Portrait Of James II Of England
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Portrait Of James II Of England
''Portrait of James II of England'' is a 1684 portrait painting by the German-born British artist Godfrey Kneller. It depicts the future James II, then Duke of York and heir to his brother Charles II. He is shown dressed as Lord High Admiral, a position he had been forced to resign from during the Exclusion Crisis of 1673 but had lately been effectively restored to by his brother during the Tory Reaction of the early 1680s. The crown, orb and sceptre were added in after he became king. The following year James succeeded his brother but only reigned until 1688 when he was overthrown in the Glorious Revolution. He spent the remainder of his life in France and Ireland as his Jacobite supporters attempted to restore him to the throne. Today it is in the collection of the National Portrait Gallery in London, having been acquired in 1882. Isaac Beckett produced a mezzotint based on Kneller's portrait.https://www.britishmuseum.org/collection/object/P_1902-1011-118 See also * ''P ...
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Godfrey Kneller
Sir Godfrey Kneller, 1st Baronet (born Gottfried Kniller; 8 August 1646 – 19 October 1723) was a German-born British painter. The leading Portrait painting, portraitist in England during the late Stuart period, Stuart and early Georgian eras, he served as court painter to successive Monarchy of the United Kingdom, English and British monarchs, including Charles II of England and George I of Great Britain. Kneller also painted scientists such as Isaac Newton, foreign monarchs such as Louis XIV of France and visitors to England such as Michael Shen Fu-Tsung. A pioneer of the kit-cat portrait, he was also commissioned by William III of England to paint eight "Hampton Court Beauties" to match a similar series of paintings of Charles II's "Windsor Beauties" that had been painted by Kneller's predecessor as court painter, Peter Lely. Early life Kneller was born Gottfried Kniller in the Free City of Lübeck, the son of Zacharias Kniller, a portrait painter.George Cokayne, Cokayne, ...
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Globus Cruciger
The for, la, globus cruciger, cross-bearing orb, also known as ''stavroforos sphaira'' () or "the orb and cross", is an Sphere, orb surmounted by a Christian cross, cross. It has been a Christian Church, Christian symbol of authority since the Middle Ages, used on coins, in iconography, and with a sceptre as royal regalia. The cross laid over the globus represents Christ's dominion over the world, literally held in the hand of a worthy earthly ruler. In the iconography of Art of Europe, Western art, when Christ himself holds the globe, he is called ''Salvator Mundi'' (Latin for 'Saviour of the World'). For instance, the 16th-century Infant Jesus of Prague statue holds a ''globus cruciger'' in this manner. History Holding the world in one's hand, or, more ominously, under one's foot, has been a symbol since antiquity. To citizens of the Roman Empire, the plain spherical globe held by the god Jupiter (mythology), Jupiter represented the world or the universe, as the dominion ...
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Paintings By Godfrey Kneller
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1684 Paintings
Events January–March * January 5 ** King Charles II of England gives the title Duke of St Albans to Charles Beauclerk, his illegitimate son by Nell Gwyn. ** The earliest form of what is now the University of Tokyo (formally chartered in 1877), the Tenmongata, is established in Japan. * January 15 (January 5 O.S.) – To demonstrate that the River Thames, frozen solid during the Great Frost that started in December, is safe to walk upon, "a Coach and six horses drove over the Thames for a wager" and within three days "whole streets of Booths are built on the Thames and thousands of people are continually walking thereon." Sir Richard Newdigate, 2nd Baronet, records the events in his diary. * January 26 – Marcantonio Giustinian is elected Doge of Venice. * January – Edmond Halley, Christopher Wren and Robert Hooke have a conversation in which Hooke later claimed not only to have derived the inverse-square law, but also all the laws of planetary motion attributed to ...
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Henri Gascar
Henri Gascar ( – 1 Jan 1701) was a French painter who achieved artistic success in Kingdom of England, England during the reign of Charles II of England, Charles II. He painted many leading ladies at court, including several of the Royal mistress, King's mistresses, before returning to Paris. He subsequently relocated to Rome, where he died in 1701. Life and work Gascar was born in Paris, the son of Pierre Gascar, a minor painter and sculptor. Gascar came to England about 1674, probably at the behest of Louise de Keroualle, Duchess of Portsmouth, Charles II's favourite mistress. Gascar (or Gascard, as he seems to have spelt his name at first) was already known as a skillful portrait-painter; among the portraits already painted by him was that of Nicolas de Lafond, author of the "Gazette of Holland", painted in 1667, and engraved by Peter Lombart. The patronage of the Duchess of Portsmouth ensured Gascar a rapid success in England. His flamboyant style, contrasting with th ...
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Portrait Of James, Duke Of York
''Portrait of James, Duke of York'' is a 1673 portrait painting by the French artist Henri Gascar depicting the future James II of England, then Duke of York. James is portrayed in Baroque style in Roman clothing in the style of Mars, the god of war. He stands in a pavilion with his flagship the ''Royal Prince'' in the background. The pageboy on the right was traditionally described as John Churchill, the future Duke of Marlborough, although by the time the painting was produced Churchill was an adult and serving on the continent. James was Lord High Admiral during the reign of his brother Charles and had commanded the Royal Navy at the Battle of Lowestoft in 1665 and Battle of Solebay in 1672 during the Anglo-Dutch Wars. Today the painting is in the collection of the National Maritime Museum in Greenwich having been presented to Greenwich Hospital by William IV in 1835. See also * '' Portrait of James II of England'', a 1684 portrait by Godfrey Kneller Sir Godfrey Kne ...
