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Officium Defunctorum (Victoria)
''Officium Defunctorum'' is a musical setting of the Office of the Dead composed by the Spanish Renaissance composer Tomás Luis de Victoria in 1605. The texts have also been set by other composers including Morales. Victoria includes settings of the movements of the Requiem Mass, accounting for about 26 minutes of the 42 minute composition, and the work is sometimes referred to as Victoria's ''Requiem''. However, it is not his only requiem, in 1583 Victoria composed and published a book of Masses, reprinted in 1592, including a ''Missa pro defunctis'' for four-part choir. History From the 1580s Victoria worked at a convent in Madrid where he served as chaplain to the Dowager Empress Maria, sister of Philip II of Spain, daughter of Charles V, wife of Maximilian II and mother of two emperors. ''Officium Defunctorum'' was composed for the funeral of the Empress Maria. She died on February 26, 1603, and the great obsequies were performed on April 22 and 23. After Victoria made ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monasterio De Las Descalzas Reales (Madrid) 07
Monasterio is a municipality located in the province of Guadalajara, Castile-La Mancha, Spain. According to the 2004 census A census (from Latin ''censere'', 'to assess') is the procedure of systematically acquiring, recording, and calculating population information about the members of a given Statistical population, population, usually displayed in the form of stati ... ( INE), the municipality has a population of 24 inhabitants. References Municipalities in the Province of Guadalajara {{CastileLaMancha-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Absolution
Absolution is a theological term for the forgiveness imparted by ordained Priest#Christianity, Christian priests and experienced by Penance#Christianity, Christian penitents. It is a universal feature of the historic churches of Christendom, although the theology and the practice of absolution vary between Christian denominations. Some Christian traditions see absolution as a sacrament—the Confession (religion), Sacrament of Penance. This concept is found in the Catholic Church, Eastern Orthodox Church, Oriental Orthodox Churches, Assyrian Church of the East and the Lutheranism, Lutheran Church. In other traditions, including the Anglican Communion and Methodism, absolution is seen as part of the life of the church, with the Thirty-nine Articles and Articles of Religion (Methodist), Twenty-five Articles respectively counting absolution amongst the five Rite (Christianity), rites described as "Commonly called Sacraments, but not to be counted for Sacraments of the Gospel". Confes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctus
The ''Sanctus'' (, "Holy") is a hymn in Christian liturgy. It may also be called the ''epinikios hymnos'' (, "Hymn of Victory") when referring to the Greek rendition and parts of it are sometimes called "Benedictus". ''Tersanctus'' (Latin: "Thrice Holy") is another, rarer name for the Sanctus. The same name is sometimes used for the ''Trisagion''. In Western Christianity, the ''Sanctus'' forms part of the Ordinary and is sung (or said) as the final words of the Preface of the Eucharistic Prayer of remembrance, consecration, and praise. The preface, which alters according to the season, usually concludes with words describing the praise of the worshippers joining with the angels, who are pictured as praising God with the words of the ''Sanctus''. In the Byzantine Rite and general Eastern Orthodox Christianity, the ''Sanctus'' is offered as a response by the choir during the Holy Anaphora. Text In Greek ''Hágios, hágios, hágios, Kýrios Sabaṓth; plḗrēs ho ouranós ka� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Offertory
The offertory (from Medieval Latin ''offertorium'' and Late Latin ''offerre'') is the part of a Eucharistic service when the bread and wine for use in the service are ceremonially placed on the altar. A collection of alms (offerings) from the congregation, which may take place also at non-Eucharistic services, often coincides with this ceremony. The Eucharistic theology may vary among those Christian denominations that have a liturgical offertory. In the Roman Rite, the term "Preparation of the Gifts" is used in addition to the term "Offertory" (both capitalized) or, rather, the term "Preparation of the Gifts" is used for the action of the priest, while the term "Offertory" is used for the section of the Mass at which this action is performed in particular when speaking of the accompanying chant. In the Lutheran Mass, the Offertory includes the presentation of the eucharistic gifts at the altar by the churchwardens, the bringing up of the collection to the altar, and the praye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gradual
The gradual ( or ) is a certain chant or hymn in liturgical Christian worship. It is practiced in the Catholic Mass, Lutheran Divine Service, Anglican service and other traditions. It gets its name from the Latin (meaning "step") because it was once chanted on the step of the ambo or altar. It is customarily placed after a reading of scripture. In the Tridentine Mass, it is sung after the reading or chanting of the epistle and before the Hallelujah, or, during penitential seasons, before the tract. In the Mass of Paul VI, the gradual is usually replaced with the responsorial psalm. Although the Gradual remains an option in the Mass of Paul VI, its use is extremely rare outside monasteries. The gradual is part of the proper of the Mass. A gradual can also refer to a book collecting all the musical items of the Mass. The official such book for the Roman Rite is the Roman Gradual (). Other such books include the Dominican Gradual. History The Gradual, like the Halle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyrie
