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Norman Whitfield
Norman Jesse Whitfield (May 12, 1940 – September 16, 2008) was an American songwriter, composer, and producer, who worked with Berry Gordy's Motown labels during the 1960s. allmusic Biography/ref> He has been credited as one of the creators of the Motown Sound and of the late-1960s subgenre of psychedelic soul. During his 25-year career, Whitfield co-wrote and produced many enduring hits for Motown artists, including " Ain't Too Proud to Beg",Ain't Too Proud to Beg - The Temptations , AllMusic - Song Review by Ed Hogan " (I Know) I'm Losing You", " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harlem, New York
Harlem is a neighborhood in Upper Manhattan, New York City. It is bounded roughly by the Hudson River on the west; the Harlem River and 155th Street (Manhattan), 155th Street on the north; Fifth Avenue on the east; and 110th Street (Manhattan), Central Park North on the south. The greater Harlem area encompasses several other neighborhoods and extends west and north to 155th Street, east to the East River, and south to Martin Luther King, Jr., Boulevard (Manhattan), Martin Luther King Jr. Boulevard, Central Park, and 96th Street (Manhattan), East 96th Street. Originally a Netherlands, Dutch village, formally organized in 1658, it is named after the city of Haarlem in the Netherlands. Harlem's history has been defined by a series of economic boom-and-bust cycles, with significant population shifts accompanying each cycle. Harlem was predominantly occupied by Jewish American, Jewish and Italian American, Italian Americans in the late 19th century, while African-American resident ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motown
Motown is an American record label owned by the Universal Music Group. Founded by Berry Gordy, Berry Gordy Jr. as Tamla Records on January 12, 1959, it was incorporated as Motown Record Corporation on April 14, 1960. Its name, a portmanteau of ''motor'' and ''town'', has become a nickname for Detroit, where the label was originally headquartered. Motown played a vital role in the racial integration of popular music as an African American-owned label that achieved crossover (music), crossover success with white audiences. In the 1960s, Motown and its main subsidiary labels (including Gordy, Soul) were the most prominent exponents of what became known as the #Motown sound, Motown sound, a style of soul music with a mainstream pop music, pop-influenced sound and appeal. Motown was the most successful soul music label, with a net worth of $61 million in 1988. Between 1960 and 1969, Motown had 79 songs reach the top-ten of the Billboard Hot 100, ''Billboard'' Hot 100. In March 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rose Royce
Rose Royce is an American soul and R&B group. They are best known for several hit singles during the 1970s including " Car Wash", " I Wanna Get Next to You", " I'm Going Down", " Wishing on a Star", and " Love Don't Live Here Anymore". Career The Los Angeles-based group comprised Gwen Dickey (vocals), Henry Garner (drums), Terral "Terry" Santiel (congas), Lequeint "Duke" Jobe (bass), Michael Moore (saxophone), Kenny Copeland (trumpet, lead vocals), Kenji Brown (guitar, lead vocals), Freddie Dunn (trumpet), and Victor Nix (keyboards). The group began in the early 1970s when members of several backup bands from the Watts and Inglewood areas of Los Angeles united under the name Total Concept Unlimited. In 1973, this collective toured England and Japan behind Motown soul star Edwin Starr. Starr introduced them to Norman Whitfield. Whitfield, after a decade at Motown, wanted to start a company of his own. He took the T.C.U. octet under his wing and signed them to his label. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Temptations
The Temptations is an American vocal group formed in Detroit, Michigan, in 1961 as The Elgins, known for their string of successful singles and albums with Motown from the 1960s to the mid-1970s. The group's work with producer Norman Whitfield, beginning with the Top 10 hit 45 rpm single, single "Cloud Nine (The Temptations song), Cloud Nine" in October 1968, pioneered psychedelic soul, and was significant in the evolution of Rhythm and blues, R&B and soul music. The group members were known for their choreography, distinct harmonies, and dress style. Having sold tens of millions of albums, the Temptations are among the most successful groups in popular music. Featuring five male vocalists and dancers (save for brief periods with fewer or more members), the group's founding members came from two rival Detroit vocal groups: Otis Williams, Elbridge "Al" Bryant, and Melvin Franklin of (Otis Williams &) The Distants, and Eddie Kendricks and Paul Williams (The Temptations), Paul Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Was A Rollin' Stone
"Papa Was a Rollin' Stone" is a song originally performed by Motown recording act the Undisputed Truth in 1972, though it became much better known after a Grammy-award winning cover by the Temptations was issued later the same year. This latter version of the song became a number-one hit on the ''Billboard'' Hot 100. "Papa Was a Rollin' Stone" was written by Norman Whitfield and Barrett Strong in 1971. Whitfield produced the original Undisputed Truth version, which was released as a single in May 1972. This version of the song peaked at number 63 on the Pop Charts and number 24 on the R&B Charts. The song was included on the Undisputed Truth's album ''Law of the Land'' (1973). Later in 1972, Whitfield cut a different version of the song, turning it into a 12-minute track for the Temptations. This version was included on their 1972 album '' All Directions''. The edited 7-inch single release of this Temptations track was issued in September 1972, and this version was a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Smiling Faces Sometimes
