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Aubade
An aubade is a morning love song (as opposed to a serenade, intended for performance in the evening), or a song or poem about lovers separating at dawn. It has also been defined as "a song or instrumental composition concerning, accompanying, or evoking daybreak". Cites the American Heritage Dictionary of the English Language, Fourth Edition, 2000. In the strictest sense of the term, an aubade is a song sung by a departing lover to a sleeping woman. Aubades are generally conflated with what are strictly called albas, which are exemplified by a dialogue between parting lovers, a refrain with the word ''alba'', and a watchman warning the lovers of the approaching dawn. The tradition of ''aubades'' goes back at least to the troubadours of the Provençal schools of courtly love in the High Middle Ages. The aubade gained in popularity again with the advent of the metaphysical fashion in the 17th century. John Donne's poem "The Sunne Rising" exemplifies an aubade in English. Aubades we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade (Poulenc)
''Aubade'' ( FR 051a, and FP051b for the piano reduction), a ''choreographic concerto'' for piano and 18 instruments, is a work of Francis Poulenc premiered in 1929. It was conceived as a ballet, but is more often played as a chamber piano concerto. History An aubade is a morning courting song, vs. a serenade in the evening. Here the action begins one morning, and ends the next day at dawn. Poulenc's work was originally conceived as ballet music, but is today regarded as a piano concerto. The work was premiered as a ballet on 18 June 1929 at the Noailles, which determined the size of the orchestra Poulenc could employ. The choreographer was Bronislava Nijinska. A few months later, it was revived at the Théâtre des Champs-Élysées in the choreography this time by George Balanchine, of which Poulenc disapproved. Poulenc himself designed the scenario of the ballet whose theme is the solitude of women. The goddess Diana is the heroine. The action begins in a clearing. Diana's co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Larkin
Philip Arthur Larkin (9 August 1922 – 2 December 1985) was an English poet, novelist, and librarian. His first book of poetry, ''The North Ship'', was published in 1945, followed by two novels, ''Jill'' (1946) and ''A Girl in Winter'' (1947), and he came to prominence in 1955 with the publication of his second collection of poems, '' The Less Deceived'', followed by ''The Whitsun Weddings'' (1964) and ''High Windows'' (1974). He contributed to ''The Daily Telegraph'' as its jazz critic from 1961 to 1971, with his articles gathered in ''All What Jazz: A Record Diary 1961–71'' (1985), and edited '' The Oxford Book of Twentieth Century English Verse'' (1973). His many honours include the Queen's Gold Medal for Poetry. He was offered, but declined, the position of Poet Laureate in 1984, following the death of Sir John Betjeman. After graduating from Oxford University in 1943 with a first in English Language and Literature, Larkin became a librarian. It was during the thirty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aubade (Larkin)
"Aubade" is a poem by the English poet Philip Larkin, first published in 1977. The theme of the poem is the terror of death. The title refers to the poetic genre of aubade, poems written about the early morning. "Aubade" has been described by Frank Wilson of the ''Philadelphia Inquirer'' as Larkin's last truly great poem. Larkin described it as an "in-a-funk-about-death" poem. References in popular culture * In the television show Devs, the first three and a half stanzas of the poem are read by the actor Stephen McKinley Henderson Stephen McKinley Henderson (born August 31, 1949) is an American actor and director. Henderson trained at Juilliard School for acting and later became a resident member of the Repertory Theatre of St. Louis from 1976 to 1981. He came to promine ..., initially as a voiceover, but later revealed to be his character Stewart speaking it as a warning to Forest. References External links Full text of "Aubade"at the Poetry Foundation. Poetry b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-dernières Pensées
The ''Avant-dernières pensées'' (''Penultimate Thoughts'') is a 1915 piano composition by Erik Satie. The last of his humoristic piano suites of the 1910s, it was premiered by the composer at the Galerie Thomas in Paris on May 30, 1916, and published that same year. A typical performance lasts 3–4 minutes. Background The outbreak of World War I in July 1914 was a setback for Satie just as he was gaining belated recognition as a composer. Although at age 48 he remained a civilian, wartime conditions seriously disrupted French musical life. Publishers ceased commissioning his music and the pending publication of his 1914 compositions was suspended for two years or more. As he had renounced playing piano in Paris cabarets – his primary source of income for many years – Satie had only the generosity of friends and occasional private teaching to subsist on. In August 1915 he appealed to composer Paul Dukas to help him get financial assistance from charitable organizations, rem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francis Poulenc
Francis Jean Marcel Poulenc (; 7 January 189930 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite '' Trois mouvements perpétuels'' (1919), the ballet '' Les biches'' (1923), the '' Concert champêtre'' (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera '' Dialogues des Carmélites'' (1957), and the ''Gloria'' (1959) for soprano, choir, and orchestra. As the only son of a prosperous manufacturer, Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer's parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as '' Les Six ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alba (poetry)
