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Parsi Theatre
Parsi theatre is a generic term for an influential theatre tradition, staged by Parsis, and theatre companies largely-owned by the Parsi business community, which flourished between 1850 and the 1930s. Plays were primarily in the Hindustani language (especially the Urdu dialect), as well as Gujarati to an extent. After its beginning in Bombay, it soon developed into various travelling theatre companies, which toured across India, especially north and western India (now Gujarat and Maharashtra), popularizing proscenium-style theatre in regional languages. Entertainment-driven and incorporating musical theatre and folk theatre, in the early 1900s, some Parsi theatre producers switched to new media like bioscope and subsequently many became film producers. The theatre diminished in popularity, with the arrival of the talkies era in Hindi cinema in the 1930s. Post-independence, it experienced a revival in the 1950s, much like theatre in the rest of India. History The British commun ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parsi
The Parsis or Parsees () are a Zoroastrian ethnic group in the Indian subcontinent. They are descended from Persian refugees who migrated to the Indian subcontinent during and after the Arab-Islamic conquest of Iran in the 7th century, when Zoroastrians were persecuted by the early Muslims. Representing the elder of the Indian subcontinent's two Zoroastrian communities, the Parsi people are culturally, linguistically, and socially distinct from the Iranis, whose Zoroastrian ancestors migrated to British-ruled India from Qajar-era Iran. The word ''Parsi'' is derived from the Persian language, and literally translates to ''Persian'' ().Parsee, n. and adj. – Oxford English Dictionary . oed.com. Retrieved on 2015-03-03. According to the 16th-century Parsi epic '' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
One Thousand And One Nights
''One Thousand and One Nights'' (, ), is a collection of Middle Eastern folktales compiled in the Arabic language during the Islamic Golden Age. It is often known in English as ''The Arabian Nights'', from the first English-language edition (), which rendered the title as ''The Arabian Nights' Entertainments''. The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa. Some tales trace their roots back to ancient and medieval Arabic, Persian, and Mesopotamian literature. Most tales, however, were originally folk stories from the Abbasid and Mamluk eras, while others, especially the frame story, are probably drawn from the Pahlavi Persian work (, ), which in turn may be translations of older Indian texts. Common to all the editions of the ''Nights'' is the framing device of the story of the ruler Shahryar being narrated the tales by his wife Scheherazade, with one tale told ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Cinema
The cinema of India, consisting of motion pictures made by the Indian film industry, has had a large effect on world cinema since the second half of the 20th century. Indian cinema is made up of various film industries, each focused on producing films in a specific language, such as Hindi, Telugu, Tamil, Malayalam, Kannada, Bengali, Marathi, Gujarati, Punjabi, Bhojpuri, Assamese, Odia and others. Major centres of film production across the country include Mumbai, Hyderabad, Chennai, Kolkata, Kochi, Bengaluru, Bhubaneswar-Cuttack, and Guwahati. For a number of years, the Indian film industry has ranked first in the world in terms of annual film output. In 2022, Indian cinema earned ($1.9 billion) at the box-office. Ramoji Film City located in Hyderabad is certified by the Guinness World Records as the largest film studio complex in the world measuring over 1,666 acres (674 ha). Indian cinema is composed of multilingual and multi-ethnic film art. The term 'Bo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masala Film
Masala films of Indian cinema are those that blend multiple genres into one work. Masala films emerged in the 1970s and are still being created as of the 2020s. Typically these films freely blend action, comedy, romance, and drama, or melodrama. They also tend to be musicals, often including songs filmed in picturesque locations. The genre is named after the masala, a mixture of spices in Indian cuisine. According to ''The Hindu'', masala is the most popular genre of Indian cinema. Masala films have origins in the 1970s and are common in every major film industry in India. Production of these films is still active in the mid-2020s. Characteristics Although a masala film has no single genre or plot trope defining it, there are recurring characteristics of film production, choreography, set design, and visuals. This can be attributed to India's majority-Hindu population's cultural affinity with the ''Nāṭya Shāstra'', an ancient Hindu religious text on the performing a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi Theatre
Hindi theatre is theatre performed in the Hindi language, including dialects such as Braj Bhasha, Khari Boli and Hindustani. Hindi theatre is produced mainly in North India, and some parts of West India and Central India, which include Mumbai and Bhopal. Hindi theatre has its roots in the traditional folk theatre of North India, like Ram lila and Raslila, and also influenced by distant Sanskrit drama. Starting with Bhartendu Harishchandra in the late 19th century and subsequent playwrights like Jaishankar Prasad, Mohan Rakesh, Hindi theatre came of age in the 1940s and 50s, when IPTA movement created a new brand of theatre practitioners in Hindi speaking areas, especially with IPTA Mumbai, Prithvi Theatres of thespian Prithviraj Kapoor, and theatre artiste Habib Tanvir, paving way for next generation of artists who came out once National School of Drama, Delhi started functioning in 1959. History Early history The advent of Jainism and Buddhism and emergence of prakrit a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marathi Theatre
