Palazzo Altieri
Palazzo Altieri is a palace in Rome, which was the home of the Altieri family in the city. The palace faces the square in front of the Church of the Gesù. The Altieri The Altieri were one of the prominent families in Rome claiming descendancy from Roman nobility, and included Pope Clement X (reigned 1670-1676). When Giambattista Altieri was elevated to Cardinal by Pope Urban VIII, he decided his existing house was not impressive enough; not befitting his new title so in 1650 he commissioned Giovan Antonio de' Rossi to begin renovations at the site. When Pope Clement ascended to the papal throne in 1670, further renovations were overseen by the pope's Cardinal-Nephew, Paluzzo Paluzzi Altieri degli Albertoni. By 1673, the grand salon was complete. Cardinal Camillo Massimo recommended Carlo Maratta as the artist, and Giovanni Bellori helped with the iconography. ''Clemency'' (punning with pope's name) is surrounded by ''Public Happiness'' and other cardinal virtues. Modern u ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Rome
Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2,746,984 residents in , Rome is the list of cities in the European Union by population within city limits, third most populous city in the European Union by population within city limits. The Metropolitan City of Rome Capital, with a population of 4,223,885 residents, is the most populous metropolitan cities of Italy, metropolitan city in Italy. Rome metropolitan area, Its metropolitan area is the third-most populous within Italy. Rome is located in the central-western portion of the Italian Peninsula, within Lazio (Latium), along the shores of the Tiber Valley. Vatican City (the smallest country in the world and headquarters of the worldwide Catholic Church under the governance of the Holy See) is an independent country inside the city boun ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bernardo Strozzi
Bernardo Strozzi, named il Cappuccino and il Prete Genovese (c. 1581 – 2 August 1644), was an Italian Baroque painter and engraver. A canvas and fresco artist, his wide subject range included History painting, history, Allegory, allegorical, genre art, genre and portrait paintings as well as still lifes.Chiara Krawietz. "Strozzi, Bernardo." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 2 February 2017Bernardo Strozzi, ''Nature morte avec une corbeille de fruits, un vase de fleurs et des fruits sur un entablement'' at Galerie Canesso Paris ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Baroque Palaces In Rome
The Baroque ( , , ) is a Western style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, Poland and Russia. By the 1730s, it had evolved into an even more flamboyant style, called ''rocaille'' or ''Rococo'', which appeared in France and Central Europe until the mid to late 1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Houses Completed In 1673
A house is a single-unit residential building. It may range in complexity from a rudimentary hut to a complex structure of wood, masonry, concrete or other material, outfitted with plumbing, electrical, and heating, ventilation, and air conditioning systems.Schoenauer, Norbert (2000). ''6,000 Years of Housing'' (rev. ed.) (New York: W.W. Norton & Company). Houses use a range of different roofing systems to keep precipitation such as rain from getting into the dwelling space. Houses generally have doors or locks to secure the dwelling space and protect its inhabitants and contents from burglars or other trespassers. Most conventional modern houses in Western cultures will contain one or more bedrooms and bathrooms, a kitchen or cooking area, and a living room. A house may have a separate dining room, or the eating area may be integrated into the kitchen or another room. Some large houses in North America have a recreation room. In traditional agriculture-oriented societies, domes ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giuseppe Bonito
Giuseppe Bonito (11 January 1707 – 9 May 1789) was a Neapolitan painter of the Rococo period. Giuseppe Bonito is known for genre depictions on canvas. Many of Gaspare Traversi's paintings had previously been attributed to Bonito. Biography Bonito was born at Castellammare di Stabia, and, like Traversi, was a student at the large studio of Francesco Solimena. One of his contemporaries there was Gaspare Traversi. Bonito represented urban scenes with folklore details and figures of commedia dell'arte. Between the 1736 and 1742 Bonito worked for the House of Borbon in the royal Palace of Portici. He also painted portraits including one of Maria Amalia of Saxony, wife of the Charles VII, king of Naples and Charles III of Spain. An altarpiece of the ''Immaculate Conception'' was painted in 1789 for the chapel of Royal Palace of Caserta. One of his pupils was Angelo Mozzillo. He died in Naples. Gallery Giuseppe Bonito (attr) Gruppenportrait von drei adeligen Kindern.jpg, Fa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francesco Manno
Francesco Manno (20 December 1754 – 18 June 1831) was an Italian painter and architect of the Neoclassical style. Biography Born at Palermo, where he was originally a goldsmith, but later devoted himself to painting, working along his older brothers, the painters Antonio and Vincenzo Manno. In 1786 he moved to Rome, initially working under Pompeo Batoni. then in the studio of Francesco Preziado de la Vega. Manno became the Secretary of the Accademia di San Luca. On 13 July 1794 he became a member of the Accademia dei Virtuosi del Pantheon. Favored by Pope Pius VI, Manno was appointed Painter of the Sacred Apostolic Buildings in 1800. He died in Rome in 1831. Major works * Santi Apostoli: painting of ''"Descent of the Cross"'' * Palazzo Altieri (1793): overdoor panels * San Lorenzo in Lucina (1808): paintings celebrating the ''"Canonization of Saint Francis Caracciolo"'' and on decorations in the Chapel of Alaleona Ruspoli. * Quirinal Palace (1812–1823): ceiling fresc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Francesco Zuccarelli
