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Paolo And Francesca Da Rimini
''Paolo and Francesca da Rimini'' is a watercolour by British artist and poet Dante Gabriel Rossetti, painted in 1855 and now in Tate Britain. The painting is a triptych inspired by Canto V of Dante's '' Inferno'', which describes the adulterous love between Paolo Malatesta and his sister-in-law Francesca da Rimini. The left- and right-hand panels both show the lovers together; the central panel shows Dante and the Roman poet Virgil, who guides Dante through hell in the poem. History Rossetti's real name was Charles Gabriel Dante Rossetti, but his admiration for the great Florentine poet led him to change it to Dante Gabriel Rossetti, and he proceeded to sign all his work so. In the specific, the very subject of this painting is taken from Dante Aligheri's '' Inferno'', Canto V – it is a small watercolour triptych executed in the archaic, medievalising style of this period in Rossetti's art, and was never painted in oil. Although the artist had been sketching the subject for ...
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Dante Gabriel Rossetti
Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti ( ; ), was an English poet, illustrator, painter, translator, and member of the Rossetti family. He founded the Pre-Raphaelite Brotherhood in 1848 with William Holman Hunt and John Everett Millais. Rossetti inspired the next generation of artists and writers, William Morris and Edward Burne-Jones in particular. His work also influenced the European Symbolism (movement), Symbolists and was a major precursor of the Aesthetic movement. Rossetti's art was characterised by its sensuality and its medieval revivalism. His early poetry was influenced by John Keats and William Blake. His later poetry was characterised by the complex interlinking of thought and feeling, especially in his sonnet sequence ''The House of Life''. Poetry and image are closely entwined in Rossetti's work. He frequently wrote sonnets to accompany his pictures, spanning from ''The Girlhood of Mary Virgin' ...
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Arthurian Legend
The Matter of Britain (; ; ; ) is the body of medieval literature and legendary material associated with Great Britain and Brittany and the legendary kings and heroes associated with it, particularly King Arthur. The 12th-century writer Geoffrey of Monmouth's (''History of the Kings of Britain)'' is a central component of the Matter of Britain. It was one of the three great Western story cycles recalled repeatedly in medieval literature, together with the Matter of France, which concerned the legends of Charlemagne and his companions, as well as the Matter of Rome, which included material derived from or inspired by classical mythology and classical history. Its pseudo-chronicle and chivalric romance works, written both in prose and verse, flourished from the 12th to the 16th century. Name The three "matters" were first described in the 12th century by French poet Jean Bodel, whose epic ' ("Song of the Saxons") contains the lines: The name distinguishes and relates the ...
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Paintings Based On Inferno (Dante)
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Paintings By Dante Gabriel Rossetti
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or " support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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1850 Paintings
Year 185 (Roman numerals, CLXXXV) was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Pertinax, Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the Roman Britain, British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Ancient Rome, Rome's treasury to put on gladiatorial spectacles and confiscates pr ...
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Elizabeth Prettejohn
Elizabeth Francesca Prettejohn (born 15 May 1961) is an art historian and author of several books about art history. Her books have included '' Rossetti and his Circle'' (1997), ''The Art of the Pre-Raphaelites'' (2000) and ''Art for Art's Sake'' (2007). She has also co-edited and co-authored several publications. She has written exhibition catalogues and papers for journals such as '' The Burlington Magazine'', '' Journal of Victorian Culture'' and '' Art Bulletin''. Education and career Prettejohn was the professor of the history of art at the University of Bristol from 2005, before becoming head of the history of art at the University of York in 2012. She had also been the Professor of Modern Art at the University of Plymouth and (briefly) the curator of Paintings and Sculpture at Birmingham Museum and Art Gallery. She studied at Harvard University, where she got her Bachelor of Arts A Bachelor of Arts (abbreviated B.A., BA, A.B. or AB; from the Latin ', ', o ...
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Virginia Surtees
Virginia Surtees (née Bell, formerly Virginia, Lady Clarke and Virginia Craig) (9 January 1917 – 22 September 2017) was a British art historian and author. Early life Born in London on 9 January 1917, she was the second daughter of American diplomat Edward Bell (1882–1924) and his second wife, English heiress Etelka Bertha (née Surtees) Bell, whom Virginia did not like. Her elder sister, Evangeline, later married the American diplomat David K. E. Bruce. Her father, who was involved in the reception in 1917 of the Zimmermann telegram, died in Peking while serving as the acting British Minister to China (when Minister Jacob Gould Schurman was back in Washington) in 1924. After the death of her father in 1924, her mother remarried to Sir James Leishman Dodds, a British career diplomat who served as the British Minister to Bolivia, Cuba and the Ambassador to Peru. From her mother's second marriage, she had a younger half-sister, Josephine Leishman Dodds, who married Squa ...
