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Romanino
Girolamo Romani, known as Romanino (c. 1485 - c. 1566), was an Italian High Renaissance painter active in the Veneto and Lombardy, near Brescia. His long career brought forth several different styles. Biography Romani was born in Brescia. His early training and life are not well documented. A Quattrocento-esque ''Pietà'', painted for the church of ''San Lorenzo'' of Brescia, dated from 1510, is exhibited in the Accademia. He took up residence in Venice in his twenties, at the latest by 1513. He was commissioned to complete a ''Madonna enthroned with four saints'' for the church of Santa Giustina in Padua in 1513. The coloration of the painting is of Venetian style, but the duller visages in bejeweled setting recalls styles of previous generations. He completed series of frescoes for Niccolò Orsini's Palace in Ghedi and an altarpiece for San Francesco, Brescia. Romanino completed four frescoes in the nave of the cathedral of Cremona in 1519-1520 depicting stories of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco, Brescia
San Francesco is a Romanesque-Gothic style, Roman Catholic church and Franciscan monastery located on Via San Francesco d'Assisi in central Brescia, region of Lombardy, Italy. History The Franciscan order arrived in Brescia around 1220, after a visit to the city by the founder himself. Construction of the structures began around 1254 and continued for over a century. The cloister of the adjacent Convent, designed by Guglielmo da Frisone, was completed in 1394. In the 14th century, it is likely the entire walls and ceilings were frescoed, but the creation of chapels and other restorations covered much of this work except for traces behind the 2nd and third altars. The ''Crucifixion'' fresco in the 2nd chapel on the left dates to 1310-1320. On the right, the chapel dedicated to St Jerome has decorative sculpture (1506) by Gasparo da Coirano. Other internal decoration was by Ottavio Viviani, Pietro Ricchi (il Lucchese), and Gian Giacomo Barbello. The Franciscan order's residen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brescia
Brescia (, locally ; lmo, link=no, label= Lombard, Brèsa ; lat, Brixia; vec, Bressa) is a city and ''comune'' in the region of Lombardy, Northern Italy. It is situated at the foot of the Alps, a few kilometers from the lakes Garda and Iseo. With a population of more than 200,000, it is the second largest city in the administrative region and the fourth largest in northwest Italy. The urban area of Brescia extends beyond the administrative city limits and has a population of 672,822, while over 1.5 million people live in its metropolitan area. The city is the administrative capital of the Province of Brescia, one of the largest in Italy, with over 1,200,000 inhabitants. Founded over 3,200 years ago, Brescia (in antiquity Brixia) has been an important regional centre since pre-Roman times. Its old town contains the best-preserved Roman public buildings in northern Italy and numerous monuments, among these the medieval castle, the Old and New cathedral, the Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Feast In The House Of Simon The Pharisee (Romanino)
''The Feast in the House of Simon the Pharisee'' is a c. 1545 is an oil on canvas painting by Romanino, now in the church of San Giovanni Evangelista in Brescia. It is part of the decoration of the Cappella del Santissimo Sacramento. That chapel had been built in 1509 but remained mostly undecorated until on 21 March 1521 the Confraternita del Santissimo Sacramento commissioned Romanino and Moretto Moretto is a surname, and may refer to: *Moretto, or Moretto da Brescia, (c. 1498–1554), Italian Renaissance painter (in his case ''Il Moretto'' was a nickname) * Angie Moretto, NHL player * Enrico Moretto, Italian fighter ace * Graziella Moretto ... to produce a set of paintings. That artistic duel lasted until the mid 16th century. References category:Paintings in Brescia category:1545 paintings category:Paintings by Girolamo Romani category:Paintings depicting Jesus {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Francesco Altarpiece
The San Francesco Altarpiece is a c.1517 oil on canvas painting by Romanino, painted for and still on show in the church of San Francesco, Brescia. It was produced just after the artist's return from Padua, where he had come into contact with the innovations of Titian at the Scuola del Santo. It shows a Madonna and Child surrounded by Franciscan saints - Francis of Assisi and Anthony of Padua standing either side and Bonaventure, Louis of Toulouse and Bernardino of Siena kneeling at the base with a monk (father Francesco Sanson). References Bibliography * Pierluigi De Vecchi ed Elda Cerchiari, ''I tempi dell'arte'', Milano, Bompiani, 1999, vol. 2. ISBN 88-451-7212-0. Paintings of Saint Bonaventure Paintings in Brescia Paintings of the Madonna and Child Paintings by Girolamo Romani Paintings of Francis of Assisi Paintings of Louis of Toulouse 1517 paintings Paintings of Anthony of Padua Paintings of Bernardino of Siena {{16C-painting-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castel Buonconsiglio
Buonconsiglio Castle ( it, Castello del Buonconsiglio) is a castle in Trento, northern Italy. History The castle originated from a fortified building that was erected in the 13th century next to the city's walls. This first building was called Castelvecchio ("Old Castle"), and was the seat of the Bishopric of Trent from the 13th century onwards to the end of the 18th century. The castle is composed of a series of buildings of different eras, enclosed by a circle of walls in a slightly elevated position above the town. The, as called, Castelvecchio is the oldest and most dominant building of the entire housing development. The Magno Palazzo is the sixteenth expansion in the forms of the Italian Renaissance, wanted by the Prince Bishop and Cardinal Bernardo Clesio (1485-1539), the third part, in the southern end of the complex is the known Eagle tower, which preserves the famous Cycle of the Months, one of the most fascinating pictorial cycles of profane late Middle Ages. Bisho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castle Of Malpaga
