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Quauholōlli
The quauholōlli (also transliterated as cuauhololli) was a kind of Blunt instrument, blunt weapon used by the Aztecs, Huastec civilization, Huastecs, and Purépecha Empire, Tarascans. It is a Mace (bludgeon), mace-like Club (weapon), club consisting of a to long wooden stick ending in a hard ball of wood, rock or copper, used for breaking bones, as Mesoamerican shields were not strong enough to always absorb its impact. This type of weapon was effective in the downward blow, but a lot less practical in other directions. Like other Aztec clubs, its use was widespread, primarily among novice warriors. Uses in close combat While advancing unto enemy ranks in battle, after the projectiles were used up, it was held in the shield hand, while the primary hand handled the Spear-thrower, atlatl. Upon contact, the atlatl was dropped, where the quauholōll would be used in close combat as a Shock tactics, shock weapon, alongside the macuahuitl and the macuahuiltzoctli (a smaller variant of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aztec Warfare
Aztec warfare concerns the aspects associated with the military conventions, forces, weaponry and strategic expansions conducted by the Mesoamerican chronology, Late Postclassic Aztec civilizations of Mesoamerica, including particularly the military history of the Aztec Triple Alliance involving the city-states of Tenochtitlan, Texcoco (Aztec site), Texcoco, Tlacopan and other allied polity, polities of the central Mexican region. This united the Mexica, Apulteca, and Chichimeca people through marriages. The Aztec armed forces were typically made up of a large number of commoners (''yāōquīzqueh'' , "those who have gone to war") who possessed extensive military training, and a smaller but still considerable number of highly professional warriors belonging to the nobility (''Pipiltin, pīpiltin'' ) and who were organized into warrior societies and ranked according to their achievements. The Aztec state's primary purpose was political expansion and dominance of and exaction of tri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guerreros Tlaxcaltecas Junto A Sus Aliados Españoles Lienzo De Tlaxcala
''Guerreros'' () is a 2002 Spanish war film directed by Daniel Calparsoro which stars Eloy Azorín and Eduardo Noriega. Plot The plot follows a group of Spanish soldiers and their French allies stationed at the border between Kosovo and the rest of Serbia during a KFOR humanitarian deployment. The young and inexperienced soldiers become embroiled in the conflict that surrounds them and struggle to survive. Cast Release The film was theatrically released in Spain on 22 March 2002, amid an "aggressive" marketing campaign. However, the film's subpar performance at the box office eventually earned it a reputation as a domestic commercial blunder of the year together with ''The Shanghai Spell''. Awards and nominations , - , align = "center" rowspan = "3" , 2003 , , rowspan = "3" , 17th Goya Awards , , Best Production Supervision , , Javier Arsuaga , , , , rowspan = "3" , , - , Best Original Song , , Carlos Jean, Najwa Nimri , , , - , Best Special Effects ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shock Tactics
Shock tactics, shock tactic, or shock attack is an offensive maneuver which attempts to place the enemy under psychological pressure by a rapid and fully-committed advance with the aim of causing their combatants to retreat. The acceptance of a higher degree of risk to attain a decisive result is intrinsic to shock actions. Pre-modern Shock tactics were usually performed by heavy cavalry, but were sometimes achieved by heavy infantry. The most famous shock tactic is the medieval cavalry charge. This shock attack was conducted by heavily armoured cavalry armed with lances, usually couched, galloping at full speed against an enemy infantry and/or cavalry formations. Modern After the introduction of firearms, the use of the cavalry charge as a common military tactic waned. Infantry shock action required the holding of fire until the enemy was in very close range, and was used in defence as well as attack. The favorite tactic of the Duke of Wellington was for the infantry to fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mesoamerican Military Equipment
Mesoamerica is a historical region and cultural area that begins in the southern part of North America and extends to the Pacific coast of Central America, thus comprising the lands of central and southern Mexico, all of Belize, Guatemala, El Salvador, and parts of Honduras, Nicaragua and northwestern part of Costa Rica. As a cultural area, Mesoamerica is defined by a mosaic of cultural traits developed and shared by its indigenous cultures. In the pre-Columbian era, many indigenous societies flourished in Mesoamerica for more than 3,000 years before the Spanish colonization of the Americas began on Hispaniola in 1493. In world history, Mesoamerica was the site of two historical transformations: (i) primary urban generation, and (ii) the formation of New World cultures from the mixtures of the indigenous Mesoamerican peoples with the European, African, and Asian peoples who were introduced by the Spanish colonization of the Americas. Mesoamerica is one of the six areas in the wo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tēlpochcalli
Tēlpochcalli (, Nahuatl: ''house of the young men''), were centers where Aztec youth were educated, from age 15, to serve their community and for war. These youth schools were located in each district or ''calpulli''. Life in the telpochcalli Life in the ''telpochcalli'' was tough. From early morning strenuous activities began. The day began with a cold bath, followed by a controlled and extremely frugal meal. They had to memorize the songs which they offered as praises of their gods and practiced in the use of weapons such as the sling, and the ''macuahuitl''. Students had other obligations, such as carrying the necessary materials to repair the temples (''teocalli''), and collectively working the fields for their livelihood. The Aztec world was characterized by the care the rulers put into the education system. Tenochtitlan schools were of two types, generally depending on the boys' social background: the sons of nobles attended the ''calmecac'', an institution that was located ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coyolxauhqui Stone
