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Regina Silveira
Regina Silva Silveira (born 1939) is a Brazilian artist known for her work with light, shadows and distortions exploring ideas of reality. Silveira has used many media throughout her career but focuses mainly on videography, painting, and printmaking (including some lithography.) She is based in São Paulo. Early life Silveira was born in 1939 in Porto Alegre, Brazil, but has spent much of her life in the city of São Paulo. She began studying art in 1950 under Brazilian painter Iberê Camargo; she studied lithography and woodcut in addition to painting. In the 1970s, she began experimenting with printmaking and video. Education Regina graduated in 1958 with a degree in fine arts from the Arts Institute of the Universidade Federal do Rio Grande do Sul. Occupying a teaching position in the same institution, she developed a sculpture and painting practice under the tutelage of Iberê Camargo, Francisco Stockinger and Marcelo Grassmann. In 1967 she was awarded a scholarship to st ...
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Porto Alegre, Brazil
Porto Alegre (, , Brazilian ; ) is the capital and largest city of the Brazilian state of Rio Grande do Sul. Its population of 1,488,252 inhabitants (2020) makes it the twelfth most populous city in the country and the center of Brazil's fifth largest metropolitan area, with 4,405,760 inhabitants (2010). The city is the southernmost capital city of a Brazilian state. Porto Alegre was founded in 1769 by Manuel Jorge Gomes de Sepúlveda, who used the pseudonym José Marcelino de Figueiredo to hide his identity; but the official date is 1772 with the act signed by immigrants from the Azores, Portugal. The city lies on the eastern bank of the Guaíba Lake, where five rivers converge to form the Lagoa dos Patos, a giant freshwater lagoon navigable by even the largest of ships. This five-river junction has become an important alluvial port as well as a chief industrial and commercial center of Brazil. In recent years, Porto Alegre hosted the World Social Forum, an initiative of s ...
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Readymades Of Marcel Duchamp
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art".Tomkins: ''Duchamp: A Biography'', page 158. By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Marcel Duchamp, Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference",Cabanne: ''Dialogs with Marcel Duchamp'', Thames and Hudson (1971), page 48. ''Cabanne: What determined your choice of readymades? Duchamp: That depended on the object. In general, I had to beware, at the end of fifteen days, you begin to like it or hate it. You have to a ...
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Pollock-Krasner Foundation
The Pollock-Krasner Foundation was established in 1985 for the purpose of providing financial assistance to individual working artists of established ability. It was established at the bequest of Lee Krasner, who was an American abstract expressionist painter and the widow of fellow painter Jackson Pollock. Krasner left approximately $23 million in cash, securities, and art to the foundation. Activities The foundation provides grants to artists internationally based on "recognizable artistic merit and demonstrable financial need". The foundation also gives out Lee Krasner Awards. These awards are based on the same criteria as grants but also recognize a lifetime of artistic achievement and are by nomination only. By 1988, the foundation had already granted over $1.5 million to about 300 "worthy artists who are in need". Authentication board The Pollock-Krasner Authentication Board, established by the Pollock-Krasner Foundation to examine and rule (for no charge) on disputed works, ...
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Cuenca, Ecuador
Santa Ana de los Cuatro Ríos de Cuenca, commonly referred to as Cuenca (Kichwa: ''Tumipampa'') is the capital and largest city of the Azuay Province of Ecuador. Cuenca is located in the highlands of Ecuador at about above sea level, with an urban population of approximately 329,928 and 661,685 inhabitants in the larger metropolitan area. The center of the city is listed as a UNESCO World Heritage Site due to its many historical buildings and its historical importance as an agricultural and administrative center. History “The plateau is a place treasured by empires," comments Jeffrey Herlihy-Mera. "The Cañari then Inca and then Spanish occupied the region in the last two millennia, each renaming it in their own language. Now the capital city is called Cuenca and the province Azuay.” According to studies and archeological discoveries, the origins of the first inhabitants go back to the year 8060 BC in the Cave of Chopsi. They were hunters, hunting everything the Páramo ...
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Philagrafika
Founded in 2000, Philagrafika is a regional consortium of individuals and organizations interested in understanding the impact of the printed image in contemporary art. In April 2006 its founding name was changed from the Philadelphia Print Collaborative to Philagrafika, but its mission to promote and sustain printmaking as a vital and valued art form by providing artistic, programmatic and administrative leadership for large-scale, cooperative initiatives with broad public exposure remains the same. Building upon the region's rich history and abundant artistic resources, Philagrafika not only encourages a critical dialogue, but it continues to provide benefits for the local arts community by enhancing the city's presence as an international center for printmaking. All of this is realized through international contemporary art festivals, an annual invitational portfolio, and various notable public projects. Philagrafika's programs have been designed to promote new curatorial and cri ...
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Vila Nova De Cerveira
Vila Nova de Cerveira (, ) is a municipality in the district of Viana do Castelo in Portugal. The population in 2011 was 9,253,Instituto Nacional de Estatística
in an area of 108.47 km².Áreas das freguesias, concelhos, distritos e país
/ref> The municipal holiday is October 1.


