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Retable
A retable is a structure or element placed either on or immediately behind and above the altar or communion table of a church. At the minimum, it may be a simple shelf for candles behind an altar, but it can also be a large and elaborate structure. A retable which incorporates sculptures or paintings is often referred to as an altarpiece. According to the Getty ''Art & Architecture Thesaurus Online'', "A 'retable' is distinct from a 'reredos'; while the reredos typically rises from ground level behind the altar, the retable is smaller, standing either on the back of the altar itself or on a pedestal behind it. Many altars have both a reredos and a retable." 'Retable' This distinction is not always upheld in common use, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reredos
A reredos ( , , ) is a large altarpiece, a screen, or decoration placed behind the altar in a Church (building), church. It often includes religious images. The term ''reredos'' may also be used for similar structures, if elaborate, in secular architecture, for example very grand carved chimneypieces. It also refers to a simple, low stone wall placed behind a hearth. Description A reredos can be made of stone, wood, metal, ivory, or a combination of materials. The images may be painted, carved, gilded, composed of mosaics, and/or embedded with Niche (architecture), niches for statues. Sometimes a tapestry or another fabric such as silk or velvet is used. Derivation and history of the term ''Reredos'' is Etymology, derived through Middle English from the 14th-century Anglo-Norman ''areredos'', which in turn is from''arere'' 'behind' +''dos'' 'back', from Latin . (Despite its appearance, the first part of the word is not formed by doubling the prefix "re-", but by an archaic spell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altarpieces
An altarpiece is a painting or sculpture, including relief, of religious subject matter made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of Baroque painting. The word altarpiece, used for paintings, usually means a framed work of panel painting on wood, or later on canvas. In the Middle Ages they were generally the largest genre for these formats. Murals in fresco tend to cover larger surfaces. The largest painted altarpieces developed complicated structures, especially winged altarpieces with hinged side wings that folded in to cover the main image, and were painted on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pala D'Oro
Pala d'Oro (Italian Language, Italian, "Golden Panel") is the high altar retable of the St Mark's Basilica, Basilica di San Marco in Venice (and in Italian may refer to other gold altar frontals elsewhere). It is universally recognized as one of the most refined and accomplished works of Byzantine enamel, with both front and rear sides decorated. It was created and expanded in several phases over many centuries. Most of the enamel panels were made in Constantinople or Italy in a Byzantine style, but some were probably looted in Constantinople during the Fourth Crusade in 1204 and brought from there to Venice. History The Pala d'Oro was thought to be first commissioned in 976 by Doge Pietro I Orseolo, Pietro Orseolo, where it was made up of precious stones and several enamels depicting various saints, and in 1105 it was expanded on by Doge Ordelafo Faliero. In 1345, the goldsmith Giovanni Paolo Bonesegna was commissioned to complete the altarpiece by Andrea Dandolo, who was the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retablo
A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally ''retablo'' is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture, or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish language, Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors. Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ, the Blessed Virgin Mary, Virgin Mother, or one of the hundreds of saints. Many are ex-votos ("from a vow") that depict the story that led to their commission, usually dangerous or threatening events that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dossal
A Dossal (or dossel, dorsel, dosel), from French ''dos'' (''back''), is one of a number of terms for something rising from the back of a church altar. In modern usage, it primarily refers to cloth hangings but it can also denote a board, often carved or containing a painting, that rises vertically from the back of the altar and to which the cloth is attached. Retable and reredos are alternative terms for solid structures, as is altarpiece, all of them rather more commonly used today. Dossal remains the usual term for an ornamental cloth suspended behind an altar, probably attached to the wall behind. This is often called a dossal curtain, and altar screen is also sometimes used as a synonym for a cloth dossal, as well as, more dubiously, for wood or stone screens in various locations in the sanctuary. Curtains at the side of an altar may be called riddels; these may be suspended between riddel posts at the corners of the altar. More rarely, a cloth dossal may continue as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Retablo
