|
Oil Pourer
The ''Oil Pourer'' is a lost Greek bronze of an athlete variously associated with the circle of Lysippos, c. 340-330 BCE, of which Roman marble copies exist, notably in the Glyptothek, Munich (''illustration'') and in the Albertinum, Dresden. Another well-known Roman replica is conserved at Petworth House. There is a head of this type at the Boston Museum of Fine Arts. The ''Oil Pourer'' is similar in proportions and manner to the Lysippean ''Agias'' of which there is a Roman marble copy at Delphi. The athlete is represented pouring oil from a flask held high in his (missing) right hand into the (missing) palm of his left. The theme is represented on Attic vase-painting and in freely reinterpreted cast terracotta miniatures."Typically coroplasts eschewed accurate replicas for new creations couched in the stylistic vocabulary of an influential sculptor such as Polykleitos or Praxiteles Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Athlete Cleansing Himself (GL 302) - Glyptothek - Munich - Germany 2017
An athlete (also sportsman or sportswoman) is a person who competes in one or more sports that involve physical strength, speed, or endurance. Athletes may be professionals or amateurs. Most professional athletes have particularly well-developed physiques obtained by extensive physical training and strict exercise accompanied by a strict dietary regimen. Definitions The word "athlete" is a romanization of the el, άθλητὴς, ''athlētēs'', one who participates in a contest; from ἄθλος, ''áthlos'' or ἄθλον, ''áthlon'', a contest or feat. The primary definition of "sportsman" according to Webster's ''Third Unabridged Dictionary'' (1960) is, "a person who is active in sports: as (a): one who engages in the sports of the field and especially in hunting or fishing." Physiology Athletes involved in isotonic exercises have an increased mean left ventricular end-diastolic volume and are less likely to be depressed. Due to their strenuous physical activitie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Sculpture
The sculpture of ancient Greece is the main surviving type of fine ancient Greek art as, with the exception of painted ancient Greek pottery, almost no ancient Greek painting survives. Modern scholarship identifies three major stages in monumental sculpture in bronze and stone: the Archaic (from about 650 to 480 BC), Classical (480–323) and Hellenistic. At all periods there were great numbers of Greek terracotta figurines and small sculptures in metal and other materials. The Greeks decided very early on that the human form was the most important subject for artistic endeavour. Seeing their gods as having human form, there was little distinction between the sacred and the secular in art—the human body was both secular and sacred. A male nude of Apollo or Heracles had only slight differences in treatment to one of that year's Olympic boxing champion. The statue, originally single but by the Hellenistic period often in groups was the dominant form, though reliefs, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysippos
Lysippos (; grc-gre, Λύσιππος) was a Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic and Roman periods. The '' Victorious Youth'' or Getty bronze, which resurfaced around 1972, has been associated with him. Biography Born at Sicyon around 390 BC, Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Argos and Sicyon. According to Pliny, he produced more than 1,500 works, all of them in b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyptothek
The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphein'' "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal. History The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I of Bavaria alongside other projects, such as the neighboring Königsplatz and the building which houses the State Collection of Greek and Roman Antiquities, as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The Glyptothek is Munich's oldest public museum. The layout of the Königsplatz complex was designed by the architects Karl von Fischer and Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertinum
The Albertinum () is a modern art museum. The sandstone-clad Renaissance Revival building is located on Brühl's Terrace in the historic center of Dresden, Germany. It is named after King Albert of Saxony. The Albertinum hosts the New Masters Gallery (''Galerie Neue Meister'') and the Sculpture Collection (''Skulpturensammlung'') of the Dresden State Art Collections. The museum presents both paintings and sculptures from Romanticism to the present, covering a period of some 200 years. History The Albertinum was built between 1884 and 1887 by extending a former armoury, or arsenal, that had been constructed between 1559 and 1563 at the same location.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, The new building was designed by the regional master builder Carl Adolf Canzler in the Renaissance Revival style to house the royal "Collection of Antique and Modern Sculptures". The building was named after the Saxonian King Alber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petworth House