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Mezzotint
Mezzotint is a monochrome printmaking process of the intaglio (printmaking), intaglio family. It was the first printing process that yielded half-tones without using line- or dot-based techniques like hatching, cross-hatching or stipple. Mezzotint achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker". In printing, the tiny pits in the plate retain the ink when the face of the plate is wiped clean. This technique can achieve a high level of quality and richness in the print, and produce a furniture print which is large and bold enough to be framed and hung effectively in a room. Mezzotint is often combined with other intaglio techniques, usually etching and engraving, including stipple engraving. The process was especially widely used in England from the eighteenth century, and in France was called ''la manière anglais'' (“the English manner”). Until the 20th century it has mostly been used for ...
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Isaac Beckett
Isaac Beckett (1653 – 1719) was an English mezzotint engraver, one of the first practitioners of the art in the country. Life and work Beckett was born in Kent in 1653, and apprenticed to a calico printer in London, but, after meeting Edward Luttrell, he decided to learn the new art of engraving in mezzotint. Hearing that one John Lloyd was acquainted with the process, and being obliged through an intrigue to absent himself from his business, Beckett offered his services to him, and entered into articles to work for him. Before long, however, he again fell into trouble, and was assisted by Luttrell, with whom he became associated in the development of the art. He is said to have married a woman of fortune, which enabled him to set up as the publisher of his own prints. Luttrell did many heads for him, being more skilful in drawing than Beckett, but they were often finished by the latter. His plates are all referable to dates between 1681 and 1688, although he lived until 171 ...
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Jacobitism
Jacobitism was a political ideology advocating the restoration of the senior line of the House of Stuart to the Monarchy of the United Kingdom, British throne. When James II of England chose exile after the November 1688 Glorious Revolution, the Parliament of England ruled he had "abandoned" the English throne, which was given to his Protestant daughter Mary II of England, and his nephew, her husband William III of England, William III. On the same basis, in April the Convention of Estates (1689), Scottish Convention awarded Mary and William the throne of Scotland. The Revolution created the principle of a contract between monarch and people, which if violated meant the monarch could be removed. A key tenet of Jacobitism was that kings were appointed by God, making the post-1688 regime illegitimate. However, it also functioned as an outlet for popular discontent, and thus was a complex mix of ideas, many opposed by the Stuarts themselves. Conflict between Charles Edward Stuar ...
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Glorious Revolution
The Glorious Revolution, also known as the Revolution of 1688, was the deposition of James II and VII, James II and VII in November 1688. He was replaced by his daughter Mary II, Mary II and her Dutch husband, William III of Orange (William III and II), a nephew of James who thereby had an interest to the throne irrespective of his marriage to his cousin Mary. The two ruled as joint monarchs of Kingdom of England, England, Kingdom of Scotland, Scotland, and Kingdom of Ireland, Ireland until Mary's death in 1694, when William became ruler in his own right. Jacobitism, the political movement that aimed to restore the exiled James or his descendants of the House of Stuart to the throne, persisted into the late 18th century. William's invasion was the last successful invasion of England. Despite his own Catholicism, usually an impediment to Protestant support, James became king in February 1685 with widespread backing from the Protestant majorities in England and Scotla ...
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Sceptre
A sceptre (or scepter in American English) is a Staff of office, staff or wand held in the hand by a ruling monarch as an item of regalia, royal or imperial insignia, signifying Sovereignty, sovereign authority. Antiquity Ancient Egypt and Mesopotamia The ''Was (sceptre), Was'' and other types of staves were signs of authority in Ancient Egypt. For this reason they are often described as "sceptres", even if they are full-length staffs. One of the earliest royal sceptres was discovered in the Second dynasty of Egypt, 2nd Dynasty tomb of Khasekhemwy in Abydos, Egypt, Abydos. Kings were also known to carry a staff, and Pharaoh Anedjib is shown on Stone vessels in Ancient Egypt, stone vessels carrying a so-called ''mks''-staff. The staff with the longest history seems to be the ''heqa''-sceptre (the "shepherd's crook"). The sceptre also assumed a central role in the Mesopotamian world, and was in most cases part of the royal insignia of sovereigns and gods. This continued thr ...
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Crown
A crown is a traditional form of head adornment, or hat, worn by monarchs as a symbol of their power and dignity. A crown is often, by extension, a symbol of the monarch's government or items endorsed by it. The word itself is used, particularly in Commonwealth countries, as an abstract name for the monarchy itself (and, by extension, the state of which said monarch is head) as distinct from the individual who inhabits it (that is, ''The Crown''). A specific type of crown (or coronet for lower ranks of peerage) is employed in heraldry under strict rules. Indeed, some monarchies never had a physical crown, just a heraldic representation, as in the constitutional kingdom of Belgium. Variations * Costume headgear imitating a monarch's crown is also called a crown hat. Such costume crowns may be worn by actors portraying a monarch, people at costume parties, or ritual "monarchs" such as the king of a Carnival krewe, or the person who found the trinket in a king cake. * The nup ...
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