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Sacra Conversazione
In art, a (; plural: ''sacre conversazioni''), meaning "holy (or sacred) conversation", is a genre developed in Italian Renaissance painting, with a depiction of the Virgin and Child (the Virgin Mary with the infant Jesus) amidst a group of saints in a relatively informal grouping, as opposed to the more rigid and hierarchical compositions of earlier periods. Donor portraits may also be included, generally kneeling, often their patron saint is presenting them to the Virgin, and angels are frequently in attendance. The term is often used as a title for paintings to avoid listing all the individual figures, although the trend in museums and academic art history is now to give the full list. The name, which only appears as a title retrospectively in the 18th century, has been explained with reference to "their rapt stillness of mood, in which the Saints, scarcely looking at one another, seem to communicate at a spiritual rather than a material level". At least that is the case in e ...
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Fra Angelico — Annalena Altarpiece
Fra is a title of a friar. Fra or FRA may also refer to: Codes * fra, the ISO 639-2 code for the French language * FRA, the ISO 3166-1 alpha-3 code for France * FRA, the List of IOC country codes, IOC country code for France at the Olympics * Framingham station, Amtrak station code * Frankfurt Airport, Germany, IATA code Education * Flint River Academy, Woodbury, Georgia, US * Franklin Road Academy, Nashville, Tennessee, US Molecular biology * Fra1, aka Fos-related antigen 1 * Fra2, aka Fos-related antigen 2 Agencies, organizations, companies * Alfarista Radical Front (Spanish: '), an Ecuadorian political party * Federal Railroad Administration, USA * Fleet Reserve Association * Fundamental Rights Agency of the European Union * Forces Royales Air, the official French name for the Royal Moroccan Air Force * National Defence Radio Establishment (Swedish: '), in Sweden ** FRA law (Swedish: '), in Sweden Other uses * Fra McCann (born 1953), Irish politician * Fixed-radio a ...
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Dais
A dais or daïs ( or , American English also but sometimes considered nonstandard)dais
in the Random House Dictionary
dais
in Oxford Dictionaries Online

in the American Heritage Dictionary
is a raised platform at the front of a room or hall, usually for one or more speakers or honored guests. Historically, the dais was a part of the at the end of a

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Duccio
Duccio di Buoninsegna ( , ; – ), commonly known as just Duccio, was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio
''Encyclopedia Britannica''.
and is credited with creating the painting styles of Trecento Gothic art, Gothic style and the Sienese school.