', a transliteration of Greek , vocative case of ('' Kyrios''), is a common name of an important prayer of Christian liturgy, also called the ( ; ). In the Bible The prayer, , "Lord, have mercy" derives from a Biblical phrase. Greek , , is the Septuagint translation of the phrase often found in the Psalms ( 6:2, 9:13, 31:9, 86:3, and 123:3). In the New Testament, the Greek phrase occurs three times in Matthew: * Matthew 15:22: the Canaanite woman cries out to Jesus, "Have mercy on me, O Lord, Son of David." () * Matthew 17:15: "Lord, have mercy on my son" () * Matthew 20:30: two unnamed blind men call out to Jesus, "Lord, have mercy on us, Son of David." () In the Parable of the Publican and the Pharisee (Luke 18:9–14) the despised tax collector who cries out "Lord have mercy on me, a sinner" is contrasted with the smug Pharisee who believes he has no need for forgiveness. Luke 17:13 has , , instead of , , (), being less suggestive of the used as euphemi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Introit
The Introit () is part of the opening of the liturgical celebration of the Eucharist for many Christian denominations. In its most complete version, it consists of an antiphon, psalm verse and '' Gloria Patri'', which are spoken or sung at the beginning of the celebration. It is part of the '' proper'' of the liturgy: that is, the part that changes over the liturgical year. In the Roman Rite of the Catholic Church it is known as the ''antiphona ad introitum'' (Entrance antiphon), as in the text for each day's Mass, or as the ''cantus ad introitum'' (Entrance chant) as in the General Instruction of the Roman Missal, 47 and the First Roman Ordo (sixth to seventh century).Fortescue, A. (1910)"Introit" ''The Catholic Encyclopedia''. Retrieved 2 May 2009 In pre-1970 editions of the Roman Missal, the word ''Introitus'' was used, distinguished from the normal meaning of the word (entrance) by being capitalized. In Ambrosian chant and Beneventan chant, the counterpart of the Introit is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sequence (poetry)
A sequence (Latin: ''sequentia'', plural: ''sequentiae'') is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year. The sequence had always been sung directly before the Gospel, after the Alleluia. The 2002 edition of the General Instruction of the Roman Missal, however, reversed the order and places the sequence before the Alleluia. The form of this chant inspired a genre of Latin poetry written in a non- classical metre, often on a sacred Christian subject, which is also called a sequence. The Latin sequence in literature and liturgy The Latin sequence has its beginnings, as an artistic form, in early Christian hymns such as the '' Vexilla Regis'' of Venantius Fortunatus. Venantius modified the classical metres based on syllable quantity to an accentual metre mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Council Of Trent
The Council of Trent (), held between 1545 and 1563 in Trent (or Trento), now in northern Italy, was the 19th ecumenical council of the Catholic Church. Prompted by the Protestant Reformation at the time, it has been described as the "most impressive embodiment of the ideals of the Counter-Reformation.""Trent, Council of" in Cross, F. L. (ed.) ''The Oxford Dictionary of the Christian Church'', Oxford University Press, 2005 (). It was the last time an ecumenical council was organized outside the city of Rome. The Council issued key statements and clarifications of the Church's doctrine and teachings, including scripture, the biblical canon, sacred tradition, original sin, justification, salvation, the sacraments, the Mass, and the veneration of saintsWetterau, Bruce. ''World History''. New York: Henry Holt and Company, 1994. and also issued condemnations of what it defined to be heresies committed by proponents of Protestantism. The consequences of the council were als ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Job
The Book of Job (), or simply Job, is a book found in the Ketuvim ("Writings") section of the Hebrew Bible and the first of the Poetic Books in the Old Testament of the Christian Bible. The language of the Book of Job, combining post-Babylonian Hebrew and Aramaic influences, indicates it was composed during the Persian period (540-330 BCE), with the poet using Hebrew in a learned, literary manner. It addresses the problem of evil, providing a theodicy through the experiences of the eponymous protagonist. Job is a wealthy God-fearing man with a comfortable life and a large family. God discusses Job's piety with Satan (). Satan rebukes God, stating that Job would turn away from God if he were to lose everything within his possession. God decides to test that theory by allowing Satan to inflict pain on Job. The rest of the book deals with Job's suffering and him successfully defending himself against his unsympathetic friends, whom God admonishes, and God's sovereignty over na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantus Firmus
In music, a ''cantus firmus'' ("fixed melody") is a pre-existing melody forming the basis of a polyphonic composition. The plural of this Latin term is , although the corrupt form ''canti firmi'' (resulting from the grammatically incorrect treatment of ''cantus'' as a second- rather than a fourth-declension noun) can also be found. The Italian is often used instead: (and the plural in Italian is ). History The term first appears in theoretical writings early in the 13th century (e.g., Boncampagno da Signa, ''Rhetorica novissima'', 1235). The earliest polyphonic compositions almost always involved a cantus firmus, typically a Gregorian chant, although by convention the term is not applied to music written before the 14th century. The earliest surviving polyphonic compositions, in the '' Musica enchiriadis'' (around 900 AD), contain the chant in the top voice, and the newly composed part underneath; however, this usage changed around 1100, after which the cantus firmus typically ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
