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Adolf Furtwängler
Johann Michael Adolf Furtwängler (30 June 1853 – 10 October 1907) was a German archaeologist, teacher, art historian and museum director. He was the father of the conductor Wilhelm Furtwängler and grandfather of the German archaeologist Andreas Furtwängler. Early life Furtwängler was born at Freiburg im Breisgau, where his father was a classical scholar and schoolteacher; he was educated there, at Leipzig and at Munich, where he was a pupil of Heinrich Brunn, whose comparative method in art criticism he much developed. Career After studying at the university of Leipzig, with Johannes Overbeck, and having graduated from Freiburg (1874), with a dissertation, ''Eros in der Vasenmalerei'', he spent the academic years 1876-1878 supported by a scholarship at the German Archaeological Institute, studying in Italy and Greece. In 1878 he participated at Ernst Curtius’ excavations at Olympia. In 1879 he published with Georg Loeschcke ''Mykenische Thongefäβe'', a complete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freiburg Im Breisgau
Freiburg im Breisgau (; abbreviated as Freiburg i. Br. or Freiburg i. B.; Low Alemannic: ''Friburg im Brisgau''), commonly referred to as Freiburg, is an independent city in Baden-Württemberg, Germany. With a population of about 230,000 (as of 31 December 2018), Freiburg is the fourth-largest city in Baden-Württemberg after Stuttgart, Mannheim, and Karlsruhe. The population of the Freiburg metropolitan area was 656,753 in 2018. In the south-west of the country, it straddles the Dreisam river, at the foot of the Schlossberg. Historically, the city has acted as the hub of the Breisgau region on the western edge of the Black Forest in the Upper Rhine Plain. A famous old German university town, and archiepiscopal seat, Freiburg was incorporated in the early twelfth century and developed into a major commercial, intellectual, and ecclesiastical center of the upper Rhine region. The city is known for its medieval minster and Renaissance university, as well as for its high s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sherd
In archaeology, a sherd, or more precisely, potsherd, is commonly a historic or prehistoric Prehistory, also known as pre-literary history, is the period of human history between the use of the first stone tools by hominins 3.3 million years ago and the beginning of recorded history with the invention of writing systems. The use of ... fragment of pottery, although the term is occasionally used to refer to fragments of stone and glass vessels, as well. Occasionally, a piece of broken pottery may be referred to as a shard. While the spelling shard is generally reserved for referring to fragments of glass vessels, the term does not exclude pottery fragments. The etymology is connected with the idea of breakage, from Old English ''sceard'', related to Old Norse ''skarð'', "notch", and Middle High German ''schart'', "notch". A sherd or potsherd that has been used by having writing painted or inscribed on it can be more precisely referred to as an ostracon. The analys ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Glyptothek
The Glyptothek () is a museum in Munich, Germany, which was commissioned by the Bavarian King Ludwig I to house his collection of Greek and Roman sculptures (hence γλυπτο- ''glypto-'' "sculpture", from the Greek verb γλύφειν ''glyphein'' "to carve" and the noun θήκη "container"). It was designed by Leo von Klenze in the neoclassical style, and built from 1816 to 1830. Today the museum is a part of the Kunstareal. History The Glyptothek was commissioned by the Crown Prince (later King) Ludwig I of Bavaria alongside other projects, such as the neighboring Königsplatz and the building which houses the State Collection of Greek and Roman Antiquities, as a monument to ancient Greece. He envisioned a "German Athens", in which the ancient Greek culture would be remembered; he had this built in front of the gates of Munich. The Glyptothek is Munich's oldest public museum. The layout of the Königsplatz complex was designed by the architects Karl von Fischer and Leo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albertinum
The Albertinum () is a modern art museum. The sandstone-clad Renaissance Revival building is located on Brühl's Terrace in the historic center of Dresden, Germany. It is named after King Albert of Saxony. The Albertinum hosts the New Masters Gallery (''Galerie Neue Meister'') and the Sculpture Collection (''Skulpturensammlung'') of the Dresden State Art Collections. The museum presents both paintings and sculptures from Romanticism to the present, covering a period of some 200 years. History The Albertinum was built between 1884 and 1887 by extending a former armoury, or arsenal, that had been constructed between 1559 and 1563 at the same location.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, The new building was designed by the regional master builder Carl Adolf Canzler in the Renaissance Revival style to house the royal "Collection of Antique and Modern Sculptures". The building was named after the Saxonian King Alber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phidias
