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Millefleur
Millefleur, millefleurs or mille-fleur (French language, French mille-fleurs, literally "thousand flowers") refers to a background style of many different small flowers and plants, usually shown on a green ground, as though growing in grass. It is essentially restricted to European tapestry during the late Middle Ages and early Renaissance, from about 1400 to 1550, but mainly about 1480–1520. The style had a notable revival by Morris & Co. in 19th century England, being used on original tapestry designs, as well as illustrations from his Kelmscott Press publications. The millefleur style differs from many other styles of floral decoration, such as the Arabesque (Islamic art), arabesque, in that many different sorts of individual plants are shown, and there is no regular pattern. The plants fill the field without connecting or significantly overlapping. In that it also differs from the plant and floral decoration of Gothic page borders in illuminated manuscripts. There is also a ...
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Tapestry
Tapestry is a form of Textile arts, textile art which was traditionally Weaving, woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The warp and weft, weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In Late Middle Ages, late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. Th ...
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Millefiori
Millefiori () is a glasswork technique which produces distinctive decorative patterns on glassware. The term millefiori is a combination of the Italian words "mille" (thousand) and "fiori" (flowers). Apsley Pellatt in his book ''Curiosities of Glass Making'' was the first to use the term "millefiori", which appeared in the ''Oxford English Dictionary The ''Oxford English Dictionary'' (''OED'') is the principal historical dictionary of the English language, published by Oxford University Press (OUP), a University of Oxford publishing house. The dictionary, which published its first editio ...'' in 1849; prior to that, the beads were called mosaic beads. While the use of this technique long precedes the term "millefiori", it is now most frequently associated with Venetian glassware. Since the late 1980s, the millefiori technique has been applied to polymer clay and other materials. As the polymer clay is quite pliable and does not need to be heated and reheated to fuse it, ...
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Murano Glass
Venetian glass () is glassware made in Venice, typically on the island of Murano near the city. Traditionally it is made with a Soda–lime glass, soda–lime "metal" and is typically elaborately decorated, with various "hot" glass-forming techniques, as well as gilding, enamelled glass, enamel, or engraved glass, engraving. Production has been concentrated on the Venetian island of Murano since the 13th century. Today Murano is known for its art glass, but it has a long history of innovations in Glass production, glassmaking in addition to its artistic fame—and was Europe's major center for luxury glass from the High Middle Ages to the Italian Renaissance. During the 15th century, Murano glassmakers created ''cristallo''—which was almost transparent and considered the finest glass in the world. Murano glassmakers also developed a white-colored glass (milk glass called ''lattimo'') that looked like porcelain. They later became Europe's finest makers of mirrors. During the Ear ...
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The Triumph Of Death, Or The Three Fates
''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pronoun ''thee' ...
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The Lady And The Unicorn
''The Lady and the Unicorn'' () is the modern title given to a series of six tapestries created in the style of ("thousand flowers") and woven in Flanders from wool and silk, from designs (" cartoons") drawn in Paris around 1500. The set is on display in the Musée de Cluny in Paris. Five of the tapestries are commonly interpreted as depicting the five senses – taste, hearing, sight, smell, and touch. The sixth displays the words . The tapestry's intended meaning is obscure, but has been interpreted as representing love or understanding. Each of the six tapestries depicts a noble lady with a unicorn on her left and a lion on her right; some include a monkey in the scene. History The famous tapestries were rediscovered in 1841 by Prosper Mérimée at Boussac Castle, then owned by the subprefect of the Creuse. At the time, the tapestries were in poor condition due to improper storage, suffering from dampness and mould. In 1844, the novelist George Sand encountered the tap ...
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The Hunt Of The Unicorn
''The Unicorn Tapestries'' or the ''Hunt of the Unicorn'' () is a series of seven tapestries made in the Southern Netherlands around 1495–1505, and now in The Cloisters in New York City. They were possibly designed in Paris and woven in Brussels. They depict a group of noblemen and hunters in pursuit of a unicorn through an idealised French landscape. The tapestries were woven in wool, metallic threads, and silk. The vibrant colours, still evident today, were produced from dye plants: weld (yellow), madder (red), and woad (blue). First recorded in 1680 in the Paris home of the Rochefoucauld family, the tapestries were looted during the French Revolution. Rediscovered in a barn in the 1850s, they were hung at the family's Château de Verteuil. Since then they have been the subject of intense scholarly debate about the meaning of their iconography, the identity of the artists who designed them, and the sequence in which they were meant to be hung. Although various theor ...
