jain cosmology is the description of the shape and functioning of the Universe (''loka'') and its constituents (such as living beings, matter, space, time etc.) according to Jainism. Jain cosmology considers the universe as an uncreated entity that has existed since infinity with neither beginning nor end. Jain texts describe the shape of the universe as similar to a man standing with legs apart and arms resting on his waist. This Universe, according to Jainism, is broad at the top, narrow at the middle and once again becomes broad at the bottom. Six eternal substances According to Jains, the Universe is made up of six simple and eternal substances called ''dravya'' which are broadly categorized under Jiva (Living Substances) and Ajiva (Non Living Substances) as follows: '' Jīva'' (Living Substances) * Jīva i.e. Souls – ''Jīva'' exists as a reality, having a separate existence from the body that houses it. It is characterised by ''chetana'' (consciousness) and ''upayog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Cosmology
Hindu cosmology is the description of the universe and its states of matter, cycles within time, physical structure, and effects on living entities according to Hindu texts. Hindu cosmology is also intertwined with the idea of a creator who allows the world to exist and take shape. Matter All matter is based on three inert '' gunas'' (qualities or tendencies):James G. Lochtefeld, Guna, in The Illustrated Encyclopedia of Hinduism: A-M, Vol. 1, Rosen Publishing, , pages 224, 265, 520Theos Bernard (1999), ''Hindu Philosophy'', Motilal Banarsidass, , pages 74–76 * ''sattva'' (goodness) * '' rajas'' (passion) * '' tamas'' (darkness) There are three states of the ''gunas'' that make up all matter in the universe: * '' pradhana'' (root matter): ''gunas'' in an unmixed and unmanifested state (equilibrium). * '' prakriti'' (primal matter): ''gunas'' in a mixed and unmanifested state (agitated). * '' mahat-tattva'' (matter or universal womb): ''gunas'' in a mixed and manifested state ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnatic Music
Carnatic music, known as or in the South Indian languages, is a system of music commonly associated with South India, including the modern Indian states of Karnataka, Andhra Pradesh, Telangana, Kerala and Tamil Nadu, and Sri Lanka. It is one of two main subgenres of Indian classical music that evolved from ancient Hindu Texts and traditions, particularly the Samaveda. The other subgenre being Hindustani music, which emerged as a distinct form because of Persian or Islamic influences from Northern India. The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulæ), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prahar
Prahar or Prahara is a Sanskrit term for a unit of time, or subdivision of the day, approximately three hours long. Definition The day is divided into eight parts: four ''prahara''s for the day, and four for the night. The first ''prahara'' of the day begins at sunrise, and the fourth ''prahara'' of the day ends at sunset. A second round of four ''prahara''s unfolds during the night, between sunset and sunrise. The traditional system of ''prahara''s overlaps with the traditional system of muhurtas also, which is based on precise astronomical calculations. Thus, the day can be regarded as divided into eight ''prahara''s (of three hours each) or thirty ''muhurta''s (of 48 minutes each). In both systems, the day commences with sunrise. The timing of the two systems coincides only at sunrise and sunset (four ''prahara''s coincide with fifteen ''muhurta''s at the twelve-hour, or 720-minute, point). History In the ancient Puranas, the day is divided into eight ''praharas'': four for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as ''Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient '' Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agni Purana
The ''Agni Purana'', ( sa, अग्नि पुराण, ) is a Sanskrit text and one of the eighteen major Puranas of Hinduism. The text is variously classified as a Purana related to Shaivism, Vaishnavism, Shaktism and Smartism, but also considered as a text that covers them all impartially without leaning towards a particular theology. The text exists in numerous versions, some very different from others. The published manuscripts are divided into 382 or 383 chapters, containing between 12,000 and 15,000 verses. The chapters of the text were likely composed in different centuries, with earliest version probably after the 7th-century,Thomas Green (2001). ''Martial Arts of the World: An Encyclopedia'', ABC-CLIO, , page 282 but before the 11th century because the early 11th-century Persian scholar Al-Biruni acknowledged its existence in his memoir on India. The youngest layer of the text in the ''Agni Purana'' may be from the 17th century. The ''Agni Purana'' is a medieval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