The Malpaga Castle (Italian: ''Castello di Malpaga'') is a castle in the communal territory of Cavernago, a village in the province of Bergamo, northern Italy. Its main features are the interior rooms frescoed by the Renaissance painter Il Romanino. An early medieval castle had been in ruins after a raid in the 1440s. In 1456, the condottiero and nobleman Bartolomeo Colleoni acquired the ruined castle from the commune of Bergamo. He enlarged and enriched it not only as a military base for his troops, but also as a seigneurial residence, in the typical Italian Renaissance fashion. The castle layout is square, surrounded by two lines of walls and a ditch. The first line, now disappeared, included the stables and the barracks. The walls are characterized by merlons. The castle's internal walls are almost entirely frescoed, although some of them have deteriorated or been vandalized. Some frescoes celebrate the 1474 visit of King Christian I of Denmark and the sumptuous hospitality g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altobello Melone
Altobello Melone ( 1490–1491 – before 3 May 1543) was an Italian painter of the Renaissance. Biography Melone was born in Cremona. His work merges Lombard and Mannerist styles. In Cremona, he encountered the elder Girolamo Romanino. He was commissioned in December 1516 to fresco the Cathedral of Cremona, work which continued until 1518. His contract required that his frescoes be more beautiful than those of his predecessor, Boccaccio Boccaccino. He worked alongside Giovanni Francesco Bembo and Paolo da Drizzona. Francesco Prata was influenced by Melone. Melone contributed frescoes to the Cathedral of Cremona in 1516. The ''Lamentation'' in the Pinacoteca di Brera comes in all probability from the church of Saint Lorenzo in Brescia and is dated 1512. The stylistic convergence with Romanino is particularly obvious, such that the contemporary Venetian Marcantonio Michiel describes the Cremonese painter as a "disciple of Armanin". Moreover, in his masterpiece frescoes, M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lattanzio Gambara
Lattanzio Gambara (c. 1530 – 18 March 1574) was an Italian painter, active in Renaissance and Mannerist styles. It is likely that Gambara is the same 16th century painter referred to as ''Lattanzio Cremonese'' or ''Lattanzio da Cremona''. Biography Born in Brescia, Gambara initially apprenticed, aged fifteen, with Giulio Campi in Cremona. By 1549 he was working alongside Girolamo Romanino, who became his father-in-law. Gambara's work also shows the influence of il Pordenone. An altarpiece of S. Maria in Silva dates to 1558. He painted frescoes in the Villa Contarini in Asolo. Another fresco cycle on the ''History of the Apocalypse'' decorated the Loggia of Brescia, until it was destroyed by bombing in 1944. In his maturity the artist returned to Brescia to work with Romanino in a series of generally lost frescoes for Sant'Eufemia and Saint Lorenzo in Brescia. He painted altarpieces, all but one of them now lost, for the abbey of Saint Benedict in Polirone, and also decorated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cathedral Of Cremona
Cremona Cathedral ( it, Duomo di Cremona, ''Cattedrale di Santa Maria Assunta''), dedicated to the Assumption of the Blessed Virgin Mary, is a Catholic cathedral in Cremona, Lombardy, northern Italy. It is the seat of the Bishop of Cremona. Its bell tower is the famous Torrazzo, symbol of the city and tallest pre-modern tower in Italy. Also adjoining is the baptistery, another important medieval monument. History Originally built in Romanesque style, the cathedral has been restored and extended several times, with Gothic, Renaissance and Baroque elements. Construction began in 1107, but the works were damaged and halted after an earthquake in 1117. Construction resumed in 1129, and the building was probably finished in 1160-1170. The main altar, dedicated to the city's patron saints Archelaus and Himerius, was consecrated in 1196. The current façade was probably built in the 13th and the early 14th century. In the same period the arms of the transept were also added: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro Bonvicino
Alessandro Bonvicino (also Buonvicino) (possibly 22 December 1554), more commonly known as Moretto, or in Italian Il Moretto da Brescia (the Moor of Brescia), was an Italian Renaissance painter from Brescia, where he also mostly worked. His dated works span the period from 1524 to 1554, but he was already described as a master in 1516. He was mainly a painter of altarpieces that tend towards sedateness, mostly for churches in and around Brescia, but also in Bergamo, Milan, Verona, and Asola; many remain in the churches they were painted for. Most are on canvas, but a number even of large ones are on wood panel. Only a handful of drawings survive. He also painted a few portraits, but these are more influential. A full-length '' Portrait of a Man'' in the National Gallery, London, dated 1526, seems to be the earliest Italian independent portrait at full length, all the more unexpected as the subject, though clearly a wealthy nobleman, shows no sign of being from a princely ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Da Correggio
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asola, Lombardy
Asola ( Upper Mantovano: ) is a comune in the province of Mantua, Lombardy (northern Italy). It received the honorary title of city with a presidential decree of October 23, 1951. In 1516, when it was part of the Republic of Venice, it was unsuccessfully besieged by the troops of the Austrian Maximilian I. The event is portrayed in a painting by Tintoretto Tintoretto ( , , ; born Jacopo Robusti; late September or early October 1518Bernari and de Vecchi 1970, p. 83.31 May 1594) was an Italian painter identified with the Venetian school. His contemporaries both admired and criticized the speed wit ..., '' The Siege of Asola''. The local civic museum is titled Museo Civico Goffredo Bellini. Twin towns * Leingarten, Germany, since 2004 * Lésigny, France, since 2004 Cities and towns in Lombardy {{Mantua-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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