The Coyolxāuhqui Stone is a carved, circular Aztec stone, depicting the mythical being Coyolxāuhqui ("Bells-Her-Cheeks"), in a state of dismemberment and decapitation by her brother, the patron deity of the Aztecs, Huītzilōpōchtli, Huitzilopochtli. It was rediscovered in 1978 at the site of the Templo Mayor of Tenochtitlan, now in Mexico City. This relief is one of the best known Aztec monuments and one of the few great Aztec monuments that have been found fully ''in situ''. Discovery On February 21, 1978, a group of workers for the Mexico City electric-power company came across a large shield-shaped stone covered in reliefs while digging. The stone they uncovered depicts the narrative of Coyolxauhqui's defeat at Coatepec. The discovery renewed the interest in excavating the ancient city of Tenochtitlan, underneath Mexico City. This led to the excavation of the Templo Mayor, directed by Eduardo Matos Moctezuma. Location The Coyolxauhqui stone sat at the base of the stai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Templo Mayor
The (English: Main Temple) was the main temple of the Mexica people in their capital city of Tenochtitlan, Tenōchtitlan, which is now Mexico City. Its architectural style belongs to the late Mesoamerican chronology, Postclassic period of Mesoamerica. The temple was called ' El Templo Mayor (Distrito Federal) (in Spanish). ''México Desconocido''. Retrieved 2010-04-25 in the Nahuatl language. It was dedicated simultaneously to Huitzilopochtli, god of war, and Tlaloc, god of rain and agriculture, each of which had a shrine at the top of the pyramid with separate staircases. The central spire was devoted to Quetzalcoatl in his form as the wind god, Ehecatl. The temple devoted to Huitzilopochtli and Tlaloc, measuring approximately at its base, dominated the Sacred Precinct. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diego Durán
Diego Durán (c. 1537 – 1588) was a Dominican friar best known for his authorship of one of the earliest Western books on the history and culture of the Aztecs, ''The History of the Indies of New Spain'', a book that was much criticised in his lifetime for helping the "heathen" maintain their culture. Also known as the Durán Codex, ''The History of the Indies of New Spain'' was completed in about 1581. Durán also wrote ''Book of the Gods and Rites'' (1574–1576), and ''Ancient Calendar'' (c. 1579). He was fluent in Nahuatl, the Aztec language, and was therefore able to consult natives and Aztec codices as well as work done by earlier friars. His empathetic nature allowed him to gain the confidence of many native people who would not share their stories with other Europeans, and was able to document many previously unknown folktales and legends that make his work unique. Early life Durán was born sometime around 1537 in Seville, Spain. His family traveled to Mexico when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lienzo De Tlaxcala
''History of Tlaxcala'' (Spanish: ''Historia de Tlaxcala'') is an alphabetic text in Spanish with illustrations written by and under the supervision of Diego Muñoz Camargo in the years leading up to 1585. Muñoz Camargo's work is divided into three sections: *''"Relaciones Geográficas"'' or ''"Descripción de la ciudad y provincia de Tlaxcala"'', a Spanish text written by Camargo between 1581 and 1584 in response to Philip II of Spain's ''Relaciones Geográfica'' questionnaire. *The "Tlaxcala Calendar", a largely pictorial section, with both Spanish and Nahuatl captions. *The "Tlaxcala Codex" a largely pictorial section, with both Spanish and Nahuatl captions. Another key source for Tlaxcalan history is the '' Lienzo de Tlaxcala'', a colonial-era pictorial codex, produced in the second half of the sixteenth century. It was created at the request of the cabildo of the city of Tlaxcala. According to the information that is known about the document, three copies were produced, o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macuahuitl
A macuahuitl () is a weapon, a wooden sword with several embedded obsidian blades. The name is derived from the Nahuatl language and means "hand-wood". Its sides are embedded with prismatic blades traditionally made from obsidian, which is capable of producing an edge sharper than high quality steel razor blades. The macuahuitl was a standard close combat weapon. Use of the macuahuitl as a weapon is attested from the first millennium CE, although specimens can be found in art dating to at least pre-classic times. By the time of the Spanish conquest the macuahuitl was widely distributed in Mesoamerica. The weapon was used by different civilisations including the Aztec (Mexicas), Olmec, Maya, Mixtec, Toltec, and Tarascans. One example of this weapon survived the Conquest of the Aztec Empire; it was part of the Royal Armoury of Madrid until it was destroyed by a fire in 1884. Images of the original designs survive in diverse catalogues. The oldest replica is the macuahuitl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spear-thrower
A spear-thrower, spear-throwing lever, or ''atlatl'' (pronounced or ; Classical Nahuatl, Nahuatl ''ahtlatl'' ) is a tool that uses leverage to achieve greater velocity in Dart (missile), dart or javelin-throwing, and includes a Plain bearing, bearing surface that allows the user to store energy during the throw. It may consist of a shaft with a cup or a spur at the end that supports and propels the butt of the spear. It's usually about as long as the user's arm or forearm. The user holds the spear-thrower in one hand, gripping near the end farthest from the cup. The user puts the butt end of the spear, or dart, in the cup, or grabs the spur with the end of the spear. The spear is much longer than the thrower. The user holds the thrower at the grip end, with the spear resting on the thrower and the butt end of the spear resting in the thrower's cup. The user can hold the spear, with the index and thumb, with the same hand as the thrower, with the other fingers. The user reaches b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