Petworth House in the parish of Petworth, West Sussex, England, is a late 17th-century Grade I listed country house, rebuilt in 1688 by Charles Seymour, 6th Duke of Somerset, and altered in the 1870s to the design of the architect Anthony Salvin. It contains intricate wood-carvings by Grinling Gibbons (d.1721). It is the manor house of the manor of Petworth. For centuries it was the southern home for the Percy family, Earls of Northumberland. Petworth is famous for its extensive art collection made by the Northumberland and Seymour/Somerset families and George Wyndham, 3rd Earl of Egremont (1751-1837), containing many works by his friend J. M. W. Turner. It also has an expansive deer park, landscaped by Capability Brown, which contains a large herd of fallow deer. History Medieval Manor House The manor of Petworth first came into the possession of the Percy family as a royal gift from Adeliza of Louvain, the widow of King Henry I (1100-1135), to her brother Joscelin of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the ''Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Poly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolf Furtwängler
Johann Michael Adolf Furtwängler (30 June 1853 – 10 October 1907) was a German archaeologist, teacher, art historian and museum director. He was the father of the conductor Wilhelm Furtwängler and grandfather of the German archaeologist Andreas Furtwängler. Early life Furtwängler was born at Freiburg im Breisgau, where his father was a classical scholar and schoolteacher; he was educated there, at Leipzig and at Munich, where he was a pupil of Heinrich Brunn, whose comparative method in art criticism he much developed. Career After studying at the university of Leipzig, with Johannes Overbeck, and having graduated from Freiburg (1874), with a dissertation, ''Eros in der Vasenmalerei'', he spent the academic years 1876-1878 supported by a scholarship at the German Archaeological Institute, studying in Italy and Greece. In 1878 he participated at Ernst Curtius’ excavations at Olympia. In 1879 he published with Georg Loeschcke ''Mykenische Thongefäβe'', a complete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boston Museum Of Fine Arts
The Museum of Fine Arts (often abbreviated as MFA Boston or MFA) is an art museum in Boston, Massachusetts. It is the 20th-largest art museum in the world, measured by public gallery area. It contains 8,161 paintings and more than 450,000 works of art, making it one of the most comprehensive collections in the Americas. With more than 1.2 million visitors a year, it is the 52nd–most visited art museum in the world . Founded in 1870 in Copley Square, the museum moved to its current Fenway location in 1909. It is affiliated with the School of the Museum of Fine Arts at Tufts. History 1870–1907 The Museum of Fine Arts was founded in 1870 and was initially located on the top floor of the Boston Athenaeum. Most of its initial collection came from the Athenæum's Art Gallery. Francis Davis Millet, a local artist, was instrumental in starting the art school affiliated with the museum, and in appointing Emil Otto Grundmann as its first director. In 1876, the museum moved to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Delphi
Delphi (; ), in legend previously called Pytho (Πυθώ), in ancient times was a sacred precinct that served as the seat of Pythia, the major oracle who was consulted about important decisions throughout the ancient classical world. The oracle had origins in prehistory and it became international in character and also fostered sentiments of Greek nationality, even though the nation of Greece was centuries away from realization. The ancient Greeks considered the centre of the world to be in Delphi, marked by the stone monument known as the omphalos (navel). The sacred precinct of Ge or Gaia was in the region of Phocis, but its management had been taken away from the Phocians, who were trying to extort money from its visitors, and had been placed in the hands of an amphictyony, or committee of persons chosen mainly from Central Greece. According to the Suda, Delphi took its name from the Delphyne, the she-serpent ('' drakaina'') who lived there and was killed by the god Apo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a mul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Praxiteles
Praxiteles (; el, Πραξιτέλης) of Athens, the son of Cephisodotus the Elder, was the most renowned of the Attica sculptors of the 4th century BC. He was the first to sculpt the nude female form in a life-size statue. While no indubitably attributable sculpture by Praxiteles is extant, numerous copies of his works have survived; several authors, including Pliny the Elder, wrote of his works; and coins engraved with silhouettes of his various famous statuary types from the period still exist. A supposed relationship between Praxiteles and his beautiful model, the Thespian courtesan Phryne, has inspired speculation and interpretation in works of art ranging from painting ( Gérôme) to comic opera ( Saint-Saëns) to shadow play (Donnay). Some writers have maintained that there were two sculptors of the name Praxiteles. One was a contemporary of Pheidias, and the other his more celebrated grandson. Though the repetition of the same name in every other generation is c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
