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Psych-funk
Psychedelic funk (also called P-funk or funkadelia, and sometimes conflated with psychedelic soul) is a music genre that combines funk music with elements of psychedelic rock. It was pioneered in the late 1960s and early 1970s by American acts like Sly and the Family Stone, Jimi Hendrix, and the Parliament-Funkadelic collective. It would influence subsequent styles including 1970s jazz fusion and the 1990s West Coast hip hop style G-funk. History Origins: Late 1960s Inspired by Jimi Hendrix and psychedelic culture, the psychedelic soul group Sly and the Family Stone borrowed techniques from psychedelic rock music, including wah pedals, fuzz boxes, echo chambers, and vocal distorters. On albums such as ''Life (Sly and the Family Stone album), Life'' (1968) and ''Stand!, Stand'' (1969), the band pioneered a "multiculturalist, integrationist" psychedelic funk style. This psychedelic sound would also be reflected in the late 1960s output of iconic Detroit label Motown. Producer Norm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk
Funk is a music genre that originated in African-American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African-Americans in the mid-20th century. It deemphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. It uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, and dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of effects unit, effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeia, onomatopoeic name "wah-wah". The pedal sweeps a band-pass filter up and down in frequency to create a spectral glide. The wah-wah (music), wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in, and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used without moving the treadle as a fixed filter to alter an instrument’s timbre (known as a "cocked-wah"), or to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing. An auto-wah pedal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also synthesiser or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II, which was controlled with punch cards and used hundreds of vacuum tubes. The Moog synthesizer, developed by Robert Moog and first so ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Band Of Gypsys
''Band of Gypsys'' is a live album by Jimi Hendrix and the first without his original group, the Jimi Hendrix Experience. It was recorded on January 1, 1970, at the Fillmore East in New York City with R&B musicians Billy Cox on bass and Buddy Miles on drums, a grouping frequently referred to as the Band of Gypsys. The album mixes funk and R&B elements with Hendrix's psychedelic rock guitar and wah pedal-based jamming, an approach which later became the basis of funk rock. It contains previously unreleased songs and was the last full-length Hendrix album released before his death six months later. After his appearance at Woodstock with an interim group that included Cox, Hendrix began developing new songs and recording demos. When Miles became involved, he and Cox agreed to record a live album with Hendrix to be used to settle a contract dispute with a former manager. The new material signaled a new funk-influenced direction for Hendrix featuring more humanistic lyrical theme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crosstown Traffic (song)
"Crosstown Traffic" is a song written by Jimi Hendrix and recorded by the Jimi Hendrix Experience for their third album, ''Electric Ladyland'' (1968). It was released as a single after " All Along the Watchtower", reaching number 52 on the US ''Billboard'' Hot 100 and number 37 on the UK Singles Chart. Background This recording features the full line-up of the Experience with Hendrix on guitar and vocals, Noel Redding on bass guitar, and Mitch Mitchell on drums, in contrast to many other songs on the album which featured guest musicians. Hendrix also plays a makeshift kazoo made with a comb and tissue paper in tandem at points with his lead guitar, and backing vocals are performed by Redding along with Dave Mason. With its hard rock riff, the song mixes elements of blues and acid rock. It is an early example of the psychedelic funk subgenre. Reception ''Billboard'' described the single as a "pulsating swinger" that "will make a powerful chart dent." ''Cash Box'' described it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Heard It Through The Grapevine
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the ''Billboard'' R&B Singles chart and number two on the ''Billboard'' Pop Singles chart and shortly became the biggest selling Motown single up to that time. The Miracles were the first to record the song in 1966, but their version was not released until August 1968 when it was included on their album ''Special Occasion (The Miracles album), Special Occasion''. The Marvin Gaye version was the second to be recorded in the beginning of 1967 but the third to be released. It appeared on his 1968 album ''I Heard It Through the Grapevine (album), In the Groove'' a year and a half later where it gained the attention of radio disc jockeys. Motown founder Berry Gordy finally agreed to its releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marvin Gaye
Marvin Pentz Gaye Jr. (; April 2, 1939 – April 1, 1984) was an American Rhythm and blues, R&B and soul singer, songwriter, musician, and record producer. He helped shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, which earned him the nicknames "Prince of Motown" and "Honorific nicknames in popular music, Prince of Soul", and is often considered one of the Rolling Stone's 200 Greatest Singers of All Time, greatest singers of all time. Gaye's Motown hits include "How Sweet It Is (To Be Loved by You)" (1964), "Ain't That Peculiar" (1965), and "I Heard It Through the Grapevine" (1968). He also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye became one of the first Motown artists to break away from the reins of a production company and recorded the landmark albums ''What's Going On (album), What's Going On'' (1971) and ''Let's Get It On'' (1973). His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloud Nine (The Temptations Song)
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong. Background In 1968, Sly & the Family Stone had a hit with their single " Dance to the Music", and Temptations member Otis Williams introduced Norman Whitfield to the band's music. At first, Whitfield did not want to produce anything with such a radically different sound. "I don't want to get into all that crazy shit," he said. "That ain't nothing but a little passing fancy."Williams, Otis and Romanowski, Patricia (1988, updated 2002). ''Temptations''. Lanham, MD: Cooper Square. pp. 138–140 Within a few weeks, however, he had created the backing tracks for the newest Temptations single, a psychedelic-styled number c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Temptations
The Temptations is an American vocal group formed in Detroit, Michigan, in 1961 as The Elgins, known for their string of successful singles and albums with Motown from the 1960s to the mid-1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit 45 rpm single, single "Cloud Nine (The Temptations song), Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of Rhythm and blues, R&B and soul music. The group members were known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group's founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of (Otis Williams &) The Distants, and Eddie Kendricks and Paul Williams (The Temptations), Paul Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norman Whitfield
Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter, composer, and producer, who worked with Berry Gordy's Motown labels during the 1960s. allmusic Biography/ref> He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul. During his 25-year career, Whitfield co-wrote and produced many enduring hits for Motown artists, including " Ain't Too Proud to Beg",Ain't Too Proud to Beg - The Temptations , AllMusic - Song Review by Ed Hogan " (I Know) I'm Losing You", " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played a vital role in the racial integration of popular music as an African American-owned label that achieved crossover (music), crossover success with white audiences. In the 1960s, Motown and its main subsidiary labels (including Gordy, Soul) were the most prominent exponents of what became known as the #Motown sound, Motown sound, a style of soul music with a mainstream pop music, pop-influenced sound and appeal. Motown was the most successful soul music label, with a net worth of $61 million in 1988. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100, ''Billboard'' Hot 100. In March 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stand!
''Stand!'' is the fourth album by soul/funk band Sly and the Family Stone, released on May 3, 1969. Written and produced by lead singer and multi-instrumentalist Sly Stone, ''Stand!'' is considered an artistic high-point of the band's career. Released by Epic Records, just before the group's celebrated performance at the Woodstock festival, it became the band's most commercially successful album to date. It includes several well-known songs, among them hit singles, such as " Sing a Simple Song", " I Want to Take You Higher", " Stand!", and " Everyday People". The album was reissued in 1987 on compact disc and vinyl, and again in 2007 as a remastered numbered edition digipack CD with bonus tracks and, in the UK, as only a CD with bonus tracks. The album sold 500,000 copies in 1969 and was certified gold in sales by the RIAA on December 4 of that year. It peaked at number 13 on the ''Billboard'' 200 and stayed on the chart for nearly two years. By 1986 it had sold well over 1&n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