A retablo is a devotional painting, especially a small popular or folk art one using iconography derived from traditional Catholic church art. More generally ''retablo'' is also the Spanish term for a retable or reredos above an altar, whether a large altarpiece painting or an elaborate wooden structure with sculptures. Typically this includes painting, sculpture, or a combination of the two, and an elaborate framework enclosing it. The Latin etymology of the Spanish language, Spanish word means "board behind". Aside from being found behind the altar, "similar ornamental structures are built and carved over facades and doorways", called overdoors. Small retablos are devotional or votive paintings, often on rectangular sheets of tin that illustrate holy images such as Christ, the Blessed Virgin Mary, Virgin Mother, or one of the hundreds of saints. Many are ex-votos ("from a vow") that depict the story that led to their commission, usually dangerous or threatening events that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Communion Table
Communion table and Lord's table are terms used by many Protestant churches—particularly from Reformed, Baptist and low church Anglican and Methodist bodies—for the table used for preparation of Holy Communion (a sacrament also called the ''Eucharist''). These churches typically prefer not to use the term "altar" because they do not see Communion as sacrificial in any way. However, in colloquial speech, the word "altar" is often used interchangeably with "communion table". Terminology The use of a simple table, generally built of wood, instead of an altar made of stone reflects these churches' rejection of the suggestion of sacrifice in the rite: they believe that the Passion of Jesus Christ was a perfect sacrifice for sins made once for all (-10:4). Many Protestant churches that choose not to use the term "altar" may still have an " altar call", in which visitors wish to make a new spiritual commitment to Jesus Christ are invited to come forward to the front of the ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Language
French ( or ) is a Romance languages, Romance language of the Indo-European languages, Indo-European family. Like all other Romance languages, it descended from the Vulgar Latin of the Roman Empire. French evolved from Northern Old Gallo-Romance, a descendant of the Latin spoken in Northern Gaul. Its closest relatives are the other langues d'oïl—languages historically spoken in northern France and in southern Belgium, which French (Francien language, Francien) largely supplanted. It was also substratum (linguistics), influenced by native Celtic languages of Northern Roman Gaul and by the Germanic languages, Germanic Frankish language of the post-Roman Franks, Frankish invaders. As a result of French and Belgian colonialism from the 16th century onward, it was introduced to new territories in the Americas, Africa, and Asia, and numerous French-based creole languages, most notably Haitian Creole, were established. A French-speaking person or nation may be referred to as Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin
Medieval Latin was the form of Literary Latin used in Roman Catholic Church, Roman Catholic Western Europe during the Middle Ages. It was also the administrative language in the former Western Roman Empire, Roman Provinces of Mauretania, Numidia (Roman province), Numidia and Africa (Roman province), Africa Proconsularis under the Vandals, the Exarchate of Africa, Byzantines and the Kingdom of Altava, Romano-Berber Kingdoms, until it declined after the Arab conquest of North Africa, Arab Conquest. Medieval Latin in Southern and Central Visigothic Kingdom, Visigothic Hispania, conquered by the Arabs immediately after North Africa, experienced a similar fate, only recovering its importance after the Reconquista by the Northern Christian Kingdoms. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Roman Catholic Church, Churc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mosaic
A mosaic () is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/Mortar (masonry), mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and were particularly popular in the Ancient Rome, Ancient Roman world. Mosaic today includes not just murals and pavements, but also artwork, hobby crafts, and industrial and construction forms. Mosaics have a long history, starting in Mesopotamia in the 3rd millennium BC. Pebble mosaics were made in Tiryns in Mycenean civilisation, Mycenean Greece; mosaics with patterns and pictures became widespread in classical times, both in Ancient Greece and Ancient Rome. Early Christian basilicas from the 4th century onwards were decorated with wall and ceiling mosaics. Mosaic art flourished in the Byzantine Empire from the 6th to the 15th centuries; that tradition was adopted by the Norman dynasty, Norman Kingdom of Sicily in the 12th century, by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
