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Opp Amaryllis!
Opp Amaryllis! (Up, Amaryllis!) is one of the Swedish poet and performer Carl Michael Bellman's songs from his 1791 collection, ''Fredman's Songs'', where it is No. 31. The song is a graceful pastorale in rococo style, involving a sleeping nymph who is invited to come fishing upon the sea's stormy wave. In reality, the nymph is a Swedish woman, Wilhelmina Norman, the stormy wave is a Swedish waterway, and the progression from shore to fishing-boat can equally well be read as a seduction. It is one of Bellman's best-known and best-loved songs, and has been recorded by musicians including Folke Andersson and Edvard Andreasson. Context The eponymous character Amaryllis is taken from classical tales. In Ancient Greek literature, Theocritus's ''Idylls'' portray a goatherd singing a serenade outside the cave of the nymph Amaryllis. In Ancient Roman literature, Amaryllis was a heroine in Virgil's ''Eclogues'', a suite of pastoral poems. Song Melody and verse form The song is in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Song
An art song is a Western world, Western vocal music Musical composition, composition, usually written for one voice with piano accompaniment, and usually in the classical music, classical art music tradition. By extension, the term "art song" is used to refer to the collective genre of such songs (e.g., the "art song repertoire").Meister, ''An Introduction to the Art Song'', pp. 11–17. An art song is most often a musical setting of an independent poem or text, "intended for the concert repertory" "as part of a recital or other relatively formal social occasion". While many vocal music pieces are easily recognized as art songs, others are more difficult to categorize. For example, a wordless vocalise written by a classical composer is sometimes considered an art song and sometimes not. Other factors help define art songs: *Songs that are part of a staged work (such as an aria from an opera or a song from a Musical theatre, musical) are not usually considered art songs.Kimball, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Esox
''Esox'' is a genus of freshwater fish commonly known as pike or pickerel. It is the type genus of the family (biology), family Esocidae. The type species of the genus is ''Esox lucius'', the northern pike. ''Esox'' have a fossil record extending back to the Paleocene. Modern large pike species are native to the Palearctic and Nearctic realms, ranging across Northern America and from Western Europe to Siberia in North Asia. Pike have the elongated, torpedo-like shape typical of predatory fishes, with sharply pointed heads and sharp teeth. Their coloration is typically grey-green with a mottled or spotted appearance with stripes along their backs, providing camouflage among underwater weeds, and each individual pike marking patterns are unique like fingerprints. Pikes can grow to a maximum recorded length of , reaching a maximum recorded weight of 67lb 8oz. Etymology The generic name ''Esox'' (pike fish) derives from the Greek language, Greek ἴσοξ (''ee-soks'', a large f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pike (fish)
''Esox'' is a genus of freshwater fish commonly known as pike or pickerel. It is the type genus of the family Esocidae. The type species of the genus is '' Esox lucius'', the northern pike. ''Esox'' have a fossil record extending back to the Paleocene. Modern large pike species are native to the Palearctic and Nearctic realms, ranging across Northern America and from Western Europe to Siberia in North Asia. Pike have the elongated, torpedo-like shape typical of predatory fishes, with sharply pointed heads and sharp teeth. Their coloration is typically grey-green with a mottled or spotted appearance with stripes along their backs, providing camouflage among underwater weeds, and each individual pike marking patterns are unique like fingerprints. Pikes can grow to a maximum recorded length of , reaching a maximum recorded weight of 67lb 8oz. Etymology The generic name ''Esox'' (pike fish) derives from the Greek ἴσοξ (''ee-soks'', a large fish) and appears to be cognate wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neptune (mythology)
Neptune ( ) is the god of freshwater and the sea in the Roman religion. He is the counterpart of the Greek god Poseidon.''Larousse Desk Reference Encyclopedia'', The Book People, Haydock, 1995, p. 215. In the Greek-inspired tradition, he is a brother of Jupiter and Pluto, with whom he presides over the realms of heaven, the earthly world (including the underworld), and the seas. Salacia is his wife. Depictions of Neptune in Roman mosaics, especially those in North Africa, were influenced by Hellenistic conventions. He was likely associated with freshwater springs before the sea; his festival, '' Neptunalia'', took place on July 23, during the peak of summer when water was scarcest. Like Poseidon, he was also worshipped by the Romans as a god of horses, ''Neptunus equestris,'' who was also a patron of horse-racing. Worship The theology of Neptune is limited by his close identification with the Greek god Poseidon, one of many members of the Greek pantheon whose theol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morpheus (mythology)
Morpheus ('Fashioner', derived from the meaning 'form, shape') is a god associated with sleep and dreams. In Ovid's ''Metamorphoses'' he is the son of Somnus (Sleep, the Roman counterpart of Hypnos) and appears in dreams in human form. From the Middle Ages, the name began to stand more generally for the god of dreams, or of sleep. Ovid The only ancient mention of Morpheus occurs in Ovid's ''Metamorphoses'', where Ovid tells of the story of Ceyx and his wife Alcyone who were transformed into birds. In Ovid's account, Juno (via the messenger goddess Iris) sends Morpheus to appear to Alcyone in a dream, as her husband Ceyx, to tell her of his death. Ovid makes Morpheus one of the thousand sons of Somnus (Sleep). His name derives from the Greek word for form (μορφή), and his function was apparently to appear in dreams in human guise. According to Ovid "no other is more skilled than he in representing the gait, the features, and the speech of men; the clothing also and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcadia (utopia)
