|
Papillons
''Papillons'' (French for "butterflies"), Opus number, Op. 2, is a Suite (music), suite of piano pieces written in 1831 by Robert Schumann when he was 21 years old. The work is meant to represent a masked ball and was inspired by Jean Paul's novel ' (''The Awkward Age''). The suite begins with a six-bar (music), measure introduction before launching into a variety of dance-like movement (music), movements. Each movement is unrelated to the preceding ones, except that the second, A major, theme of the sixth movement recurs in G major in the tenth movement, and the theme of the first movement returns in the finale. notes that the 11th movement is appropriately a polonaise because the novel's character Wina is Polish. The last movement starts out by musical quotation, quoting the theme of the traditional "Großvatertanz" (Grandfather's Dance), which was always played at the end of a wedding or similar celebration. Repeated notes near the end of the piece suggest a clock striking, sig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carnaval (Schumann)
''Carnaval'', Op. 9, is a work by Robert Schumann for piano solo, written in 1834–1835 and subtitled ''Scènes mignonnes sur quatre notes'' (Little Scenes on Four Notes). It consists of 21 short pieces representing masked revelers at Carnival, a festival before Lent. Schumann gives musical expression to himself, his friends and colleagues, and characters from improvised Italian comedy (''commedia dell'arte''). He dedicated the work to the violinist Karol Lipiński. Background ''Carnaval'' had its origin in a set of variations on a ''Sehnsuchtswalzer'' by Franz Schubert, whose music Schumann had discovered only in 1827. The catalyst for writing the variations may have been a work for piano and orchestra by Schumann's close friend Ludwig Schuncke, a set of variations on the same Schubert theme. Schumann felt that Schuncke's heroic treatment was an inappropriate reflection of the tender nature of the Schubert piece, so he set out to approach his variations in a more intimate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Paul
Jean Paul (; born Johann Paul Friedrich Richter, 21 March 1763 – 14 November 1825) was a German Romanticism, German Romantic writer, best known for his humorous novels and stories. Life and work Jean Paul was born at Wunsiedel, in the Fichtel Mountains (Franconia). His father was an organist at Wunsiedel. In 1765 his father became a pastor at Joditz near Hof, Germany, Hof and, in 1767 at Schwarzenbach an der Saale, Schwarzenbach, but he died on 25 April 1779, leaving the family in great poverty. Later in life, Jean Paul noted, "The words that a father speaks to his children in the privacy of home are not heard by the world, but as in Whispering gallery, whispering-galleries, they are clearly heard at the end and by posterity." After attending the ''Gymnasium'' at Hof, in 1781 Jean Paul went to the University of Leipzig. His original intention was to enter his father's profession, but theology did not interest him, and he soon devoted himself wholly to the study of literature. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Quotation
Musical quotation is the practice of directly quoting another work in a new composition. The quotation may be from the same composer's work (self-referential), or from a different composer's work (appropriation). Sometimes the quotation is done for the purposes of characterization, as in Puccini's use of ''The Star-Spangled Banner'' in reference to the American character Lieutenant Pinkerton in his opera ''Madama Butterfly'', or in Tchaikovsky's use of the Russian and French national anthems in the ''1812 Overture'', which depicted a battle between the Russian and French armies. Sometimes, there is no explicit characterization involved, as when Luciano Berio used brief quotes from Johann Sebastian Bach, Ludwig van Beethoven, Alban Berg, Pierre Boulez, Gustav Mahler, Claude Debussy, Paul Hindemith, Maurice Ravel, Arnold Schoenberg, Karlheinz Stockhausen, Richard Strauss, Igor Stravinsky, Anton Webern, and others in his ''Sinfonia (Berio), Sinfonia''. Quotation vs. variation Musical ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Schumann
Robert Schumann (; ; 8 June 181029 July 1856) was a German composer, pianist, and music critic of the early Romantic music, Romantic era. He composed in all the main musical genres of the time, writing for solo piano, voice and piano, chamber music, chamber groups, orchestra, choir and the opera. His works typify the spirit of the Romantic era in German music. Schumann was born in Zwickau, Saxony, to an affluent middle-class family with no musical connections, and was initially unsure whether to pursue a career as a lawyer or to make a living as a pianist-composer. He studied law at the universities of Leipzig University, Leipzig and Heidelberg University, Heidelberg but his main interests were music and Romantic literature. From 1829 he was a student of the piano teacher Friedrich Wieck, but his hopes for a career as a virtuoso pianist were frustrated by a worsening problem with his right hand, and he concentrated on composition. His early works were mainly piano pieces, inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großvatertanz