"Smiling Faces Sometimes" is a soul song written by Norman Whitfield and Barrett Strong for the Motown label. It was originally recorded by the Temptations in 1971. Producer Norman Whitfield had the song re-recorded by the Undisputed Truth the same year, resulting in a number-three ''Billboard'' Hot 100 position for the group. "Smiling Faces" was the only Top 40 single released by the Undisputed Truth, and was included on their debut album ''The Undisputed Truth''. Overview Both versions of "Smiling Faces Sometimes" deal with the same subject matter, "back-stabbing" friends who do their friends wrong behind their backs ("Smiling faces sometimes...they don't tell the truth...smiling faces tell lies"), but in different ways. The lyrics inform the Listener to not be fooled by the smile, the handshake, or the pat on the back. The Temptations' original uses an arrangement similar to a haunted house film score to represent feelings of fear and timidness. Included on the 1971 '' Sky's t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just My Imagination (Running Away With Me)
"Just My Imagination (Running Away with Me)" is a song by American soul group the Temptations, written by Norman Whitfield and Barrett Strong. Released on the Gordy (Motown) label, and produced by Norman Whitfield, it features on the group's 1971 album, '' Sky's the Limit''. When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US ''Billboard'' Hot 100. The single held the number one position on the ''Billboard'' Pop Singles Chart for two weeks in 1971, from March 28 to April 10. "Just My Imagination" also held the number one spot on the ''Billboard'' R&B Singles chart for three weeks, from February 27 to March 20 of that year. Today, "Just My Imagination" is considered one of the Temptations' signature songs, and is notable for recalling the sound of the group's 1960s recordings. It is also the final Temptations single to feature founding members Eddie Kendricks and Paul Williams. During the process of recording a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
War (Edwin Starr Song)
"War" is a counterculture-era soul song written by Norman Whitfield and Barrett Strong for the Motown label in 1969. Whitfield first produced the song – a self-evident anti-Vietnam War statement – with the Temptations as the original vocalists. After Motown began receiving repeated requests to release "War" as a single, Whitfield re-recorded the song with Edwin Starr as the vocalist, with the label deciding to withhold the Temptations' version from single release so as not to alienate that group's more conservative fans. Starr's version of "War" was a No. 1 hit on the ''Billboard'' Hot 100 chart in 1970, and is not only the most successful and well-known record of his career, but it is also one of the most popular protest songs ever recorded. It was one of 161 songs on the no-play list issued by Clear Channel following the events of September 11, 2001. Temptations' version and initial release The Temptations' version of "War", featuring Paul Williams and Dennis Edwards on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Can't Get Next To You
"I Can't Get Next to You" is a 1969 Single (music), single recorded by the Temptations and written by Norman Whitfield and Barrett Strong for the Gordy (Motown) label. The song was a No. 1 single on the Billboard Hot 100, ''Billboard'' Top Pop Singles chart for two weeks in 1969, from October 18 to October 25, replacing "Sugar, Sugar" by the Archies and replaced by "Suspicious Minds" by Elvis Presley. The single was also a No. 1 hit on the Hot R&B/Hip-Hop Songs, ''Billboard'' Top R&B Singles for five weeks, from October 4 to November 1, replacing "Oh, What a Night (The Dells song), Oh, What a Night" by the Dells, and replaced by another Motown song, "Baby I'm For Real" by The Originals (band), the Originals. The single was the second of the Temptations' four No. 1 hits on the United States pop charts, and was also one of the best-selling singles the group released. ''Billboard'' ranked it as the Billboard Year-End Hot 100 singles of 1969, No. 3 song for 1969. The applause that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cloud Nine (The Temptations Song)
"Cloud Nine" is a 1968 hit single recorded by The Temptations for the Motown label. It was the first of their singles to feature Dennis Edwards instead of David Ruffin in the lineup, was the first of producer Norman Whitfield's psychedelic soul tracks, and won Motown its first Grammy Award. The song was written by Whitfield and former Motown artist Barrett Strong. Background In 1968, Sly & the Family Stone had a hit with their single " Dance to the Music", and Temptations member Otis Williams introduced Norman Whitfield to the band's music. At first, Whitfield did not want to produce anything with such a radically different sound. "I don't want to get into all that crazy shit," he said. "That ain't nothing but a little passing fancy."Williams, Otis and Romanowski, Patricia (1988, updated 2002). ''Temptations''. Lanham, MD: Cooper Square. pp. 138–140 Within a few weeks, however, he had created the backing tracks for the newest Temptations single, a psychedelic-styled number c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Heard It Through The Grapevine
"I Heard It Through the Grapevine" is a song written by Norman Whitfield and Barrett Strong for Motown Records in 1966. The first recording of the song to be released was produced by Whitfield for Gladys Knight & the Pips and released as a single in September 1967. It went to number one on the ''Billboard'' R&B Singles chart and number two on the ''Billboard'' Pop Singles chart and shortly became the biggest selling Motown single up to that time. The Miracles were the first to record the song in 1966, but their version was not released until August 1968 when it was included on their album ''Special Occasion (The Miracles album), Special Occasion''. The Marvin Gaye version was the second to be recorded in the beginning of 1967 but the third to be released. It appeared on his 1968 album ''I Heard It Through the Grapevine (album), In the Groove'' a year and a half later where it gained the attention of radio disc jockeys. Motown founder Berry Gordy finally agreed to its releas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