Marathi theatre is theatre in the Marathi language, mostly originating or based in the state of Maharashtra in India, and elsewhere with Marathi diaspora. Starting in the middle of the 19th century, it flourished in the 1950s and 1960s. Today, it continues to have a marked presence in the State of Maharashtra with a loyal audience base, when most theatre in other parts of India have had tough time facing the onslaught of cinema and television. Its repertoire ranges from musicals, humorous social plays, farces, historical plays like 'Vedat Marathe Veer Daudale Saat'"लोककला जिवंत ठेवणारी लेखणी विसावली", ‘दै. लोकमत- पुणे’, दि. १४-नोव्हेंबर-२०२१ by Bashir Momin Kavathekar, to experimental plays and serious drama of the 1970s onwards, by Vijay Tendulkar, P. L. Deshpande, Mahesh Elkunchwar and Satish Alekar, which have influenced theatre throughout India. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gujarati Theatre
Gujarati theatre refers to theatre performed in the Gujarati language, including its Gujarati language#Dialects, dialects. Gujarati theatre is produced mainly in Gujarat and Maharashtra, in cities like Mumbai, Ahmedabad and Baroda, Surat and elsewhere Gujarati people#Diaspora, Gujarati diaspora exists, especially North America. ''Rustam Sohrab'', performed by ''Parsee Natak Mandali'' on 29 October 1853 in Mumbai, marked the beginning of Gujarati theatre. History Pre-British Raj The region of Gujarat has a long tradition of folk-theatre, Bhavai, which originated in the 14th-century. Thereafter, in early 16th century, a new element was introduced by Portuguese missionaries, who performed ''Yesu Mashiha Ka Tamasha'', based on the life of Jesus Christ, using the Tamasha folk tradition of Maharashtra, which they imbibed during their work in Goa or Maharashtra. Sanskrit drama was performed in royal courts and temples of Gujarat, it did not influence the local theatre tradition for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wimal Dissanayake
Wimal Dissanayake (born 1939) is a Sri Lankan writer, lecturer, and scholar of Asian cinema and Asian communication theory. Biography Dissanayake is from Nikaveva, a village about 35 kilometers away from Kurunegala town. Both his parents were school teachers. He attended high school at Trinity College, Kandy. He studied under dramatist Ediriweera Sarachchandra. Career Dissanayake graduated from the University of Peradeniya with a Bachelor of Arts degree upon graduating from the university, which merged while he was there with the University of Ceylon. He then obtained an M.A. from the University of Pennsylvania and a Ph.D from the University of Cambridge. He received Fulbright and Rockefeller Fellowships. He then became Wei Lun Distinguished Professor at the Chinese University of Hong Kong. He criticised the wholesale adoption of Western-based communication theory, research, and methodologies. He studied the perspective and mindset of Asians in communication studies. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sensationalism
In journalism and mass media, sensationalism is a type of editorial tactic. Events and topics in news stories are selected and worded to excite the greatest number of readers and viewers. This style of news reporting encourages biased or emotionally loaded impressions of events rather than neutrality, and may cause a manipulation to the truth of a story. Sensationalism may rely on reports about generally insignificant matters and portray them as a major influence on society, or biased presentations of newsworthy topics, in a trivial, or tabloid manner, contrary to general assumptions of professional journalistic standards. Some tactics include being deliberately obtuse, appealing to emotions,"Sensationalism." The Free Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melodrama
A melodrama is a Drama, dramatic work in which plot, typically sensationalized for a strong emotional appeal, takes precedence over detailed characterization. Melodrama is "an exaggerated version of drama". Melodramas typically concentrate on dialogue that is often bombastic or extremely sentimentality, sentimental, rather than on action. Characters are often Character (arts)#Round vs. flat, flat and written to fulfill established character archetypes. Melodramas are typically set in the private sphere of the home, focusing on morality, family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, film, or television is usually accompanied by dramatic and suggestive music that offers further cues to the audience of the dramatic beats being presented. In scholarly and historical musical contexts, melodramas are Victorian era, Victorian dramas in which orchestral music or son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (arts)
Realism in the arts is generally the attempt to Representation (arts), represent subject-matter truthfully, without artificiality, exaggeration, or speculative fiction, speculative or supernatural elements. The term is often used interchangeably with naturalism, although these terms are not necessarily synonymous. Naturalism, as an idea relating to visual representation in Western art, seeks to depict objects with the least possible amount of distortion and is tied to the development of linear perspective and illusionism in Renaissance Europe. Realism, while predicated upon naturalistic representation and a departure from the idealization of earlier academic art, often refers to a Realism (art movement), specific art historical movement that originated in France in the aftermath of the French Revolution of 1848. With artists like Gustave Courbet capitalizing on the mundane, ugly or sordid, realism was motivated by the renewed interest in the commoner and the rise of leftist polit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindi
Modern Standard Hindi (, ), commonly referred to as Hindi, is the Standard language, standardised variety of the Hindustani language written in the Devanagari script. It is an official language of India, official language of the Government of India, alongside English language, English, and is the ''lingua franca'' of North India. Hindi is considered a Sanskritisation (linguistics), Sanskritised Register (sociolinguistics), register of Hindustani. Hindustani itself developed from Old Hindi and was spoken in Delhi and neighbouring areas. It incorporated a significant number of Persian language, Persian loanwords. Hindi is an Languages with official status in India, official language in twelve states (Bihar, Gujarat , Mizoram , Maharashtra ,Chhattisgarh, Haryana, Himachal Pradesh, Jharkhand, Madhya Pradesh, Rajasthan, Uttar Pradesh, Uttarakhand), and six Union territory, union territories (Andaman and Nicobar Islands, Delhi, Chandigarh, Dadra and Nagar Haveli and Daman and Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
