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Primavera (painting)
''Primavera'' (, meaning "Spring") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as "one of the most written about, and most controversial paintings in the world", and also "one of the most popular paintings in Western art". The painting depicts a group of figures from classical mythology in a garden, but no story has been found that brings this particular group together. Most critics agree that the painting is an allegory based on the lush growth of Spring, but accounts of any precise meaning vary, though many involve the Renaissance Neoplatonism which then fascinated intellectual circles in Florence. The subject was first described as ''Primavera'' by the art historian Giorgio Vasari who saw it at Villa Castello, just outside Florence, by 1550. Although the two are now known not to be a pair, the painting is inevitably discussed with Botticelli's othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli's works.. Botticelli lived all his life in the same neig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zephyrus
In Greek mythology and religion, Zephyrus () (), also spelled in English as Zephyr (), is the god and personification of the West wind, one of the several wind gods, the Anemoi. The son of Eos (the goddess of the dawn) and Astraeus, Zephyrus is the most gentle and favourable of the winds, associated with flowers, springtime and even procreation. In myths, he is presented as the tender breeze, known for his unrequited love for the Spartan prince Hyacinthus. Alongside Boreas, the two are the most prominent wind gods with relatively limited roles in recorded mythology. Zephyrus, similarly to his brothers, received a cult during ancient times although his worship was minor compared to the Twelve Olympians. Still, traces of it are found in Classical Athens and surrounding regions and city-states, where it was usually joint with the cults of the other wind gods. His equivalent in Roman mythology is the god Favonius. Etymology The ancient Greek noun is the word for the wind that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neoplatonism
Neoplatonism is a version of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a series of thinkers. Among the common ideas it maintains is monism, the doctrine that all of reality can be derived from a single principle, "the One". Neoplatonism began with Ammonius Saccas and his student Plotinus (c. 204/5 – 271 AD) and stretched to the sixth century. After Plotinus there were three distinct periods in the history of neoplatonism: the work of his student Porphyry (third to early fourth century); that of Iamblichus (third to fourth century); and the period in the fifth and sixth centuries, when the academies in Alexandria and Athens flourished. Neoplatonism had an enduring influence on the subsequent history of Western philosophy and religion. In the Middle Ages, Neoplatonic ideas were studied and discussed by Christian, Jewish, and Muslim thinkers. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marsilio Ficino
Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neoplatonism in touch with the major academics of his day, and the first translator of Plato's complete extant works into Latin. His Florentine Academy, an attempt to revive Plato's Academy, influenced the direction and tenor of the Italian Renaissance and the development of European philosophy. Early life Ficino was born at Figline Valdarno. His father, Diotifeci d'Agnolo, was a physician under the patronage of Cosimo de' Medici, who took the young man into his household and became the lifelong patron of Marsilio, who was made tutor to his grandson, Lorenzo de' Medici. Giovanni Pico della Mirandola, the Italian humanist philosopher and scholar, was another of his students. Career and thought Platonic Academy During the sessions at ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sandro Botticelli - Three Graces In Primavera
Sandro is an Italian, Portuguese, Spanish, Swiss, Georgian and Croatian given name, often a diminutive of Alessandro or Alexander. It is also a surname. Sandro may refer to: Given name or nickname Sports * Sandro (footballer, born 1973), Brazilian footballer Sandro Chaves de Assis Rosa * Sandro (footballer, born 1974), Spanish footballer Carlos Alejandro Sierra Fumero * Sandro (footballer, born 1980), Brazilian footballer Sandro Cardoso dos Santos * Sandro (footballer, born 1981), Brazilian footballer Alexsandro Oliveira Duarte * Sandro (footballer, born March 1983), Brazilian footballer Sandro Luiz da Silva * Sandro (footballer, born October 1983), Brazilian footballer Sandro da Silva Mendonça *Sandro (footballer, born 1986), Brazilian footballer Sandro José Ferreira da Silva * Sandro (footballer, born February 1987), Brazilian footballer Sandro Costa da Silva * Sandro (footballer, born March 1987), Brazilian footballer Alessandro Ferreira Leonardo * Sandro (footballer, born ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tableau Vivant
