Romolo Ed Ersilia
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''Romolo ed Ersilia'' ("Romulus and Ersilia") is an 18th-century Italian
opera Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically ...
in 3 acts by the Czech composer
Josef Mysliveček Josef Mysliveček (9 March 1737 – 4 February 1781) was a Czech composer who contributed to the formation of late eighteenth-century classicism in music. Mysliveček provided his younger friend Wolfgang Amadeus Mozart with significant com ...
composed to a
libretto A libretto (From the Italian word , ) is the text used in, or intended for, an extended musical work such as an opera, operetta, masque, oratorio, cantata or Musical theatre, musical. The term ''libretto'' is also sometimes used to refer to th ...
by the Italian poet
Metastasio Pietro Antonio Domenico Trapassi (3 January 1698 – 12 April 1782), better known by his pseudonym of Pietro Metastasio (), was an Italian poet and librettist, considered the most important writer of ''opera seria'' libretti. Early life Met ...
first produced in
Innsbruck Innsbruck (; ) is the capital of Tyrol (federal state), Tyrol and the List of cities and towns in Austria, fifth-largest city in Austria. On the Inn (river), River Inn, at its junction with the Wipptal, Wipp Valley, which provides access to the ...
in 1765 with
music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ...
by
Johann Adolf Hasse Johann Adolph Hasse (baptised 25 March 1699 – 16 December 1783) was an 18th-century German composer, singer and teacher of music. Immensely popular in his time, Hasse was best known for his prolific operatic output, though he also composed a co ...
. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as ''
opera seria ''Opera seria'' (; plural: ''opere serie''; usually called ''dramma per musica'' or ''melodramma serio'') is an Italian musical term which refers to the noble and "serious" style of Italian opera that predominated in Europe from the 1710s to abou ...
''. In Mysliveček's day, the opening aria, "Questa è la bella face," the duet that concludes the first act, and the quartet that concludes the second act were famed for their brilliance.


Performance history

''Romolo ed Ersilia'' was first performed at the
Teatro San Carlo The Real Teatro di San Carlo ("Royal Theatre of Saint Charles"), as originally named by the Bourbon monarchy but today known simply as the Teatro (di) San Carlo, is a historic opera house in Naples, Italy, connected to the Royal Palace and a ...
in
Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ...
on 13 August 1773 to commemorate the birthday of
Maria Carolina Maria Carolina or Marie Caroline may refer to: Royalty * Maria Karolina Sobieska (1697–1740), Princess of Turenne and Duchess of Bouillon * Archduchess Maria Carolina of Austria (born 1740) (1740–1741), daughter of Empress Maria Theresa and E ...
, queen of Naples.More information concerning the Naples performance of Mysliveček's ''Romolo ed Ersilia'' is found in
Daniel E. Freeman Daniel Evan Freeman (born 27 April 1959) is an American musicologist who specializes in European art music of the eighteenth century, in particular the musical culture of eighteenth-century Prague and the Bohemian lands. He is also active as a ...
, ''Josef Mysliveček, "Il Boemo"'' (Sterling Heights, Mich.: Harmonie Park Press, 2009).
The music for the production had to be composed hurriedly, since the composer was detained at the border of the
Kingdom of Naples The Kingdom of Naples (; ; ), officially the Kingdom of Sicily, was a state that ruled the part of the Italian Peninsula south of the Papal States between 1282 and 1816. It was established by the War of the Sicilian Vespers (1282–1302). Until ...
until mid-July for his lack of a
passport A passport is an official travel document issued by a government that certifies a person's identity and nationality for international travel. A passport allows its bearer to enter and temporarily reside in a foreign country, access local aid ...
. The management of the Teatro San Carlo resolved to have the three acts of the opera parceled out among three composers resident locally, however Mysliveček was able to resolve his difficulties at the border in time to fulfill his commission. The composer's haste is manifested in a large proportion of arias with a reduced scoring (strings only, or strings and winds without brass). The result was nonetheless very successful, and Mysliveček was immediately commissioned to compose an opera for the queen's birthday in 1774 (the opera ''
Artaserse ' is the name of a number of Italian operas, all based on a text by Metastasio. ' is the Italian form of the name of the king Artaxerxes I of Persia. There are over 90 known settings of Metastasio's text. The libretto was originally written for, ...
''). In all, Mysliveček completed six more operas for the Teatro San Carlo before his death in 1781, which meant that more of his works were performed there during the 1770s than those of any other composer. This was quite a distinction, since the San Carlo was the most prestigious venue for the performance of Italian ''opera seria'' in the world. The cast of ''Romolo ed Ersilia'' included three distinguished singers:
Gaspare Pacchierotti Gaspare Pacchierotti (21 May 1740 – 28 October 1821) was a mezzo-soprano castrato, and one of the most famous singers of his time. Training and first appearances Details of his early life are scarce. It is possible that he studied with Mario Bi ...
, Anna de Amicis-Buonsolazzi, and Giuseppe Tibaldi.