Biography

Although much is still unconfirmed about Duccio and his life, there is more documentation of him and his life than of other Italian painters of his time. It is known that he was born and died in the city of Siena, and was also mostly active in the surrounding region of Tuscany. Other details of his early life and family are as un ...
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Maestà (Duccio)
The ''Maestà'', or ''Maestà of Duccio'', is an altarpiece composed of many individual paintings commissioned by the city of Siena in Tuscany in 1308 from the artist Duccio, Duccio di Buoninsegna and is his major work. Duccio's ''Maestà'' was the first altarpiece to have both a front and back side. The front panels make up a large enthroned Madonna (art), Madonna and Child with saints and angels, and a predella of the ''Childhood of Christ'' with prophets. The reverse showed in a total of forty-three small panels scenes of the ''Life of the Virgin'' and the ''Life of Christ in art, Life of Christ'' (topped by additional six panels with angels). Several panels are now dispersed or lost. The base of the panel has an inscription that reads (in translation): "Holy Mother of God, be thou the cause of peace for Siena and life to Duccio because he painted thee thus." Though it took a generation for its effect to be truly felt, Duccio's ''Maestà'' set Italian painting on a course l ...
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Andrea Mantegna
Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes, and somewhat stony figures give evidence of a fundamentally sculptural approach to painting. He also led a workshop that was the leading producer of Old master print, prints in Venice before 1500. Biography Youth and education Mantegna was born in Isola Mantegna, Isola di Carturo, Republic of Venice, Venetian Republic close to Padua. He was the second son of a carpenter, Biagio. At the age of 11, he became apprenticed to Paduan painter Francesco Squarcione. Squarcione, whose original profession was tailoring, appears to have had a remarkable enthusiasm for ancient art, and a faculty for acting. Like his famous c ...
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Paolo Veronese
Paolo Caliari (152819 April 1588), known as Paolo Veronese ( , ; ), was an Italian Renaissance painter based in Venice, known for extremely large history paintings of religion and mythology, such as ''The Wedding at Cana (Veronese), The Wedding at Cana'' (1563) and ''The Feast in the House of Levi'' (1573). Included with Titian, a generation older, and Tintoretto, a decade senior, Veronese is one of the "great trio that dominated Venetian painting of the ''cinquecento''" and the Late Renaissance in the 16th century.Rosand, 107 Known as a supreme colorist, and after an early period with Mannerism, Paolo Veronese developed a naturalist style of painting, influenced by Titian. His most famous works are elaborate narrative cycles, executed in a dramatic and colorful style, full of majestic architectural settings and glittering pageantry. His large paintings of biblical feasts, crowded with figures, painted for the refectories of monasteries in Venice and Verona are especially famous ...
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Giovanni Bellini
Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous colouring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. The Bellini (cocktail), Bellini cocktail is named in his honour. Life Early career Giovanni Bellini was born in Veni ...
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Piero Della Francesca
Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is characterized by its serene humanism, its use of geometric forms and Perspective (graphical), perspective. His most famous work is the cycle of frescoes ''The History of the True Cross'' in the Basilica of San Francesco, Arezzo, Basilica of San Francesco in the Tuscany, Tuscan town of Arezzo. Biography Early years Piero was born Piero di Benedetto in the town of Sansepolcro, Borgo Santo Sepolcro, modern-day Tuscany, to Benedetto de' Franceschi, a tradesman, and Romana di Perino da Monterchi, members of the Florentine and Tuscan Franceschi noble family. His father died before his birth, and he was called Piero della Francesca after his mother, who was referred to as "la Francesca" due to her marriage into the Franceschi family (similar to Lisa d ...
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Louvre
The Louvre ( ), or the Louvre Museum ( ), is a national art museum in Paris, France, and one of the most famous museums in the world. It is located on the Rive Droite, Right Bank of the Seine in the city's 1st arrondissement of Paris, 1st arrondissement (district or ward) and home to some of the most Western canon, canonical works of Art of Europe, Western art, including the ''Mona Lisa,'' ''Venus de Milo,'' and ''Winged Victory''. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II of France, Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I of France, Francis I converted it into the primary residence of the French kings. The building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his househ ...
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Filippo Lippi
Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many painters. Sandro Botticelli and Francesco di Pesello (called Pesellino) were among his most distinguished pupils. His son, Filippino Lippi, also studied under him and assisted in some late works. Biography Lippi was born in Florence in 1406 to Tommaso, a butcher, and his wife. He was orphaned when he was two years old and sent to live with his aunt, Mona Lapaccia. Because she was too poor to rear him, she placed him in the neighboring Carmelite convent when he was eight years old. There, he started his education. In 1420, he was admitted to the novitiate of the Order of the Brothers of the Blessed Virgin Mary of Mount Carmel, known commonly as the Carmelites, at the priory of Santa Maria del Carmine in Florence, taking religious vows in the ...
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Barbadori Altarpiece
The ''Barbadori Altarpiece'' is a polyptych painting by Filippo Lippi, commissioned in 1437 and completed in 1438. It consists of a main panel followed by a predella. The main panel, ''Virgin and Child Surrounded by Angels with St. Frediano and St. Augustine'', is a sacra conversazione that contains flow between each figure to depict a coronation. History Gherardo di Bartolomeo Barbadori was a wealthy man who belonged to the confraternity of Orsanmichele. In 1429, he died childless and left his wealth to the Captains of Orsanmichele. In his will he requested they build a chapel or altar in a church of their choice in Florence. His tomb was to be placed right below it and for Mass to be held. In 1437, Filippo Lippi was offered 40 florins to create an altarpiece at the Santo Spirito, dedicated to Saint Fridianus. The money was given as an allowance towards the materials for the artwork. Lippi did not earn much as profit from this piece. By the first of April in 1438, Domenico Vene ...
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Fra Angelico
Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent".Giorgio Vasari, ''Lives of the Artists''. Penguin Classics, 1965. He earned his reputation primarily for the series of frescoes he made for his own friary, San Marco, in Florence, then worked in Rome and other cities. All his known work is of religious subjects. He was known to contemporaries as Fra Giovanni da Fiesole ( English: Friar John of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). In modern Italian he is called ''Beato Angelico'' (Blessed Angelic One); the common English name Fra Angelico means the "Angelic friar". In 1982, Pope John Paul II beatified him in recognition of the holiness of his life, thereby making the title of "Blessed" official. Fiesole is sometimes misinterpreted as being part of his formal name, bu ...
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