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Brussels
Brussels, officially the Brussels-Capital Region, (All text and all but one graphic show the English name as Brussels-Capital Region.) is a Communities, regions and language areas of Belgium#Regions, region of Belgium comprising #Municipalities, 19 municipalities, including the City of Brussels, which is the capital of Belgium. The Brussels-Capital Region is located in the central portion of the country. It is a part of both the French Community of Belgium and the Flemish Community, and is separate from the Flemish Region (Flanders), within which it forms an enclave, and the Walloon Region (Wallonia), located less than to the south. Brussels grew from a small rural settlement on the river Senne (river), Senne to become an important city-region in Europe. Since the end of the Second World War, it has been a major centre for international politics and home to numerous international organisations, politicians, Diplomacy, diplomats and civil servants. Brussels is the ''de facto' ...
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Cartoon
A cartoon is a type of visual art that is typically drawn, frequently Animation, animated, in an realism (arts), unrealistic or semi-realistic style. The specific meaning has evolved, but the modern usage usually refers to either: an image or series of images intended for satire, caricature, or humor; or a motion picture that relies on a sequence of illustrations for its animation. Someone who creates cartoons in the first sense is called a ''cartoonist'', and in the second sense they are usually called an ''animator''. The concept originated in the Middle Ages, and first described a preparatory drawing for a piece of art, such as a painting, fresco, tapestry, or stained glass window. In the 19th century, beginning in ''Punch (magazine), Punch'' magazine in 1843, cartoon came to refer – ironically at first – to humorous artworks in magazines and newspapers. Then it also was used for political cartoons and comic strips. When the medium developed, in the early 20th century, it ...
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Bern Historical Museum
The Bern Historical Museum (, ) is the second largest historical museum in Switzerland. It was designed by the Neuchâtel architect André Lambert and built in 1894. Since it was initially conceived as the Swiss National Museum (which the city of Zurich was later chosen to host), the architect took as his model various historic castles from the 15th and 16th centuries. An extension to the original museum building was completed in 2009. Collections The museum contains collections related to the history of Bern from prehistoric times to the present and other artefacts on permanent display from Asia, Oceania, America and Egypt. The collection includes important tapestries and other loot from the camp of Duke Charles the Bold of Burgundy, taken after his defeat and death at the Battle of Nancy in 1477. The Bern Historical Museum is a heritage site of national significance. One of the most remarkable items in the collection is the Muri statuette group, a group of six Gallo-Roma ...
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Charles The Bold
Charles Martin (10 November 1433 – 5 January 1477), called the Bold, was the last duke of Burgundy from the House of Valois-Burgundy, ruling from 1467 to 1477. He was the only surviving legitimate son of Philip the Good and his third wife, Isabella of Portugal. As heir and as ruler, Charles vied for power and influence with rivals such as his overlord, King Louis XI of France. In 1465 Charles led a successful revolt of Louis's vassals in the War of the Public Weal. After becoming the Duke of Burgundy in 1467, Charles pursued his ambitions for a kingdom, independent from France, that would stretch contiguously from the North Sea in the north to the borders of Savoy in the south. For this purpose, he acquired Guelders and Upper Alsace; sought the title King of the Romans; and gradually became an enemy of the Germans. Charles married Margaret of York for an English alliance. He arranged the betrothal between his sole child, Mary, with Maximilian of Austria. A passiona ...
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Painters' Guild
The Guild of Saint Luke was the most common name for a city guild for painters and other artists in early modern Europe, especially in the Low Countries. They were named in honor of the Four Evangelists, Evangelist Saint Luke, Luke, the patron saint of artists, who was identified by John of Damascus as having painted the Mary (mother of Jesus), Virgin's portrait. One of the most famous such organizations was founded in Antwerp. It continued to function until 1795, although by then it had lost its Legal monopoly, monopoly and therefore most of its power. In most cities, including Antwerp, the local government had given the Guild the power to regulate defined types of trade within the city. Guild membership, as a master, was therefore required for an artist to take on apprentices or to sell paintings to the public. Similar rules existed in Delft, where only members could sell paintings in the city or have a shop. The early guilds in Antwerp and Bruges, setting a model that would be ...
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Apocalypse Tapestry
The ''Apocalypse Tapestry'' is a large medieval set of tapestries commissioned by Louis I, Duke of Anjou, Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382. It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.Campbell and Ainsworth, 15 It is the most significant, and almost the only, survival from the first decades of the great period of tapestry, when the industry developed large workshops and represented the most effective art form for exhibiting the magnificence of royal patrons, not least because large tapestries were hugely expensive. The period began in about 1350, and lasted until at least the 17th century, as tapestry was gradually overtaken in importance by paintings. At this early point relatively few tapestries were made to designs specified by the patron, which seems c ...
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