Roles


Vocal set pieces

Act I, scene 1 - Chorus, "Sul Tarpeo propizie, e liete"
Act I, scene 2 - Aria of Romolo, "Questa è la bella face"
Act I, scene 3 - Aria of Ersilia, "Sorprender mi vorresti"
Act I, scene 5 - Aria of Curzio, "Prence, che affanno" non-Metastasian text
Act I, scene 6 - Aria of Acronte, "Sprezzami pur, per ora ostenta"
Act I, scene 8 - Aria of Valeria, "Quel traditore intendo" non-Metastasian text
Act I, scene 10 - Accompanied recitative for Romolo and Ersilia, "E tace Ersilia?"
Act I, scene 10 - Duet for Romolo ed Ersilia, "Ah, che vuol dir quel pianto" Act II, scene 1 - Aria for Valeria, "Ah, perchè quando appresi"
Act II, scene 3 - Aria of Acronte, "Non respiro, che rabbia, e veleno" non-Metastasian text
Act II, scene 4 - Aria of Curzio, "Nel pensar che padre io sono"
Act II, scene 5 - Accompanied recitative for Ersilia, "Dove m'ascondo?"
Act II, scene 6 - Aria of Ersilia, "Basta così, vincesti"
Act II, scene 7 - Accompanied recitative for Romolo and Ostilio, "Non resta, Roma io confido a te"
Act II, scene 7 - Aria of Romolo, "Ah, dille ch'io l'amo" non-Metastasian text
Act II, scene 9 - Quartet of Ersilia, Romolo, Acronte, and Curzio, "Deh, invitati serba" non-Metastasian text Act III, scene 1 - Aria of Ersilia, "Sponde felici, addio" non-Metastasian text
Act III, scene 5 - Aria of Valeria, "L'augellin dal visco uscito"
Act III, scene 6 - Chorus, "Serbate, o numi"
Act III, scene 6 - Cavatina of Romolo, "De' Numi clementi" non-Mestastasian text
Act III, scene 9 - Aria of Curzio, "Ah, non più padre ti sono" non-Metastasian text
Act III, scene 9 - Chorus, "Numi, che intenti siete"


Score

The complete score of ''Romolo ed Ersilia'' is available for study online on the Italian website Internet Culturale in the form of a reproduction of a manuscript once in the possession of the Teatro San Carlo of Naples.


Recordings

The overture to Mysliveček's ''Romolo ed Ersilia'' is included in a collection of symphonies and overtures by the composer recorded by the L'Orfeo Barockorchester, Michi Gaigg, conductor, CPO 777-050 (2004). Two arias from the role of Ersilia ("Sorprender mi vorresti" and "Basta così, vincesti"), originally created for Anna de Amicis-Buonsolazzi, are included in the collection ''Arias for Anna de Amicis'' as sung by soprano
Teodora Gheorghiu Teodora Gheorghiu (born 8 May 1978 in Brașov) is a Romanian soprano who has performed in opera, concert and recital across Europe. Early life and training Gheorghiu was born in Brașov, where she studied the flute before focussing on singing. Sh ...
with
Les Talens Lyriques The French musical ensemble Les Talens Lyriques was created in 1991 in Paris, France, by the harpsichordist and orchestral conductor Christophe Rousset. This instrumental and vocal formation derives its name from the subtitle of '' Les fêtes d'H ...
,
Christophe Rousset Christophe Rousset (; born 12 April 1961) is a French harpsichordist and conducting, conductor, who specializes in the performance of Baroque music on Authentic performance, period instruments. He is also a musicologist, particularly of opera and ...
, conductor, Aperté AP021 (2011).


References

;Notes


External links

*Complete score in manuscript available for viewing and downloading at http://www.internetculturale.it (Subcategory: Digital Contents) {{DEFAULTSORT:Romolo Ed Ersilia Italian-language operas Operas by Josef Mysliveček 1773 operas Opera seria Operas Opera world premieres at the Teatro San Carlo