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Panggilan Darah
''Panggilan Darah'' (Indonesian for ''Call of Blood'') is a 1941 film from the Dutch East Indies (now Cinema of Indonesia#History, Indonesia) written and directed by Sutan Usman Karim and produced by Tjho Seng Han for Oriental Film. The black and white, black-and-white film starred Dhalia and Soerip as orphaned sisters trying to make a living in the colonial capital of Batavia, Dutch East Indies, Batavia (now Jakarta) before moving to Kudus, Kudus, Kudus to work at a kretek, clove cigarette factory. Shot on location at an orphanage and two factories in central Java, ''Panggilan Darah'' was a modest commercial success in the Indies and Singapore. Its soundtrack, which featured nine ''kroncong'' songs, received popular acclaim, and the film's acting received critical praise. Despite this success, Oriental was unable to recoup its expenses, and merged into Multi Film soon afterwards. ''Panggilan Darah'', which was screened as late as 1952, may now be lost film, lost. Plot Orphaned ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sutan Usman Karim
Sutan Usman Karim was an Dutch East Indies, East Indies (now Indonesia) film director and screenwriter. He was famous as one of two main directors of the film production company Oriental Film, the other being Njoo Cheong Seng. The company was based in Batavia (now Jakarta) and had been established by ethnic Chinese businessman Tjo Seng Han in 1940. Sutan Usman Karim and Njoo Cheong Seng were instrumental in launching the careers of actors such as Dhalia and Soerip. In 1941, Sutan Usman Karim directed ''Panggilan Darah'' the fourth and last of a series black-and-white films for Oriental Film starring Dhalia and Soerip before the company was shut down. ''Panggilan Darah'' was screened in theatres in the West Indies as late as August 1952, but may now be lost. {{DEFAULTSORT:Karim, Sutan Usman Film directors from the Dutch East Indies Screenwriters from the Dutch East Indies Year of birth missing Year of death missing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Director
A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role in choosing the Casting (performing arts), cast members, production design and all the creative aspects of filmmaking in cooperation with the Film producer, producer. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, Film producer, producers, Film editing, film editors or actors. Other film directors have attended film school. Directors use different approaches. Some Outline (list), outline a general plotline and let the actors impro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surabaya
Surabaya is the capital city of East Java Provinces of Indonesia, province and the List of Indonesian cities by population, second-largest city in Indonesia, after Jakarta. Located on the northeastern corner of Java island, on the Madura Strait, it is one of the earliest port cities in Southeast Asia. According to the Government of Indonesia, National Development Planning Agency, Surabaya is one of the Regions of Indonesia#Development regions, four main central cities of Indonesia, alongside Jakarta, Medan, and Makassar. The city had a population of 2,874,314 within its city limits at the 2020 census.Badan Pusat Statistik, Jakarta, 2021. With 3,009,286 people living in the city as of mid 2023 (comprising 1,490,358 males and 1,518,928 females) Badan Pusat Statistik, Jakarta, 28 February 2024, ''Kota Surabaya Dalam Angka 2024'' (Katalog-BPS 1102001.3578) and over 10 million in the extended Surabaya metropolitan area, according to the latest official estimate, Surabaya is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miss Soerip, 1941
Miss (pronounced ) is an English-language honorific typically used for a girl, for an unmarried woman (when not using another title such as "Doctor" or "Dame"), or for a married woman retaining her maiden name. Originating in the 17th century, it is a contraction of ''mistress''. The plural of ''Miss'' is ''Misses'' or occasionally ''Mses''. History Origins Like '' Ms'' and ''Mrs'', ''Miss'' has its roots in the title ''Mistress''. ''Miss'' was originally a title given primarily to children rather than adults. During the 1700s, its usage broadened to encompass adult women. The title emerged as a polite way to address women, reflecting changing societal norms and class distinctions. Prior to this, referring to an adult woman as a ''Miss'' might have carried connotations of prostitution. Evolution of meanings and usage The meanings of both ''Miss'' and ''Mrs'' underwent transformations over time. Historically, these titles did not solely indicate marital status. Even after t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Native Indonesians
Native Indonesians, also known as ''Pribumi'' () are Indonesians whose ancestral roots lie mainly in the archipelago and consist of various ethnic groups, predominantly of Austronesian and Melanesian descent. In contrast are Indonesians of known (partial) foreign descent, like Chinese Indonesians, Arab Indonesians, Indian Indonesians, Japanese Indonesians, and Indo-Europeans (Eurasians). Etymology and historical context The term was popularized after Indonesian independence as a respectful replacement for the Dutch colonial term (normally translated as "native" and seen as derogatory). It derives from Sanskrit terms ''pri'' (before) and ''bhumi'' (earth). Following independence, the term was normally used to distinguish indigenous Indonesians from citizens of foreign descent (especially Chinese Indonesians). Common usage distinguished between ''pribumi'' and ''non-pribumi''. Although the term is sometimes translated as "indigenous", it has a broader meaning than that a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kroncong