The ''alba'' (; "sunrise") is a genre of Old Occitan lyric poetry. It describes the longing of lovers who, having passed a night together, must separate for fear of being discovered. A common figure found in the ''alba'' is the ''guaita'' ("sentry" or "guard"), a friend who alerts the lovers when the hour has come to separate. The lovers often accuse the ''guaita'' of dozing, being inattentive or separating them too early. The lovers fear not just the lady's husband but also the ''lauzengiers'', the jealous rival. The following example, composed by an anonymous troubadour, describes the longing of a knight for his lady as they part company after a night of forbidden love. Though generally representative of the style, this particular verse uses an atypical strophic pattern. Under the influence of the Occitan troubadours, the Minnesingers developed a similar genre, the Tagelied, in Germany, and in northern France the trouvères developed an equivalent ''aube'' genre. The ''alba'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Miroirs
upRavel in 1907 ''Miroirs'' (French for "Mirrors") is a five-movement suite for solo piano written by French composer Maurice Ravel between 1904 and 1905."Miroirs". Maurice Ravel Frontispice. First performed by Ricardo Viñes in 1906, ''Miroirs'' contains five movements, each dedicated to a fellow member of the French avant-garde artist group Les Apaches."Miroirs". Piano Society. http://www.pianosociety.com/cms/index.php?section=171 History Around 1900, Maurice Ravel joined a group of innovative young artists, poets, critics, and musicians referred to as Les Apaches or "hooligans", a term coined by Ricardo Viñes to refer to his band of "artistic outcasts". To pay tribute to his fellow artists, Ravel began composing ''Miroirs'' in 1904 and finished it the following year. It was first published by Eugène Demets in 1906. The third and fourth movements were subsequently orchestrated by Ravel, while the fifth was orchestrated by Percy Grainger, among others. Structure ''Miroir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tagelied
The Tagelied (''dawn song'') is a particular form of mediaeval German-language lyric, taken and adapted from the Provençal troubadour tradition (in which it was known as the alba) by the German Minnesinger. Often in three verses, it depicts the separation of two lovers at the break of day. An especially popular version of the ''Tagelied'' was the ''Wächterlied'', or watchman's song, in which a trusted watchman warns the knight to depart. This form was introduced into German use by Wolfram von Eschenbach. The form was popular in German-speaking regions from the 13th to the 16th centuries. The form of the ''Wechsel'' (alternating verses by the knight and the lady, but not addressed directly to each other, so not quite a dialogue as now understood) was introduced by Dietmar von Aist and Heinrich von Morungen. The tagelied's form and prosody varies over time and with individual poet. The tagelied does not even consistently use refrains. However, the subject matter of the song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reverdie
The reverdie is an old French poetic genre, which celebrates the arrival of spring. Literally, it means "re-greening". Often the poet will encounter Spring, symbolized by a beautiful woman. Originating in the troubadour ballads of the early Middle Ages, reverdies were very popular during the time of Chaucer. English examples from that era include '' Sumer is icumen in'' and '' Lenten ys come with love to toune''. T. S. Eliot's ''The Waste Land'' and William Carlos Williams' '' Spring and All'' are both considered to be modern examples of the genre. The reverdie forms the basis of the Irish aisling, in which the speaker meets Ireland lamenting her woes. References Harmon, William. ''A Handbook to Literature''. Upper Saddle River: Prentice Hall Prentice Hall was an American major educational publisher owned by Savvas Learning Company. Prentice Hall publishes print and digital content for the 6–12 and higher-education market, and distributes its technical titles through ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Waldman
Anne Waldman (born April 2, 1945) is an American poet. Since the 1960s, Waldman has been an active member of the Outrider experimental poetry community as a writer, performer, collaborator, professor, editor, scholar, and cultural/political activist. She has also been connected to the Beat poets. Life and work Born in Millville, New Jersey, Waldman was raised on MacDougal Street in New York City's Greenwich Village, and received her B.A. from Bennington College in 1966. During the 1960s, Waldman became part of the East Coast poetry scene, in part through her engagement with the poets and artists loosely termed the Second Generation of the New York School. During this time, Waldman also made many connections with earlier generations of poets, including figures such as Allen Ginsberg, who once called Waldman his "spiritual wife." From 1966 to 1968, she served as assistant director of the Poetry Project at St. Mark's; and, from 1968 to 1978, she served as the Project's Di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Atlas (artist)
Charles Atlas is a video artist and film director who also does lighting and set design. He is a pioneer in developing media-dance, also called dance for camera. Media dance is work that is created directly for the camera. While Atlas’ primary artistic medium is video, he also began to experiment with live electronic performance in 2003. Atlas worked collaboratively with Merce Cunningham from 1975 to 1981. Before his time as the Cunningham company’s filmmaker-in-residence (1978 – 1983), when he made 10 dance films, Atlas was an assistant stage manager for the company, and was already filming Cunningham in little experimental movement studies during breaks from rehearsal. Following his work with Cunningham, he worked independently in film while collaborating with other professionals in the field. Works Collaboration with Merce Cunningham *1973: "Changing Steps" Atlas designed jumpsuits in various colors for the dance. *1974: "A Video Event" Cunningham and Atlas collaborated ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Music Genres
In the history of Europe, the Middle Ages or medieval period lasted approximately from the late 5th to the late 15th centuries, similar to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralized authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—most recently part of the Eastern Roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