Phidias or Pheidias (; grc, Φειδίας, ''Pheidias''; 480 – 430 BC) was a Greek sculptor, painter, and architect. His Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World. Phidias also designed the statues of the goddess Athena on the Athenian Acropolis, namely the ''Athena Parthenos'' inside the Parthenon, and the '' Athena Promachos'', a colossal bronze which stood between it and the Propylaea, a monumental gateway that served as the entrance to the Acropolis in Athens. Phidias was the son of Charmides of Athens. The ancients believed that his masters were Hegias and Ageladas. Plutarch discusses Phidias' friendship with the Greek statesman Pericles, recording that enemies of Pericles tried to attack him through Phidias – who was accused of stealing gold intended for the Parthenon's statue of Athena, and of impiously portraying himself and Pericles on the shield of the statue. The historical value of this account, as well as the leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lemnian Athena
The ''Lemnian Athena'', or ''Athena Lemnia'', was a classical Greek statue of the goddess Athena. According to geographer Pausanias (1.28.2), the original bronze cast was created by the sculptor Phidias circa 450–440 BCE, for Athenians living on the island of Lemnos to dedicate on the Acropolis of Athens. It is unclear whether any copies survived. In 1891, German archaeologist Adolf Furtwängler reconstructed two virtually identical Roman marble statues which he claimed were copies of the original, and identified two Roman marble copies of the head alone. These completed statues were recreated by joining a poorly preserved marble head (kept at Dresden) and a plaster cast of a similar Roman marble head, from the collection of Pelagio Palagi in Bologna, to a pair of identical bodies in Dresden. However, both reconstructions and attributions have been disputed; see below. The sculptures concerned are: * Two full reconstructions (A and B) in the Staatliche Museum, Albertinum, D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Connoisseurship
A connoisseur ( French traditional, pre-1835, spelling of , from Middle-French , then meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator of cuisines, fine wines, and other gourmet products; or who is an expert judge in matters of taste. In many areas, the term now has an air of pretension, and may be used in a partly ironic sense. In the art trade, however, expert connoisseurship remains a crucial skill for the identification and attribution to individual artists of works by the style and technique, where documentary evidence of provenance is lacking. The situation in the wine trade is similar, for example in assessing the potential for ageing in a young wine through wine tasting. Connoisseurship in art "The ability to tell almost instinctively who painted a picture is defined ... as connoisseurship". Connoisseurs evaluate works of art on the basis of their experie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antiquarium
The Antiquarium was built from 1568 to house the ducal Collection of Classical Antiquities and Library as an extension of the Munich Residenz and was converted into a ballroom soon after. It is one of the most important surviving Renaissance collection buildings. Architecture The ground floor hall of the Antiquarium, 69 metres long, is considered the largest Renaissance hall north of the Alps. The continuous barrel vault is hollowed out by the piercing caps of the 17 pairs of windows and is transparent. The rich painting by artists such as Hans Donauer the Elder, Alessandro Scalzi, called Padovano, Peter Candid and Antonio Viviani with 102 views of old Bavarian towns was completed only at around 1600. History The residence in downtown Munich was the seat of the Bavarian dukes, electors and kings. Between 1568 and 1571 Duke Albrecht V built a free-standing, two-storey building there for his extensive sculpture collection (on the ground floor) and library (on the upper fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antikensammlung Berlin
The Antikensammlung Berlin (Berlin antiquities collection) is one of the most important collections of classical art in the world, now held in the Altes Museum and Pergamon Museum in Berlin, Germany. It contains thousands of ancient archaeological artefacts from the ancient Greek, Roman, Etruscan and Cypriot civilizations. Its main attraction is the Pergamon Altar and Greek and Roman architectural elements from Priene, Magnesia, Baalbek and Falerii. In addition, the collection includes a large number of ancient sculptures, vases, terracottas, bronzes, sarcophagi, engraved gems and metalwork. History of the collection Foundation The collection's foundations were laid in the time of the Brandenburg Elector Friedrich Wilhelm I by ancient sculptures looted in 1656 from the ''Villa Regia'' Palace in Warsaw. The obtained sculptures were purchased in Italy by Polish kings Sigismund III Vasa and Władysław IV Vasa. This core of the collection, originally housed at the Berli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Alexandrovich Saburov
Peter Alexandrovich Saburov (22 March O.S./3 April 1835 – 28 March O.S./10 April 1918) was a Russian diplomat, collector of ancient Greek sculpture and antiquities, and an amateur chess player and patron of chess tournaments, as an honorary President of the St Petersburg Chess Club. As the Tsarist Russian envoy to Greece, he assembled a collection of Ancient Greek sculpture, Tanagra figurines, painted vases and other Greek antiquities, which, at the end of his subsequent embassy to Berlin from 1879 to 1884, he then sold to the Antikensammlung Berlin, where the collection was catalogued by Adolf Furtwängler, who thereby established his reputation as a master of Greek terracottas, and where it occasioned an acute lack of space that spurred additional construction. Among the prize works was the headless bronze of an ''Apollo'' or ''Dionysus'' found in the sea off the coast of Salamis. During his retirement in Saint Petersburg, the Hermitage Museum purchased part of the remainder o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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