Pushover (band)
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Pushover (band)
Pushover or Push Over may refer to: * Pushover strategy, a kind of strategic voting * ''Pushover'', an EP by Australian singer Lisa Miller * ''Pushover'' (film), a 1954 film noir starring Fred MacMurray * ''Push-Over'' (video game), a 1992 game from Ocean * Pushover analysis, a type of seismic analysis * " Push Over", a segment game from ''The Price Is Right'' * "Pushover", a song by Etta James from the 1963 album '' Etta James Top Ten'' * "Pushover", a song by The Long Winters from the 2006 album '' Putting the Days to Bed'' * Pushover try, a try scored from a set-piece scrum in rugby union; see Scrum (rugby union)#Awarding * Push Over (band) Push Over is an American post-hardcore musical duo composed of American musicians Thomas Erak, of Prog Rock band The Fall of Troy, and Kurt Travis, of rock band Royal Coda. Formed in 2017, the band released one demo extended play in February 20 ...
, an American post-hardcore band {{Disambiguation ...
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Pushover Strategy
Strategic or tactical voting is voting in consideration of possible ballots cast by other voters in order to maximize one's satisfaction with the election's results. Gibbard's theorem shows that no voting system has a single "always-best" strategy, i.e. one that always maximizes a voter's satisfaction with the result, regardless of other voters' ballots. This implies all voting systems can sometimes encourage voters to strategize. However, weaker guarantees can be shown under stronger conditions. Examples include one-dimensional preferences (where the median rule is strategyproof) and dichotomous preferences (where approval or score voting are strategyproof). With large electoral districts, party list methods tend to be difficult to manipulate in the absence of an electoral threshold. However, biased apportionment methods can create opportunities for strategic voting, as can small electoral districts (e.g. those used most often with the single transferable vote). Proportional ...
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Lisa Miller (singer-songwriter)
Lisa Anne Miller is an Australian country pop singer-songwriter and guitarist. She has issued seven albums, '' Quiet Girl with a Credit Card'' (1996), ''As Far as a Life Goes'' (1999), '' Car Tape'' (2002), '' Version Originale'' (2003), '' Morning in the Bowl of Night'' (2007), '' Car Tape 2'' (2010) and ''Meet the Misses'' (2012). She has a clear, bitter-sweet voice and provides poignant semi-biographical lyrics. At the ARIA Music Awards she has been nominated nine times. Biography Lisa Miller is the daughter of social realist painter, Peter Miller, and grew up in the Melbourne suburb of Chadstone with her elder brother Lewis Miller (born 1959), who is also a painter, and a younger brother Paul Miller. Lewis won the 1998 Archibald Prize. Miller started writing songs at fourteen and has memories of being in a folk music duo with a friend, Tracey, "I played flute, she played guitar and sang, and we wore matching paisley dresses that went to the floor, and played at coffe ...
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Pushover (film)
''Pushover'' is a 1954 American film noir crime film directed by Richard Quine, starring Fred MacMurray, Phil Carey and Kim Novak in her first credited role. The motion picture was adapted from two novels – Thomas Walsh's ''The Night Watch'' and William S. Ballinger's ''Rafferty'' – by Roy Huggins, who went on to great success creating television series, including '' The Fugitive'', ''Maverick'', and ''The Rockford Files''. Plot During a bank robbery a bank guard is shot and killed by one of the robbers, Harry Wheeler ( Paul Richards), who gets away with $250,000. Lona McLane (Kim Novak) leaves a movie theatre and walks to her car. The car won't start, and Paul Sheridan (Fred MacMurray) appears at her window. He is unable to fix the car, and he takes her to a bar while a mechanic makes a repair. They spend the night—and the next three days—together. Next morning, we learn Sheridan is a cop, sent undercover to befriend Lona, hoping she will lead them to her boyfriend, ...
