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Romolo Ed Ersilia
''Romolo ed Ersilia'' ("Romulus and Ersilia") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in Innsbruck in 1765 with music by Johann Adolf Hasse. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as ''opera seria''. In Mysliveček's day, the opening aria, "Questa è la bella face," the duet that concludes the first act, and the quartet that concludes the second act were famed for their brilliance. Performance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Vilímek - Josef Mysliveček
Jan, JaN or JAN may refer to: Acronyms * Jackson, Mississippi (Amtrak station), US, Amtrak station code JAN * Jackson-Evers International Airport, Mississippi, US, IATA code * Jabhat al-Nusra (JaN), a Syrian militant group * Japanese Article Number, a barcode standard compatible with EAN * Japanese Accepted Name, a Japanese nonproprietary drug name * Job Accommodation Network, US, for people with disabilities * ''Joint Army-Navy'', US standards for electronic color codes, etc. * ''Journal of Advanced Nursing'' Personal name * Jan (name), male variant of ''John'', female shortened form of ''Janet'' and ''Janice'' * Jan (Persian name), Persian word meaning 'life', 'soul', 'dear'; also used as a name * Ran (surname), romanized from Mandarin as Jan in Wade–Giles * Ján, Slovak name Other uses * January, as an abbreviation for the first month of the year in the Gregorian calendar * Jan (cards), a term in some card games when a player loses without taking any tricks or scoring a mini ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artaserse
' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over 90 known settings of Metastasio's text. The libretto was originally written for, and first set to music by Leonardo Vinci in 1730 for Rome ('' Artaserse''). It was subsequently set by Johann Adolph Hasse in 1730 ('' Artaserse'') for Venice and in 1760 for Naples, by Christoph Willibald Gluck in 1741 for Milan, by Pietro Chiarini in 1741 for Verona, by Carl Heinrich Graun in 1743 for Stuttgart, by Domènec Terradellas in 1744 for Venice, by Baldassare Galuppi in 1749 for Vienna, by Johann Christian Bach in 1760 for Turin, by Josef Mysliveček in 1774 for Naples ('' Artaserse)'', by Marcos Portugal in 1806 for Lisbon and many other times. The text was often altered. Thomas Arne's 1762 ''Artaxerxes'' is set to an English libretto that is based on Metastasio's. Mozart's aria for soprano and orchestra " Conservati fedele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1773 Operas
Events January–March * January 1 – The hymn that becomes known as '' Amazing Grace'', at this time titled "1 Chronicles 17:16–17", is first used to accompany a sermon led by curate John Newton in the town of Olney, Buckinghamshire, England. * January 12 – The first museum in the American colonies is established in Charleston, South Carolina; in 1915, it is formally incorporated as the Charleston Museum. * January 17 – Second voyage of James Cook: Captain Cook in HMS Resolution (1771) becomes the first European explorer to cross the Antarctic Circle. * January 18 – The first opera performance in the Swedish language, ''Thetis and Phelée'', performed by Carl Stenborg and Elisabeth Olin in Bollhuset in Stockholm, Sweden, marks the establishment of the Royal Swedish Opera. * February 8 – The Grand Council of Poland meets in Warsaw, summoned by a circular letter from King Stanisław August Poniatowski to respond to the Kingdo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Operas By Josef Mysliveček
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, singers employ two styles o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian-language Operas
Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia). Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy) – Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Ita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christophe Rousset
Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conductor, who specializes in the performance of Baroque music on period instruments. He is also a musicologist, particularly of opera and European music of the 17th and 18th centuries and is the founder of the French music ensemble Les Talens Lyriques. Biography Rousset was born in Avignon, France on 12 April 1961. He studied harpsichord at La Schola Cantorum de Paris with Huguette Dreyfus, and subsequently at the Royal Conservatory of The Hague with Bob van Asperen winning the prestigious First Prize in the 7th Bruges Harpsichord Competition at the age of 22. This was followed by the creation of his own ensemble, Les Talens Lyriques, in 1991. At the heart of the ensemble is Rousset's research and expertise across the music of the Baroque, Classical and early Romantic periods. Having initially attracted the notice of the international press and record companies for his proficiency as a harpsichordis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Talens Lyriques
The French musical ensemble Les Talens Lyriques was created in 1991 in Paris, France, by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of '' Les fêtes d'Hébé'' (1739) an opera by Jean-Philippe Rameau. Description The repertoire of Les Talens Lyriques extends from Monteverdi (''L'incoronazione di Poppea'', ''Il ritorno d'Ulisse in patria ''and ''L'Orfeo''), Francesco Cavalli (''La Didone'' and ''La Calisto'') to Handel (''Scipione'', '' Riccardo Primo'', ''Rinaldo'', '' Admeto'', '' Giulio Cesare'', '' Serse'', '' Arianna'', '' Tamerlano'', '' Ariodante'', ''Semele'' and ''Alcina''), taking in on the way Jean-Baptiste Lully ('' Persée'', ''Roland'', ''Bellérophon'', '' Phaéton'', ''Isis'', '' Amadis'' and '' Armide''), Henri Desmarets ('' Vénus et Adonis''), Jean-Joseph Cassanéa de Mondonville ('' Les fêtes de Paphos''), Cimarosa (''Il Mercato di Malmantile'', '' Il matrimonio se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teodora Gheorghiu
Teodora Gheorghiu (born 8 May 1978 in Brașov) is a Romanian soprano who has performed in opera, concert and recital across Europe. Early life and training Gheorghiu was born in Brașov, where she studied the flute before focussing on singing. She pursued vocal studies at the Academia de Muzică Gheorghe Dima in Cluj-NapocaTeodora Gheorghiu: There's no magic to opera singing and went on to participate in several competitions, including the |
Breeches Role
A breeches role (also pants role or trouser role, or Hosenrolle) is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term '' travesti'' covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television. In opera, a breeches role refers to any male character that is sung and acted by a female singer. Most often the character is an adolescent or a very young man, sung by a mezzo-soprano or contralto. Budden J., "Breeches part" in: '' The New Grove Dictionary of Opera''. Macmillan, London and New York, 1997. The operatic concept assumes that the character is male, and the audience accepts him as such, even knowing that the actor is not. Cross-dressing female characters (e.g., Leonore in ''Fidelio'' or Gilda in Act ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical male singing voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word '' tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the enor was thestructurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that sang such parts. All other voices were ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261 Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano" '' |
Castrato
A castrato (Italian, plural: ''castrati'') is a type of classical male singing voice equivalent to that of a soprano, mezzo-soprano, or contralto. The voice is produced by castration of the singer before puberty, or it occurs in one who, due to an endocrinological condition, never reaches sexual maturity. Castration before puberty (or in its early stages) prevents the larynx from being transformed by the normal physiological events of puberty. As a result, the vocal range of prepubescence (shared by both sexes) is largely retained, and the voice develops into adulthood in a unique way. Prepubescent castration for this purpose diminished greatly in the late 18th century. Methods of castration used to terminate on the onset of puberty varied. Methods involved using opium to medically induce a coma, then submerging the boy into an ice or milk bath where the procedure of either severing the vas deferens (similar to a vasectomy), twisting the testicles until they atrophied, or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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