Kroncong (pronounced "kronchong"; , ) is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong (the sound ' comes from this instrument, so the music is called ''kroncong''). A ''kroncong'' orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of ''kroncongs'', a cello in Pizzicato, Pizzicato style, string bass in pizzicato style, and a vocalist. ''Kroncong'' originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. By the late 19th century, ''kroncong'' reached popular music status throughout the Indonesian archipelago. Characteristics The name "Kroncong" may be derived from the jingling sound of the ''kerincing rebana'', as heard in the rhythmic background of the music created by the interlocking of instruments playing on or off beat. This background rhythm runs faster than the often slow vocals or melody, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Misbach Yusa Biran
Misbach Yusa Biran (11 September 1933 – 11 April 2012) was an Indonesian writer, director and columnist who pioneered the Indonesian film archives. Personal life Biran was born in Rangkasbitung, in the Lebak Regency, to a Minangkabau father and a Bantenese mother. Hal 1. In 1969, he married actress Nani Widjaja. They had six children, two of whom (Cahya Kamila and Sukma Ayu) also went into the film industry. Career Early life Biran graduated from Taman Madya Bagian B, in Jakarta. He first began directing plays in the early 1950s, whilst at school, whilst he additionally wrote film reviews and produced literature works. However, after his graduation, he chose a career in film. Film From 1954 to 1956, Biran worked for the Indonesian National Film Company (PERFINI) under Usmar Ismail. He began as a script recorder, and later became Assistant Director and member of the Writers' Board. He rose to the position of Director of National Film Centre H. Usmar Ismail ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pekalongan
Pekalongan () is a city of Central Java, Indonesia. It was formerly the seat of Pekalongan Regency on the northern coast of the province, but is now an independent municipality within the province. It covers a land area of 45.25 km2 and had a population of 281,434 at the 2010 CensusBiro Pusat Statistik, Jakarta, 2011. and 307,150 at the 2020 Census;Badan Pusat Statistik, Jakarta, 2021. the official estimate as at mid 2024 was 321,095 (comprising 162,158 males and 158,937 females).Badan Pusat Statistik, Jakarta, 28 February 2025, ''Kota Pekalongan Dalam Angka 2025'' (Katalog-BPS 1102001.3374) The city is Central Java's most important port, and is known for its batik. Since December 2014, Pekalongan has been a member of UNESCO's World's Creative Cities Network, the first Southeast Asian city to be added to the list. The Dutch name of the city is 'Pacalongan'. History The coastal area around Pekalongan was part of the ancient Holing ( Kalingga) kingdom. The 7th century Sojomert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik
Batik is a dyeing technique using wax Resist dyeing, resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some patterns hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends. Resist dyeing using wax has been practised since ancient times, and it is attested in several world cultures, such as Egypt, southern China (especially among hilltribes like the Miao people, Miao, Bouyei people, Bouyei, and Gejia peoples), India, Indonesia, Malaysia, Nigeria, and Sri Lanka. The technique developed Batik in Indonesia, in Indonesia (es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indo People
The Indo people (, ) or Indos are Eurasian people living in or connected with Indonesia. In its narrowest sense, the term refers to people in the former Dutch East Indies who held European legal status but were of mixed Dutch and Native Indonesians, indigenous Ethnic groups in Indonesia, Indonesian descent as well as their descendants today. In the broadest sense, an Indo is anyone of mixed European and Indonesian descent. Indos are associated with colonial culture of the former Dutch East Indies, a Dutch colony in Southeast Asia and a predecessor to modern Indonesia after its Proclamation of Indonesian Independence, proclamation of independence shortly after World War II. The term was used to describe people acknowledged to be of mixed Dutch and Indonesian descent, or it was a term used in the Dutch East Indies to apply to Europeans who had partial Asian ancestry. "Indos–people of Dutch descent who stayed in the new republic Indonesia after it gained independence, or who em ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Young (director)
Fred Young (born Njo Tiong Gie; ; 31 October 1900 – 2 June 1977) was an ethnic Chinese film director and producer active in the Dutch East Indies and its successor state, Indonesia. He reportedly studied film in Hollywood as a youth, but only entered the nation's film industry in 1940. After he made his debut as a writer with '' Sorga Palsoe'', he was involved in some 36 productions, 23 as director. Biography Young was born in Semarang, Central Java, to Njo Gwan Djoe and Ong Kien Nio on 31 October 1900. As a child he was adopted by his uncle Njo Gwan Jong & Kang Toan Nio, who lived in Malang, East Java. He had a junior high school education in the Dutch East Indies. However, he reportedly was in Los Angeles, US, by the 1920s, learning about film with The Teng Chun and Nelson Wong. Young would work with The later in his career. Young entered the film industry in 1940 when he wrote '' Sorga Palsoe'' (''False Paradise''). Later that year he joined with SI Liem to es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Njoo Cheong Seng
Njoo Cheong Seng (Perfected Spelling: Nyoo Cheong Seng; ; 6 November 1902 – 30 November 1962) was a Chinese-Indonesian playwright and film director. Also known by the pen name Monsieur d'Amour, he wrote more than 200 short stories, novels, poems and stage plays during his career; he is also recorded as directing and/or writing eleven films. He married four times during his life and spent several years travelling throughout Southeast Asia and India with different theatre troupes. His stage plays are credited with revitalising theatre in the Indies. Early life and career Njoo was born in East Java on 6 November 1902; the Indonesian sinologist Leo Suryadinata writes that he was born in Surabaya, while the writers Sam Setyautama and Suma Mihardja record him as having been born in Malang. He received his elementary education at a Tiong Hoa Hwe Koan school in Surabaya. By an early age he had begun contributing to Chinese-owned newspapers; his first literary work, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