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Push-Over (video Game)
''Push-Over'' is a puzzle-platform game developed by Red Rat Software and published by Ocean Software in 1992 for the Amiga, Atari ST, MS-DOS, and the Super Nintendo Entertainment System. The game was sponsored by Smiths' British snack Quavers (now owned by Walkers (snack foods), Walkers), and the plot revolves around the then Quavers mascot Colin Curly losing his Quavers packets down a giant ant hill. The player is tasked with controlling G.I. Ant, a large soldier ant, to recover the Quavers by solving a series of puzzles. The Super NES version lacks the Quavers branding, and instead the aim is to recover bundles of cash dropped down the ant hill by Captain Rat. Gameplay The game consists of 100 Level (video gaming), levels of increasing complexity over nine different themed worlds. Each level features several interconnected platforms holding a number of "dominoes". The aim is to rearrange the dominoes, such that with a single push, all of the dominoes are toppled, thus opening ...
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Seismic Analysis
Seismic analysis is a subset of structural analysis and is the calculation of the response of a building (or nonbuilding) structure to earthquakes. It is part of the process of structural design, earthquake engineering or structural assessment and retrofit (see structural engineering) in regions where earthquakes are prevalent. As seen in the figure, a building has the potential to 'wave' back and forth during an earthquake (or even a severe wind storm). This is called the 'fundamental mode', and is the lowest frequency of building response. Most buildings, however, have higher modes of response, which are uniquely activated during earthquakes. The figure just shows the second mode, but there are higher 'shimmy' (abnormal vibration) modes. Nevertheless, the first and second modes tend to cause the most damage in most cases. The earliest provisions for seismic resistance were the requirement to design for a lateral force equal to a proportion of the building weight (applie ...
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List Of The Price Is Right Pricing Games
Pricing games are featured on the current version of the American game show ''The Price Is Right''. The contestant from Contestants' Row who bids closest to the price of a prize without going over wins the prize and has the chance to win additional prizes or cash in an onstage game. After the pricing game ends, a new contestant is selected for Contestants' Row and the process is repeated. Six pricing games are played on each hour-long episode. Prior to expanding to one hour in length, three games per episode were played during the half-hour format. With the exception of a single game from early in the show's history, only one contestant at a time is involved in a pricing game. A total of 112 pricing games have been played on the show, 78 of which are in the current rotation. On a typical hour-long episode, two games—one in each half of the show—will be played for a car, at most one game will be played for a cash prize and the other games will offer merchandise or trips. Usuall ...
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Etta James Top Ten
''Etta James Top Ten'' is the first compilation album by the American rhythm and blues artist, Etta James. The album was released on Argo Records in 1963 and was produced by Leonard Chess. The album peaked at number 117 on the ''Billboard'' 200 in 1963, her first album to make that chart since 1961. Background ''Etta James Top Ten'' was released in 1963 on the blue and silver Argo label. The album's title was derived from the tracks it contained, her ten top record hits in the previous three years. It included previously released tracks such as "At Last", "All I Could Do Was Cry", "My Dearest Darling", "Trust in Me", "Something's Got a Hold on Me" and "A Sunday Kind of Love". It also included the newer songs "Pushover", "Stop the Wedding" and "Would It Make Any Difference to You" which all became major hits on the Rhythm and Blues Records and ''Billboard'' Pop Chart. The album was released on a 12-inch LP, available in stereo. The album was given four and a half, out of five ...
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Putting The Days To Bed
''Putting the Days to Bed'' is the third full-length studio album by indie rock band the Long Winters. It was released in the US by Barsuk Records and distributed in Europe by Munich Records in 2006. The album title is a lyric from the album track "Hindsight". Reception ''Pitchfork'' described the album as " issingthe masterful mark" but still "a solid effort—a step in a promising new direction" and "not so much power pop or even necessarily ''powerful'' pop—just powered up pop, all horns and echoes and toe-tapping parties", while ''Paste Magazine'' called it, "Roderick's strongest work to date". Many reviews remark on Roderick's songwriting, calling him "a master storyteller", as well as the album's stylistic continuity despite the band's lineup changes. Keith Phipps, writing for ''the A.V. Club ''The A.V. Club'' is an online newspaper and entertainment website featuring reviews, interviews, and other articles that examine films, music, television, books, games, and ot ...
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