Personal life
Biran was born in Rangkasbitung, in the Lebak Regency, to a Minangkabau father and a Bantenese mother. Hal 1. In 1969, he married actress Nani Widjaja. They had six children, two of whom (Cahya Kamila and Sukma Ayu) also went into the film industry.Career
Early life
Biran graduated from Taman Madya Bagian B, in Jakarta. He first began directing plays in the early 1950s, whilst at school, whilst he additionally wrote film reviews and produced literature works. However, after his graduation, he chose a career in film.Film
From 1954 to 1956, Biran worked for the Indonesian National Film Company (PERFINI) under Usmar Ismail. He began as a script recorder, and later became Assistant Director and member of the Writers' Board. He rose to the position of Director of National Film Centre H. Usmar Ismail Jakarta, member of the National Film Council, and Chairman of the Film and Television Employees from 1987 to 1991. Hal 291. In 1955, Biran wrote his first screenplay from aWriting
Biran was an active journalist: he was the Chief Editor of ''Minggu Abadi'' (1958–1959), ''Purnama'' (1962–1963), and later as an Editor of ''Duta Masjarakat'' (1965–1966), ''Abad Muslimin'' (1966), and ''Gelanggang'' (1967). Hal 529. His literary works included ''Bung Besar'' (drama, 1958), which was awarded second prize in a screenwriting competition by the Ministry of Education and Culture in 1958; ''Setengah Djam Mendjelang Maut'' (Drama, 1968); ''Menjusuri Djedjak Berdarah'' (novel, 1969); ''Keajaiban di Pasar Senen'' (anthology of short stories, 1971); and ''Oh, Film'' (anthology of short stories, 1973). The latter two story collections were bound and reprinted under the title ''Keajaiban di Pasar Senen'' in 1996. Biran launched a book on ''Teknik Menulis Skenario Film Cerita'' on 30 January 2007.Death
Biran died on 11 April 2012 at the Eka Hospital, Serpong, Tangerang, Banten after a prolonged struggle with lung cancer. He was 78.Awards
Biran received an award from Forum Film Bandung for his dedication and contribution in the film industry. He continued to write screenplays, and believed that film is a means to teach and raise the quality of human lives, particularly the lives of Indonesians. In 2010, he received fellowships from the Southeast Asia-Pacific Audiovisual Archive Association (SEAPAVAA) in Bangkok, Thailand.Films
Directing
* ''Pesta Musik La Bana'' (1960) * ''Holiday in Bali'' (1962) * ''Bintang Ketjil'' (1963) * ''Panggilan Nabi Ibrahim'' (1964) * ''Apa Jang Kautangisi'' (1965) * ''Dibalik Tjahaja Gemerlapan'' (1966) * ''Menjusuri Djedjak Berdarah'' (1967) * ''Operasi X'' (1968) * ''Honey Money and Djakarta Fair'' (1970)Screenplay writing
* ''Menyusuri Jejak Berdarah'' (1967) * ''Ayahku'' (1987)Books
*'' Sejarah Film 1900–1950''References
External links
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