Rapa Nui Tattooing
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Rapa Nui Tattooing
As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. (Rapa Nui, Easter Island.) In some cases the Tattoo, tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class. Process The tattooing process was performed with bone needles and combs called or made out of bird or fish bones. The ink was made out of natural products, primarily from the burning of Ti leaves (''Cordyline terminalis'') and sugar cane. The other end has two grooves so that a rod can be attached to the end, which probably helps the artist maneuver the needles during the tattoo process. Tattoos are applied with the needle combs and a wooden mallet called . Names The tattoos were named based on its location on the body: * Rima kona: On the back o ...
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Sophia Hoare
Sophia Hoare (also known as ''Mrs S. Hoare'', ''Madame S. Hoare'', ''Suzanne Hoare'', ''Susan Hoare''), born Johnson, was a 19th-century British photographer operating in Tahiti. She married Charles Burton Hoare, June 1853 in Manchester. They lived in Hulme outside Manchester and got three daughters, Elizabeth, Louisa, and Octavia. In March 1863 they traveled with the Telegraph ship from London to Auckland, New Zealand. Some time in the next few years, Charles, together with a certain Wooster, established a photo firm under the name of Hoare & Wooster. Wooster had a studio, "The Royal Photographic Rooms" which lay in the corner of Vulcan Lane and Queen Street. The partnership ended in 1866 and Charles started a firm in his own name, also on Vulcan Street. To Tahiti The family eventually moved on to Tahiti, but it is unclear whether it was the whole family from start or if only Charles went first. Clearly, Charles was in Tahiti in February 1868. He then announced in Le Messager de ...
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Hjalmar Stolpe
Knut Hjalmar Stolpe (23 April 1841 – 27 January 1905), was a Swedish entomologist, archaeologist, and ethnographer. He was the first director and curator of the Museum of Ethnography, Sweden. He is best known for his meticulous archaeological excavations at the Viking-age site Birka on the island Björkö. Biography Hjalmar Stolpe was born at Gävle in Gävleborg County, Sweden. He was the son of Carl Johan Stolpe, the mayor of Norrköping, and Katarina Vilhelmina Charlotta Eckhoff. He graduated from Uppsala University in 1860 with a degree in zoology and botany and obtained a PhD in 1872. He worked at the Swedish History Museum during the years 1874–1900. Over a period of twenty years, he carried out large excavations at Birka on Björkö where there are burial mounds dating from the Bronze Age. One of the graves he documented was that of the Birka female Viking warrior (Birka chamber grave Bj 581) buried with the accoutrements of an elite professional Viking warrior in ...
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Vanadis Expedition
The ''Vanadis'' expedition was a sailing expedition around the world with the frigate ''Vanadis'' visiting South America, Oceania, Asia, and Europe. It took place between 1883 and 1885 and was commissioned by the United Kingdoms of Sweden and Norway. The expedition was of a military, economic, diplomatic, and scientific nature. It was partly a training mission and partly to promote Swedish maritime and trade. Captain of the ship was Otto Lagerberg. Other participants were Crown Prince Oscar, meteorologist Gottfrid Fineman and physician and marine biologist Dr. Karl Rudberg along with more than 300 officers and sailors. On board was also the Swedish archaeologist and ethnographer Hjalmar Stolpe who during land excursions collected 7,500 cultural specimens for an intended ethnographical museum in Sweden. The objects were acquired/purchased from indigenous and Western residents in all places ''Vanadis'' stopped. Stolpe was accompanied by photographer Oscar Ekholm which resulted in a ...
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Iuhi
As in other Polynesian islands, Rapa Nui tattooing had a fundamentally spiritual connotation. (Rapa Nui, Easter Island.) In some cases the tattoos were considered a receptor for divine strength or mana. They were manifestations of the Rapa Nui culture. Priests, warriors and chiefs had more tattoos than the rest of the population, as a symbol of their hierarchy. Both men and women were tattooed to represent their social class. Process The tattooing process was performed with bone needles and combs called or made out of bird or fish bones. The ink was made out of natural products, primarily from the burning of Ti leaves (''Cordyline terminalis'') and sugar cane. The other end has two grooves so that a rod can be attached to the end, which probably helps the artist maneuver the needles during the tattoo process. Tattoos are applied with the needle combs and a wooden mallet called . Names The tattoos were named based on its location on the body: * Rima kona: On the back of the ha ...
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Tattooing On Native Woman, Easter Island (1891)
A tattoo is a form of body modification made by inserting tattoo ink, dyes, or pigments, either indelible or temporary, into the dermis layer of the skin to form a design. Tattoo artists create these designs using several tattooing processes and techniques, including hand-tapped traditional tattoos and modern tattoo machines. The history of tattooing goes back to Neolithic times, practiced across the globe by many cultures, and the symbolism and impact of tattoos varies in different places and cultures. Tattoos may be decorative (with no specific meaning), symbolic (with a specific meaning to the wearer), pictorial (a depiction of a specific person or item), or textual (words or pictographs from written languages). Many tattoos serve as rites of passage, marks of status and rank, symbols of religious and spiritual devotion, decorations for bravery, marks of fertility, pledges of love, amulets and talismans, protection, and as punishment, like the marks of outcasts, slaves, and ...
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