Arcadia (; ) refers to a vision of pastoralism and harmony with nature. The term is derived from the Greek province of the same name which dates to antiquity; the province's mountainous topography and sparse population of pastoralists later caused the word ''Arcadia'' to develop into a poetic byword for an idyllic vision of unspoiled wilderness. Arcadia is a poetic term associated with bountiful natural splendor and harmony. The 'Garden' is often inhabited by shepherds. The concept also figures in Renaissance mythology. Although commonly thought of as being in line with Utopian ideals, Arcadia differs from that tradition in that it is more often specifically regarded as unattainable. Furthermore, it is seen as a lost, Edenic form of life, contrasting to the progressive nature of Utopian desires. The inhabitants were often regarded as having continued to live after the manner of the Golden Age, without the pride and avarice that corrupted other regions. It is also someti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Troubadour
A troubadour (, ; ) was a composer and performer of Old Occitan lyric poetry during the High Middle Ages (1100–1350). Since the word ''troubadour'' is etymologically masculine, a female equivalent is usually called a ''trobairitz''. The troubadour school or tradition began in the late 11th century in Occitania, but it subsequently spread to the Italian and Iberian Peninsulas. Under the influence of the troubadours, related movements sprang up throughout Europe: the Minnesang in Germany, '' trovadorismo'' in Galicia and Portugal, and that of the trouvères in northern France. Dante Alighieri in his '' De vulgari eloquentia'' defined the troubadour lyric as ''fictio rethorica musicaque poita'': rhetorical, musical, and poetical fiction. After the "classical" period around the turn of the 13th century and a mid-century resurgence, the art of the troubadours declined in the 14th century and around the time of the Black Death (1348) and since died out. The texts of troubado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade
An aubade is a morning love song (as opposed to a serenade, intended for performance in the evening), or a song or poem about lovers separating at dawn. It has also been defined as "a song or instrumental composition concerning, accompanying, or evoking daybreak". In the strictest sense of the term, an aubade is a song sung by a departing lover to a sleeping woman. Aubades are generally conflated with what are strictly called Alba (poetry), albas, which are exemplified by a dialogue between parting lovers, a refrain with the word ''alba'', and a watchman warning the lovers of the approaching dawn. The tradition of ''aubades'' goes back at least to the troubadours of the Provençal literature, Provençal schools of courtly love in the High Middle Ages. The aubade gained in popularity again with the advent of the metaphysical poets, metaphysical fashion in the 17th century. John Donne's poem "The Sunne Rising" exemplifies an aubade in English. Aubades were written from time to tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rococo
Rococo, less commonly Roccoco ( , ; or ), also known as Late Baroque, is an exceptionally ornamental and dramatic style of architecture, art and decoration which combines asymmetry, scrolling curves, gilding, white and pastel colours, sculpted moulding, and ''trompe-l'œil'' frescoes to create surprise and the illusion of motion and drama. It is often described as the final expression of the Baroque movement. The Rococo style began in France in the 1730s as a reaction against the more formal and geometric Louis XIV style. It was known as the "style Rocaille", or "Rocaille style". It soon spread to other parts of Europe, particularly northern Italy, Austria, southern Germany, Central Europe and Russia. It also came to influence other arts, particularly sculpture, furniture, silverware, glassware, painting, music, theatre, and literature. Although originally a secular style primarily used for interiors of private residences, the Rococo had a spiritual aspect to it which led to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lars Lönnroth
Lars Lönnroth (born 4 June 1935) is a Swedish literary scholar. He was born in Gothenburg to Erik Lönnroth and Ebba Lagercrantz. His academic career includes professorships at the University of California Berkeley, University of Aalborg and the University of Gothenburg. Career Lönnroth gained his first degree at Uppsala University in 1961, and his PhD at Stockholm University in 1965. He became associate professor in Scandinavian Studies at University of California, Berkeley in 1965, and professor in literature and text science at Aalborg University in 1974. From 1982 to 2000, he was professor in literary studies at the University of Gothenburg, with a short break when he was ''Svenska Dagbladet''s cultural director from 1991 to 1993. He was chairman of ''Statens konstnärsnämnd'' from 1995 to 2001, and chairman of ''Sällskapet Gnistan'' from 1999 to 2013. Lönnroth's research has to a large extent dealt with the Icelandic medieval saga literature. Together with Sven De ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siren (mythology)
In Greek mythology, sirens () are female humanlike beings with alluring voices; they appear in a scene in the ''Odyssey'' in which Odysseus saves his crew's lives. Roman poets place them on some small islands called Sirenum scopuli. In some later, rationalized traditions, the literal geography of the "flowery" island of Anthemoessa, or Anthemusa, is fixed: sometimes on Cape Pelorum and at others in the islands known as the Sirenuse, near Paestum, or in Capreae. All such locations were surrounded by cliffs and rocks. Sirens continued to be used as a symbol of the dangerous temptation embodied by women regularly throughout Christian art of the medieval era. "Siren" can also be used as a slang term for a woman considered both very attractive and dangerous. Nomenclature The etymology of the name is contested. Robert S. P. Beekes has suggested a Pre-Greek origin. Others connect the name to σειρά (''seirá'', "rope, cord") and εἴρω (''eírō'', "to tie, join, faste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