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Russell Ash
Russell Ash (18 June 1946 – 21 June 2010) was the British author of the '' Top 10 of Everything'' series of books, as well as ''Great Wonders of the World'', ''Incredible Comparisons'' and many other reference, art and humour titles, most notably his series of books on strange-but-true names, ''Potty, Fartwell & Knob'', ''Busty, Slag and Nob End'' and (for children) ''Big Pants, Burpy and Bumface''.Obituary, ''The Times'', 1 July 2010Obituary, ''The Scotsman'', 9 July 2010 Once described as 'the human Google', his obituary in ''The Times'' stated that 'In the age of the internet, it takes tenacity and idiosyncratic intelligence to make a living from purveying trivial information. Russell Ash did just that'. Biography Russell Ash was born in Surrey, a descendant of a family of craftsmen – goldsmiths and silversmiths in 18th-century London that included Claudius Ash (1792–1854), one of the pioneering inventors of false teeth. His father worked as a bookbinder for the Brit ...
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Max Beerbohm
Sir Henry Maximilian Beerbohm (24 August 1872 – 20 May 1956) was an English essayist, Parody, parodist and Caricature, caricaturist under the signature Max. He first became known in the 1890s as a dandy and a humorist. He was the theatre criticism, drama critic for the ''Saturday Review (London), Saturday Review'' from 1898 until 1910, when he relocated to Rapallo, Italy. In his later years he was popular for his occasional radio broadcasts. Among his best-known works is his only novel, ''Zuleika Dobson'', published in 1911. His caricatures, drawn usually in pen or pencil with muted watercolour tinting, are in many public collections. Early life Born in 57 Palace Gardens Terrace, London which is now marked with a blue plaque, Henry Maximilian Beerbohm was the youngest of nine children of a Lithuanian-born grain trade, grain merchant, Julius Ewald Edward Beerbohm (1811–1892). His mother was Eliza Draper Beerbohm (c. 1833–1918), the sister of Julius's late first wife. Alt ...
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Rossetti And His Circle
''Rossetti and His Circle'' is a book of twenty-three caricatures by English caricaturist, essayist and parodist Max Beerbohm. Published in 1922 by William Heinemann, the drawings were Beerbohm's humorous imaginings concerning the life of Dante Gabriel Rossetti and his fellow Pre-Raphaelites, the period, as he put it, "just before oneself."Max Beerbohm, ''Rossetti and His Circle'', London: William Heinemann, 1922 The book is now considered one of Beerbohm's masterpieces.Link
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Beerbohm and Rossetti

Beerbohm returned to England from his home in

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Dante Alighieri
Dante Alighieri (; most likely baptized Durante di Alighiero degli Alighieri; – September 14, 1321), widely known mononymously as Dante, was an Italian Italian poetry, poet, writer, and philosopher. His ''Divine Comedy'', originally called (modern Italian: ) and later christened by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language. Dante chose to write in the vernacular, specifically, his own Tuscan dialect, at a time when much literature was still written in Latin, which was accessible only to educated readers, and many of his fellow Italian poets wrote in French or Provençal dialect, Provençal. His ' (''On Eloquence in the Vernacular'') was one of the first scholarly defenses of the vernacular. His use of the Florentine dialect for works such as ''La Vita Nuova, The New Life'' (1295) and ''Divine Comedy'' helped establish the modern-day standardized Italian language. His wo ...
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The Divine Comedy
The ''Divine Comedy'' (, ) is an Italian narrative poem by Dante Alighieri, begun and completed around 1321, shortly before the author's death. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of Western literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it existed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts: '' Inferno'', '' Purgatorio'', and '' Paradiso''. The poem explores the condition of the soul following death and portrays a vision of divine justice, in which individuals receive appropriate punishment or reward based on their actions.Vallone, Aldo. "Commedia" (trans. Robin Treasure). In: Lansing (ed.), ''The Dante Encyclopedia'', pp. 181–184. It describes Dante's travels through Hell, Purgatory, and Heaven. Allegorically, the po ...
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