The "Großvatertanz" (Grandfather Dance) is a 17th-century German traditional dance folk tune from the region of Saxony. History The song was first mentioned in print in 1717 by the German ballet master Gottfried Taubert (1670–1746), but was known before. New lyrics to the first part of the tune were written by Klamer Eberhard Karl Schmidt in 1794 and August Friedrich Ernst Langbein in 1812, both "lengthy and dull pieces of ornate poetry" ( Franz Magnus Böhme, 1886).; Vol. II: Musikbeilagenp. 214–215/ref> (1766–1853) in 1823 composed a new tune to Langbein's lyrics, for which he has erroneously been claimed to be the real author. For many years, it was regularly played and danced at the end of wedding celebrations, and became known as the ("finale", turn-out). Melody and text The original melody has three parts: # 8 bars in time, slow # 4 bars of a different theme in time, fast (repeated) # 4 bars, a variation of the second theme (repeated). \language "deutsc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In music, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's publication of that work. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. Opus numbers do not necessarily indicate chronological order of composition. For example, posthumous publications of a composer's juvenilia are often numbered after other works, even though they may be some of the composer's first completed works. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suite (music)
A suite, in Western classical music, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes; and grew in scope so that by the early 17th century it comprised up to five dances, sometimes with a Prelude (music), prelude. The separate Movement (music), movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Ottoman Classical Music, Turkish fasıl and the Arab music, Arab nuubaat. In the Baroque music, Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Georg Philipp Telemann, Telemann and Johann Sebastian Bach, J.S. Bach. During the 18th century, the suite fell out of fav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masked Ball
''Masked Ball'' () is a 1917 Hungarian film directed by Alfréd Deésy and featuring Béla Lugosi and Norbert Dan. The screenplay was written by Francesco Maria Piave, Eugène Scribe and Antonio Somma. It was based on the opera '' Un ballo in maschera'' by Giuseppe Verdi. Lugosi played Rene, a Secretary Governor, one of his earliest "red herring" roles. The film was first shown at the Urania Theater in Budapest on Oct. 21, 1917.Bela Lugosi: Dreams and Nightmares by Gary D. Rhodes, with Richard Sheffield, (2007) Collectables/Alpha Video Publishers, ISBN 0-9773798-1-7 (hardcover) Cast * Norbert Dán * Róbert Fiáth * Lajos Gellért (credited as Viktor Kurd) * Annie Góth as Amalia * Richard Kornai as Rendorfonok * Béla Lugosi Blaskó Béla Ferenc Dezső (; October 20, 1882 – August 16, 1956), better known by the stage name Bela Lugosi ( ; ), was a Hungarian–American actor. He was best remembered for portraying Count Dracula in the horror film classic ''Dracul ... as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
19th-Century Music
''19th-Century Music'' is a triennial academic journal that "covers all aspects of Western art music composed in, leading to, or pointing beyond the "long century" extending roughly from the 1780s to the 1930s." It is published by the University of California Press and was established in 1977. The editor-in-chief is Lawrence Kramer. The journal covers very diverse topics ranging from music of any type or origin to issues of composition, performance, social and cultural context, hermeneutics, aesthetics, music theory, analysis, documentation, gender, sexuality, history, and historiography. Abstracting and indexing The journal is indexed in: *Scopus *Arts and Humanities Citation Index *Current Contents/Arts & Humanities * EBSCO databases *ProQuest databases ProQuest LLC is an Ann Arbor, Michigan-based global information-content and technology company, founded in 1938 as University Microfilms by Eugene Power. ProQuest is known for its applications and information services for lib ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar (music)
In musical notation, a bar (or measure) is a segment of music bounded by vertical lines, known as bar lines (or barlines), usually indicating one or more recurring beats. The length of the bar, measured by the number of note values it contains, is normally indicated by the time signature. Types of bar lines Regular bar lines consist of a thin vertical line extending from the top line to the bottom line of the staff, sometimes also extending between staves in the case of a grand staff or a family of instruments in an orchestral score. A ''double bar line'' (or ''double bar'') consists of two single bar lines drawn close together, separating two sections within a piece, or a bar line followed by a thicker bar line, indicating the end of a piece or movement. Note that ''double bar'' refers not to a type of ''bar'' (i.e., measure), but to a type of ''bar line''. Typically, a double bar is used when followed by a new key signature, whether or not it marks the beginning of a ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Movement (music)
A movement is a self-contained part of a musical composition or musical form. While individual or selected movements from a composition are sometimes performed separately as stand-alone pieces, a performance of the complete work requires all the movements to be performed in succession. A movement is a section (music), section, "a major structural unit perceived as the result of the coincidence of relatively large numbers of structural phenomena". Sources [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polonaise
The polonaise (, ; , ) is a dance originating in Poland, and one of the five Polish folk dances#National Dances, Polish national dances in Triple metre, time. The original Polish-language name of the dance is ''chodzony'' (), denoting a walking dance. The polonaise dance influenced European ballrooms, folk music and European classical music. The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska (dance), polska, and the two dances share a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty and the Polish–Swedish union. The polonaise is popular in Poland today. It is the opening dance in major events, at New Year's balls, on national days as well as other parties. The polonaise is always the first dance at a ''studniówka'' ("student ball"), the Polish equivalent of the senior prom that occurs approximately 100 days before exams, hence its name "studniówka" or literally in Polish "the ball ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