Parishes

Administratively, the municipality is divided into 11 civil parishes (''

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Solomon R
Solomon (; , ),, ; ar, سُلَيْمَان, ', , ; el, Σολομών, ; la, Salomon also called Jedidiah ( Hebrew: , Modern: , Tiberian: ''Yăḏīḏăyāh'', "beloved of Yah"), was a monarch of ancient Israel and the son and successor of David, according to the Hebrew Bible and the Old Testament. He is described as having been the penultimate ruler of an amalgamated Israel and Judah. The hypothesized dates of Solomon's reign are 970–931 BCE. After his death, his son and successor Rehoboam would adopt harsh policy towards the northern tribes, eventually leading to the splitting of the Israelites between the Kingdom of Israel in the north and the Kingdom of Judah in the south. Following the split, his patrilineal descendants ruled over Judah alone. The Bible says Solomon built the First Temple in Jerusalem, dedicating the temple to Yahweh, or God in Judaism. Solomon is portrayed as wealthy, wise and powerful, and as one of the 48 Jewish prophets. He is also the s ...
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Havana Biennial
The Bienal de La Habana was founded in 1984. It takes place in Havana (Cuba) every two years. It principally aims at promoting the developing world in contemporary art circles, giving priority to Latin American and Caribbean artists, although artists from all over the world submit works. Since its first edition in 1984, the Biennial event has had central themes, among them tradition and contemporary times, challenges, art, society and reflection, man and memory, life with art and urban life. Works emphasize mainly paintings and other two-dimensional displays, using a variety of techniques. History 1st Bienal de La Habana First Chair of the Organizing Committee: Marcia Leiseca The event was established in 1984. This edition exhibited artists only from Latin America and the Caribbean. It was attended by 800 artists from 22 countries, with the collaboration of numerous historians and critics from almost the entire continent of Latin América. The event focused on themes such as ...
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Art Museum Of The Americas
Art Museum of the Americas (AMA), located in Washington, D.C., is the first art museum in the United States primarily devoted to exhibiting works of modern and contemporary art from Latin America and the Caribbean. The museum was formally established in 1976 by the Organization of American States (OAS) as the Museum of Modern Art of Latin America. Artists represented in the AMA's permanent collection include Carlos Cruz-Diez, Candido Portinari, Pedro Figari, Fernando de Szyszlo, Amelia Peláez, and Alejandro Obregón. The art collection of the OAS was initiated under the organization's Visual Arts Unit, beginning with the first donated artwork by the Brazilian neo-realist artist Portinari, in 1949. In the following decade the Permanent Council of the OAS determined to establish an acquisitions fund, in order to build up a permanent collection of artworks by significant contemporary artists from the member states of the OAS. A number of works were also purchased from or donated ...
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Museo Nacional Centro De Arte Reina Sofia
Museo may refer to: * Museo, 2018 Mexican drama heist film *Museo (Naples Metro) Museo is a station on line 1 of the Naples Metro. It was opened on 5 April 2001 as the eastern terminus of the section of the line between Vanvitelli and Museo. On 27 March 2002 the line was extended to Dante Dante Alighieri (; – 14 Se ..., station on line 1 of the Naples Metro * Museo, Seville, neighborhood of Seville, Spain {{disambiguation ...
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Palacio De Cristal
The Palacio de Cristal ("Glass Palace") is a conservatory located in the Buen Retiro Park in Madrid, Spain. The Palacio de Cristal, in the shape of a Greek cross, is made almost entirely of glass set in an iron framework on a brick base, which is decorated with ceramics. Its cupola makes the structure over 22 metres high. When it was erected, glass and iron construction on a large scale was already to be seen in Madrid at Delicias station (1880), the work of a French architect; however, the curved architecture of the Palacio de Cristal is more comparable to the techniques pioneered by the British architects Joseph Paxton (who was responsible for London's Crystal Palace) and Decimus Burton (who was responsible for the Palm House at Kew Gardens). The Palacio de Cristal was, alongside the Pabellón Central, one of the main venues of the 1887 Philippines Exposition. The cast-iron frame was manufactured in Bilbao. The structure was designed in a way that would allow it to be r ...
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