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Pratyahara
Pratyahara () or the 'gathering towards' is the fifth element among the Eight stages of Patanjali's Ashtanga Yoga, as mentioned in his classical work, ''Yoga Sutras of Patanjali'' composed in the 2nd century BCE. It is also the first stage of the six-branch yoga (''ṣaḍaṅgayoga'') of the Buddhist Kālacakra tantra, where it refers to the withdrawal of the five senses from external objects to be replaced by the mentally created senses of an enlightened deity. This phase is roughly analogous to the physical isolation (''kāyaviveka'', Tib. ''lus bden'') phase of Guhyasamāja tantra. For Patanjali, it is a bridge between the ''bahiranga'' (external) aspects of yoga namely, yama, niyama, asana, pranayama, and the ''antaranga'' (internal) yoga. Having actualized the pratyahara stage, a practitioner is able to effectively engage into the practice of Samyama. At the stage of pratyahara, the consciousness of the individual is internalized in order that the sensations from the sens ...
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Ashtanga (eight Limbs Of Yoga)
Ashtanga yoga (, "the eight limbs of yoga") is Patanjali's classification of classical yoga, as set out in his ''Yoga Sutras''. He defined the eight limbs as yamas (abstinences), niyama (observances), asana (postures), pranayama (breathing), pratyahara (withdrawal), dharana (concentration), dhyana (meditation) and samadhi (absorption). The eight limbs form a sequence from the outer to the inner. Postures, important in modern yoga as exercise, form just one limb of Patanjali's scheme; he states only that they must be steady and comfortable. The main aim is '' kaivalya'', discernment of ''Purusha'', the witness-conscious, as separate from '' prakriti'', the cognitive apparatus, and disentanglement of ''Purusha'' from its muddled defilements. Definition of yoga Patanjali begins his treatise by stating the purpose of his book in the first sutra, followed by defining the word "yoga" in his second sutra of Book 1: * Sanskrit Original with Translation 1The Yoga PhilosophyTR Ta ...
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Yoga
Yoga (; sa, योग, lit=yoke' or 'union ) is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind (''Chitta'') and mundane suffering ('' Duḥkha''). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism,Stuart Ray Sarbacker, ''Samādhi: The Numinous and Cessative in Indo-Tibetan Yoga''. SUNY Press, 2005, pp. 1–2.Tattvarthasutra .1 see Manu Doshi (2007) Translation of Tattvarthasutra, Ahmedabad: Shrut Ratnakar p. 102. and traditional and modern yoga is practiced worldwide. Two general theories exist on the origins of yoga. The linear model holds that yoga originated in the Vedic period, as reflected in the Vedic textual corpus, and influenced Buddhism; according to author Edward Fitzpatrick Crangle, this model is mainly supported by Hindu scholars. According ...
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Yoga Sutras Of Patanjali
The ''Yoga Sutras of Patañjali'' is a collection of Sanskrit sutras (aphorisms) on the theory and practice of yoga – 195 sutras (according to Vyasa, Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar). The ''Yoga Sutras'' was compiled in the early centuries CE, by the sage Patanjali in India who synthesized and organized knowledge about yoga from much older traditions. The ''Yoga Sutras'' is best known for its reference to ''Ashtanga (eight limbs of yoga), ashtanga'', eight elements of practice culminating in ''samadhi''. The eight elements are ''Yamas, yama'' (abstinences), ''niyama'' (observances), ''asana'' (yoga postures), ''pranayama'' (breath control), ''pratyahara'' (withdrawal of the senses), ''dharana'' (concentration of the Citta, mind), ''Dhyana in Hinduism, dhyana'' (meditation) and ''samadhi'' (absorption). The main aim of practice is ''kaivalya'', discernment of ''purusha'', the witness-consciousness, as distinct from ''pra ...
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Yoga Sutras
The ''Yoga Sutras of Patañjali'' is a collection of Sanskrit sutras (aphorisms) on the theory and practice of yoga – 195 sutras (according to Vyāsa and Krishnamacharya) and 196 sutras (according to others, including BKS Iyengar). The ''Yoga Sutras'' was compiled in the early centuries CE, by the sage Patanjali in India who synthesized and organized knowledge about yoga from much older traditions. The ''Yoga Sutras'' is best known for its reference to '' ashtanga'', eight elements of practice culminating in ''samadhi''. The eight elements are ''yama'' (abstinences), '' niyama'' (observances), '' asana'' (yoga postures), ''pranayama'' (breath control), '' pratyahara'' (withdrawal of the senses), '' dharana'' (concentration of the mind), ''dhyana'' (meditation) and ''samadhi'' (absorption). The main aim of practice is '' kaivalya'', discernment of ''purusha'', the witness-consciousness, as distinct from '' prakriti'', the cognitive apparatus, and disentanglement of ''pur ...
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Asana
An asana is a body posture, originally and still a general term for a sitting meditation pose,Verse 46, chapter II, "Patanjali Yoga sutras" by Swami Prabhavananda, published by the Sri Ramakrishna Math p. 111 and later extended in hatha yoga and modern yoga as exercise, to any type of position, adding reclining, standing, inverted, twisting, and balancing poses. The '' Yoga Sutras of Patanjali'' define "asana" as " position thatis steady and comfortable". Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system.Patanjali '' Yoga sutras'', Book II:29, 46 Asanas are also called yoga poses or yoga postures in English. The 10th or 11th century ''Goraksha Sataka'' and the 15th century ''Hatha Yoga Pradipika'' identify 84 asanas; the 17th century ''Hatha Ratnavali'' provides a different list of 84 asanas, describing some of them. In the 20th century, Indian nationalism favoured physical culture in response to colonialism. In that envir ...