Giacomo Francesco Zuccarelli (commonly known as Francesco Zuccarelli, ; 15 August 1702 – 30 December 1788) was an Italian artist of the late Baroque or Rococo period. He is considered to be the most important landscape painter to have emerged from his adopted city of Venice during the mid-eighteenth century, and his Arcadian views became popular throughout Europe and especially in England where he resided for two extended periods. His patronage extended to the nobility, and he often collaborated with other artists such as Antonio Visentini and Bernardo Bellotto. In 1768, Zuccarelli became a founding member of the Royal Academy of Arts, and upon his final return to Italy, he was elected president of the Venetian Academy. In addition to his rural landscapes which frequently incorporated religious and classical themes, Zuccarelli created devotional pieces and on occasion did portraiture. Besides paintings, his varied output included etchings, drawings, and designs for tapestr ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vincenzo Camuccini
Vincenzo Camuccini (22 February 1771 – 2 September 1844) was an Italian Neoclassicism, Neoclassical painter. He was considered the premier academic painter of his time in Rome. Biography Early life and education Camuccini was born in Rome, and first educated by his brother Pietro, a picture-restorer, and Pietro Leone Bombelli, an engraver. His brother Pietro gave up his place in the studio of Domenico Corvi to Vincenzo. Pietro’s taste and artistic interests influenced Vincenzo, who first came across the works of earlier masters, notably Nicolas Poussin, Poussin, through engravings collected by Pietro, who also suggested that Vincenzo make an intense study of works by Raphael and Michelangelo in the Vatican, Rome. Until nearly the age of 30 he mainly dedicated himself to copying Old Masters. During the 1790s Camuccini became acquainted with other young artists, most notably Pietro Benvenuti, Giuseppe Bossi, and Luigi Sabatelli, who were to lead the Neoclassical movement in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Felice Giani
Felice Giani (17 December 1758 – 10 January 1823) was an Italian painter of the Neoclassic style. His grand manner subjects often included Greco-Roman allusions or themes. Biography Born in San Sebastiano Curone near Alessandria, he moved to Pavia. In Pavia, he studied with Carlo Bianchi and Antonio Galli Bibiena. He moved to Bologna, in 1778, where he entered the studio of Domenico Pedrini and Ubaldo Gandolfi. He attended the Accademia Clementina, where he won a prize, and in 1780 he moved to Rome, where he studied at the Accademia di San Luca until 1783. In Rome he found work in the decoration of the Palazzo Altieri. Between 1780 and 1786, he worked in various studios in Rome, under, for example, Pompeo Batoni and Christoph Unterberger. He then returned north to work in Faenza, where he worked with the quadratura painter Serafino Barozzi, and with Giovanni Battista Ballanti. In Faenza he was involved in a prolific series of projects including the fresco decoration of t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fabrizio Chiari
Fabrizio Chiari (c.1615–1695) was an Italian painter and engraver who spent his entire life in Rome. Chiari's early etchings from Nicolas Poussin paintings are described by Michael Bryan as "executed in a scratchy but masterly style"; among them are: *''Mars and Venus, in a landscape'', signed "Fabritius Clarus" 1635. *''Venus and Mercury with Children'', signed "Chlarus" 1636 *''Venus and Adonis'', signed "Nicolaus Pussinus"; This etching has been erroneously attributed to Poussin. Chiari was enrolled in the Accademia di San Luca from 1635. In San Martino ai Monti in the 1640s he painted the altarpiece, ''St Martin Dividing his Cloak with the Beggar'', and a fresco, ''The Baptism of Christ'', which was overpainted in the 18th century by Antonio Cavallucci. To mark the 1658 canonization of Thomas of Villanova, he painted ''St. Thomas of Villanova Distributing Alms'' for Santa Maria del Popolo. His ''Assumption of the Virgin'' and ''Death of St Anne'', commissioned in 1654 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lionello Spada
Leonello Spada (also called ''Lionello Spada'') (1576 – 17 May 1622) was an Italians, Italian painter of the Baroque period, active in Rome and his native city of Bologna, where he became known as one of the followers of Caravaggio. Biography He first apprenticed with painter Cesare Baglioni. By the early 17th century, Spada was active, together with Girolamo Curti, as a member of a team specializing in decorative quadratura painting in Bologna. His early independent canvases reflect a mannerist style akin to the Flemish Denis Calvaert who resided in Bologna. In 1604 he made an unsuccessful bid for the commission to decorate the sacristy of the Basilica of Santa Maria di Loreto. By then he had already gravitated to the Annibale Carracci, Carracci Academy, having contributed to the decorations for the funeral of Agostino Carracci in 1603. His earliest surviving major painting, the altarpiece of the ''Virgin and Saints Dominic & Francis Interceding with Christ'' (1604), shows ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Domenico Maria Canuti
Domenico Maria Canuti (5 April 1625 – 6 April 1684) was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.Domenico Maria Canuti at The J. Paul Getty Museum Life Born in Bologna, Canuti first trained in that city under , then with . He painted many ceiling and wall ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |