HOME
*



picture info

Domenico Maria Canuti
Domenico Maria Canuti (5 April 1625– 6 April 1684) was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman influences.Domenico Maria Canuti
at The J. Paul Getty Museum


Life

Born in Bologna, Canuti first trained in that city under , then with Guercino. He painted many ceiling and wall es. From 1650 to 1660 and later ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Canuti El ángel Y Agar
Canuti is an Italian surname. Notable people with the surname include: *Domenico Maria Canuti (1620–1660), Italian painter * Federico Canuti (born 1985), Italian cyclist *Nazzareno Canuti Nazzareno Canuti (born 15 January 1956 in Bozzolo) is a retired Italian professional footballer who played as a defender. Honours ;Inter * Serie A champion: 1979–80. References 1956 births Living people Italian footballers Serie ... (born 1956), Italian footballer {{surname Italian-language surnames ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Palazzo Ducale, Mantua
The Palazzo Ducale di Mantova ("Ducal Palace") is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are enriched by inner courts and wide gardens. The complex includes some 500 rooms and occupies an area of c. 34,000 m2, which make it the sixth largest palace in Europe after the palaces of the Vatican, the Louvre Palace, the Palace of Versailles, the Royal Palace of Caserta and the Castle of Fontainebleau. It has more than 500 rooms and contains seven gardens and eight courtyards. Although most famous for Mantegna's frescos in the Camera degli Sposi (Wedding Room), they have many other very significant architectural and painted elements. The Gonzaga family lived in the palace from 1328 to 1707, when the dynasty died out. Subsequently, the buildings saw a sharp decline, whi ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a burin. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning the technique, is much less common in printmaking, wher ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Lucrezia Scarfaglia
Lucrezia Scarfaglia (active 1677–1678) was a Bolognese painter of the 17th century. Almost nothing is known of her life and career save that she was a pupil of Elisabetta Sirani, after whose death she took lessons with Domenico Maria Canuti. She was described by Carlo Cesare Malvasia as "not a mediocre painter". In his ''Felsina pittrice'', Malvasia lists a number of works by Scarfaglia's hand, including a handful of religious works and a portrait of Eleanora Gonzaga. Her only known surviving work is a self-portrait, signed and dated 1678, in which she depicts herself painting the Madonna of Saint Luke. This piece is in an archaic style reminiscent of sixteenth century paintings; it is currently held by the Galleria Pallavicini in Rome , established_title = Founded , established_date = 753 BC , founder = King Romulus ( legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Giuseppe Maria Mazza
Giuseppe Maria Mazza (13 May 1653 – 6 June 1741) was one of the leading sculptors of Bologna, Italy, in the late 17th and early 18th centuries. He was trained as a painter, but is best known for his fine sculptural work in terracotta and stucco. Life Mazza was born in Bologna on 13 May 1653, son of Camillo Mazza (1602–72). His father was a sculptor who had studied under Alessandro Algardi in Rome, and who worked in Bologna, Padua and Venice. He trained as a sculptor under his father for a while, then studied painting in Bologna under the fresco painter Domenico Maria Canuti. He painted in Carlo Cignani's life classes. He also studied with Lorenzo Pasinelli. He seems to have returned to sculpture after having left Canuti with the painter Giovanni Gioseffo dal Sole and studied at a private school in the Palazzo Fava in Bologna. Mazza became a successful and prolific sculptor, producing many statuettes and reliefs in terracotta. Mazza's fully finished terracotta statuettes would ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Lorenzo Pasinelli
Lorenzo Pasinelli (September 4, 1629 – March 4, 1700) was an Italian painter active mainly in Bologna during the late Baroque period. He was born in Bologna, and initially trained in the studio of Simone Cantarini. He then pursued studies in Rome. Despite that training, his works have an air of Mannerism. In an overview of two major Bolognese painters circa 1700, one author describes that Pasinelli: ''Lorenzo liked the design of Raphael joined with the charm of Paolo Veronese; while Carlo (Cignani) liked the grace of Correggio united to the erudition of Annibale (Carracci) ... while Pisanelli did not attain a fullness of correct design, which (Veronese) had advanced ... no one will fail to recognize in Pisanelli large picturesque fire and great new ideas, but sometimes is a tad forced in his movements, and using new and bizarre clothes''. He collaborated after 1648 with Flaminio Torre. He is known to have painted a ''Miracle of St. Anthony'' for the church of San Frances ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Giovanni Battista Caccioli
Giovanni Battista Caccioli (November 28, 1623 – November 25, 1675) was an Italian painter of the Baroque period. Caccioli was born in Budrio and trained in Bologna under Domenico Maria Canuti and influenced by Carlo Cignani, where he was a figure painter for the collaborative effort in quadratura of Giovanni Giacomo Monti and Baldassare Bianchi. He was active in Budrio, Parma, Piacenza, Modena, and Mantua Mantua ( ; it, Mantova ; Lombard language, Lombard and la, Mantua) is a city and ''comune'' in Lombardy, Italy, and capital of the Province of Mantua, province of the same name. In 2016, Mantua was designated as the Italian Capital of Culture ... ( Palazzo Canossa). Many of his works are now destroyed or lost.Per Bjurstrom, ''Drawings from the Age of Carracci: Seventeenth Century Bolognese Drawings'', Ashmolean Museum, 2002, p. 2/ref> His son Giuseppe Antonio Caccioli was also a painter. References * 1623 births 1675 deaths 17th-century Italian painters Itali ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Girolamo Negri
Girolamo Negri, also known as ''il Boccia'' (circa 1648 - after 1718) was an Italian painter of the Baroque period. Biography Negri was born at Bologna. He initially trained with Domenico Maria Canuti, but then entered the studio of Lorenzo Pasinelli. He also painted in Modena, Mirandola, Faenza and Cesena. He painted an ''Apparition of the Virgin and Child to St Peter'' for the Bologna Cathedral Bologna Cathedral ( it, Cattedrale Metropolitana di San Pietro, ''Cattedrale di Bologna''), dedicated to Saint Peter, is the cathedral of Bologna in Italy, and the seat and the metropolitan cathedral of the Archbishop of Bologna. Most of the pres .... He painted the ''Denial by St Peter'' for the church of San Filippo Neri, Bologna.Fondazione Cassa di Risparmio di Cesena
short biography.< ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




Giulio Pisanelli
Giulio Spisanelli (died 1658) was an Italian painter of the Baroque period, active mainly in Bologna. Spisanelli was born at Bologna. His brother was the painter Ippolito Bolognese. He first trained under the painter Vincenzo Spisanelli, his father, then under Domenico Maria Canuti Domenico Maria Canuti (5 April 1625– 6 April 1684) was an Italian painter of the Baroque period, active mainly in Bologna and Rome. He was a major painter of fresco decorations. His ceiling decorations showed a mix of Bolognese and Roman inf .... He traveled to Rome at the instigation of his father, but died soon after returning to Bologna.Abecedario pittorico dei professori piu illustri in pittura, scultura, e architettura.
by Pellegrino Antonio Orlandi, page 759.


References
[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



picture info

Antonio Maria Haffner
Antonio Maria Haffner (1654–1732) was an Italian painter of quadratura and priest during the Baroque period, active mainly in Bologna. Biography Enrico was born to a Swiss father, who was a mercenary Swiss guard for the Papacy, stationed in Bologna; Enrico himself rose to become a lieutenant in the force. Along with his older brother Enrico Haffner (born 1640), they initially trained in the studio of Domenico Maria Canuti, but soon gravitated to quadratura, Antonio traveled to Rome with his brother and Canuti. After returning to Bologna, he traveled in 1676 to Genoa Genoa ( ; it, Genova ; lij, Zêna ). is the capital of the Regions of Italy, Italian region of Liguria and the List of cities in Italy, sixth-largest city in Italy. In 2015, 594,733 people lived within the city's administrative limits. As of t .... He lived there for the rest of his life, entering the Congregation of the Oratory of St Phillip Neri. The order was supportive of his work as a painter. Referen ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Giovanni Antonio Burrini
Giovanni Antonio Burrini (25 April 1656 – 5 January 1727) was a Bolognese painter of Late-Baroque or Rococo style. After an apprenticeship with Domenico Maria Canuti, he went to work under Lorenzo Pasinelli with fellow student, Giovanni Gioseffo dal Sole. He became an early friend and often close collaborator with Giuseppe Maria Crespi, with whom he shared a studio. He became a rival and competitor with Sebastiano Ricci. He painted in Turin for the Carignano family and Novellara. In 1709, he was one of the founding members of the Accademia Clementina in Bologna. His daughter Barbara Burrini was also a painter. Among his pupils was Bartolomeo Mercati.Guida del forestiere per la città di Bologna e suoi sobborghi
by Girolamo Bianconi; Bologna; 1820; page 516.


Partial antholo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



Giuseppe Maria Crespi
Giuseppe Maria Crespi (March 14, 1665 – July 16, 1747), nicknamed Lo Spagnuolo ("The Spaniard"), was an Italian late Baroque painter of the Bolognese School. His eclectic output includes religious paintings and portraits, but he is now most famous for his genre paintings. Giuseppe Crespi, together with Giambattista Pittoni, Giovan Battista Tiepolo, Giovan Battista Piazzetta, Canaletto and Francesco Guardi forms the traditional great Old Masters painters of that period. Biography Crespi was born in Bologna to Girolamo Crespi and Isabella Cospi. His mother was a distant relation of the noble Cospi family, which had ties to the Florentine House of Medici. He was nicknamed "the Spanish One" (Lo Spagnuolo) because of his habit of wearing tight clothes characteristic of Spanish fashion of the time. By age 12 years, he apprenticed with Angelo Michele Toni (1640–1708). From the age of 15–18 years, he worked under the Bolognese Domenico Maria Canuti. The Roman painter Car ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]