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Drishti (yoga)
Drishti ( sa, दृष्टि, translit=dṛṣṭi; ), or focused gaze, is a means for developing concentrated intention. It relates to the fifth limb of yoga, pratyahara, concerning sense withdrawal, as well as the sixth limb, dharana, relating to concentration. In Ashtanga Vinyasa Yoga, each asana is associated with one of the 8 focused gazes, namely Angusthamadhye (thumb), Bhrumadhye (eyebrow), Nasagre (tip of nose), Hastagrahe (tips of hands), Parshva (side), Urdhva (up), Nabhicakre (navel), and Padayoragre (tips of feet) Drishtis. In some other styles such as Sivananda Yoga, less use is made of the gaze, and fewer types are employed. History The ''Yoga Sutras of Patanjali'' define eight limbs of yoga but do not mention the gaze. The sixth limb, dharana (concentration), however requires holding one's mind onto an inner state, subject or topic. The mind can for example be fixed on a mantra, one's breath, or a part of the body such as the navel or the tip of the ton ...
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Kumbhaka
''Kumbhaka'' is the retention of the breath in the yoga practice of pranayama. It has two types, accompanied (by breathing) whether after inhalation or after exhalation, and, the ultimate aim, unaccompanied. That state is ''kevala kumbhaka'', the complete suspension of the breath for as long as the practitioner wishes. Breath retention The name ''kumbhaka'' is from Sanskrit कुम्भ '' kumbha'', a pot, comparing the torso to a vessel full of air. ''Kumbhaka'' is the retention of the breath in pranayama, either after inhalation, the inner or ''Antara Kumbhaka'', or after exhalation, the outer or ''Bahya Kumbhaka'' (also called ''Bahir Kumbhaka''). According to B.K.S. Iyengar in ''Light on Yoga'', ''kumbhaka'' is the "retention or holding the breath, a state where there is no inhalation or exhalation". ''Sahit'' or ''Sahaja Kumbhaka'' is an intermediate state, when breath retention becomes natural, at the stage of withdrawal of the senses, Pratyahara, the fifth of the eig ...
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Lotus Position
Lotus position or Padmasana ( sa, पद्मासन, translit=padmāsana) is a cross-legged sitting meditation pose from ancient India, in which each foot is placed on the opposite thigh. It is an ancient asana in yoga, predating hatha yoga, and is widely used for meditation in Hindu, Tantra, Jain, and Buddhist traditions. Variations include easy pose (Sukhasana), half lotus, bound lotus, and psychic union pose. Advanced variations of several other asanas including yoga headstand have the legs in lotus or half lotus. The pose can be uncomfortable for people not used to sitting on the floor, and attempts to force the legs into position can injure the knees. Shiva, the meditating ascetic God of Hinduism, Gautama Buddha, the founder of Buddhism, and the Tirthankaras in Jainism have been depicted in the lotus position, especially in statues. The pose is emblematic both of Buddhist meditation and of yoga, and as such has found a place in Western culture as a symbol of heal ...
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Meditation Seat
Meditative postures or meditation seats are the body positions or asanas, usually sitting but also sometimes standing or reclining, used to facilitate meditation. Best known in the Buddhist and Hindu traditions are the lotus and kneeling positions; other options include sitting on a chair, with the spine upright. Meditation is sometimes practiced while walking, such as kinhin, doing simple repetitive tasks, as in Zen samu, or work which encourages mindfulness. Postures in the ''Yoga Sutras'' The ''Yoga Sutras of Patanjali'' describe yoga as having eight limbs, one being asana, the meditation seat. The sutras do not name any asanas, merely specifying the characteristics of a good asana, stating: The ''Sutras'' are embedded in the ''Bhasya'' commentary, which scholars including Philipp Maas now believe are by the same author; it names 12 seated meditation asanas, possibly all cross-legged, including Padmasana, Virasana, Bhadrasana (now called Baddha Konasana), and Svas ...
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Purusha
''Purusha'' (' or ) is a complex concept whose meaning evolved in Vedic and Upanishadic times. Depending on source and historical timeline, it means the cosmic being or self, awareness, and universal principle.Karl Potter, Presuppositions of India’s Philosophies, Motilal Banarsidass, , pp 105-109 In early Vedas, ''Purusha'' was a cosmic being whose sacrifice by the gods created all life. This was one of many creation myths discussed in the Vedas. In the Upanishads, the ''Purusha'' concept refers to the abstract essence of the Self, Spirit and the Universal Principle that is eternal, indestructible, without form, and is all-pervasive. In Sankhya philosophy, Purusha is the plural immobile cosmic principle, pure consciousness, unattached and unrelated to anything, which is “nonactive, unchanging, eternal, and pure”. Purusha uniting with Prakṛti (matter) gives rise to life. In Kashmir Shaivism, Purusha is enveloped in five sheaths of time ('' Kāla''), desire ('' Raga' ...
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Ajna
Ajna ( sa, आज्ञा, IAST: , ), brow or third eye chakra, is the sixth primary chakra in the body according to Hindu tradition and signifies the unconscious mind, the direct link to Brahman (ultimate reality). The third eye is said to connect people to their intuition, give them the ability to communicate with the world, or help them receive messages from the past and the future. Location The Ajna chakra is located in the center of the forehead between the eyebrows. It is not a part of the physical body but considered to be the part of pranic system. The location makes it a sacred spot where Hindus apply a tilak bindi to show reverence for it. Appearance The Ajna chakra is described as "a diamond-like lotus of two petals, presided by Hamsa Devata, and Susumna Sakti. It corresponds to the Vijñāna state and Anupama Vak, and to the half matra of the Pranava." It is said to represent the nadis (psychic channels) Ida and Pingala, which meet the central Su ...
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