A (; often shortened to ; ; ) is a static scene containing one or more actors or models. They are stationary and silent, usually in costume, carefully posed, with props and/or scenery, and may be theatrically illuminated. It thus combines aspects of theatre and the visual arts. They were a popular medieval form that revived considerably from the 19th century, probably as they were very suitable for recording by photography. The participants were now mostly amateurs, participating in a quick and easy form of amateur dramatics that could be brought together in an evening, and required little skill in acting or speaking. They were also popular for various sorts of community events and parades. In the late 19th and early 20th centuries, there was also a type of ''tableau'' used in the professional theatre, taking advantage of the extra latitude the law allowed for the display of nudity so long as the actors did not move. Tableaux featured ('flexible poses') by virtually nude ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gothic Art
Gothic art was a style of medieval art that developed in Northern France out of Romanesque art in the 12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, and much of Northern Europe, Northern, Southern Europe, Southern and Central Europe, never quite effacing more classical styles in Italy. In the late 14th century, the sophisticated court style of International Gothic developed, which continued to evolve until the late 15th century. In many areas, especially Germany, Late Gothic art continued well into the 16th century, before being subsumed into Renaissance art. Primary media in the Gothic period included sculpture, panel painting, stained glass, fresco and illuminated manuscripts. The easily recognisable shifts in architecture from Romanesque to Gothic, and Gothic to Renaissance styles, are typically used to define the periods in art in all media, although in many ways figurative art developed at a different pace. The ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tapestries
Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Millefleur
Millefleur, millefleurs or mille-fleur (French language, French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially restricted to European tapestry during the late Middle Ages and early Renaissance, from about 1400 to 1550, but mainly about 1480–1520. The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications. The millefleur style differs from many other styles of floral decoration, such as the Arabesque (Islamic art), arabesque, in that many different sorts of individual plants are shown, and there is no regular pattern. The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flora (mythology)
Flora () is a Roman goddess of flowers and spring. She was one of the twelve deities of traditional Roman religion who had their own flamen, the ''Floralis'', one of the '' flamines minores''. Her association with spring gave her particular importance at the coming of springtime, as did her role as goddess of youth. She is one of several fertility goddesses and a relatively minor figure in Roman mythology. Her Greek counterpart is Chloris. Etymology The name ''Flōra'' descends from Proto-Italic ''*flōsā'' ('goddess of flowers'), itself a derivation from Proto-Italic ''*flōs'' ('flower'; cf. Latin ''flōs'', ''flōris'' 'blossom, flower'). It is cognate with the Oscan goddess of flowers ''Fluusa'', demonstrating that the cult was known more widely among Italic peoples. The name ultimately derives from Proto-Indo-European ''*bʰleh₃ōs'' ('blossoming'). Festivals and temples Flora's festival, the Floralia, was held between April 28 and May 3 and was celebrated with drin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caduceus
The caduceus (☤; ; , ) is the staff carried by Hermes in Greek mythology and consequently by Hermes Trismegistus in Greco-Egyptian mythology. The same staff was borne by other heralds like Iris (mythology), Iris, the messenger of Hera. The short staff is entwined by two serpent (mythology), serpents, sometimes surmounted by wings. In Roman iconography, it was depicted being carried in the left hand of Mercury (mythology), Mercury, the messenger of the gods. Some accounts assert that the oldest imagery of the caduceus is rooted in Mesopotamia with the Sumerian god Ningishzida; his symbol, a staff with two snakes intertwined around it, dates back to 4000 BC to 3000 BC. This iconography may have been a representation of two snakes copulating. As a symbol, it represents Hermes (or the Roman Mercury), and by extension trades, occupations, or undertakings associated with the god. In later Classical antiquity, Antiquity, the caduceus provided the basis for the astronomic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercury (mythology)
Mercury (; ) is a major god in Roman religion and mythology, being one of the 12 Dii Consentes within the ancient Roman pantheon. He is the god of financial gain, commerce, eloquence, messages, communication (including divination), travelers, boundaries, luck, trickery, and thieves; he also serves as the guide of souls to the underworld and the "messenger of the gods". In Roman mythology, he was the son of Maia, one of the seven daughters of the Titan Atlas, and Jupiter. In his earliest forms, he appears to have been related to the Etruscan deity Turms; both gods share characteristics with the Greek god Hermes. He is often depicted holding the caduceus in his left hand. Similar to his Greek equivalent Hermes, he was awarded a magic wand by Apollo, which later turned into the caduceus, the staff with intertwined snakes. Etymology The name "Mercury" is possibly related to the Latin words '' merx'' ("merchandise"; cf. ''merchant'', ''commerce'', etc.), ' (''to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
