|
Sequence (poetry)
A sequence (Latin: ''sequentia'', plural: ''sequentiae'') is a chant or hymn sung or recited during the liturgical celebration of the Eucharist for many Christian denominations, before the proclamation of the Gospel. By the time of the Council of Trent (1543–1563) there were sequences for many feasts in the Church's year. The sequence had always been sung directly before the Gospel, after the Alleluia. The 2002 edition of the General Instruction of the Roman Missal, however, reversed the order and places the sequence before the Alleluia. The form of this chant inspired a genre of Latin poetry written in a non- classical metre, often on a sacred Christian subject, which is also called a sequence. The Latin sequence in literature and liturgy The Latin sequence has its beginnings, as an artistic form, in early Christian hymns such as the '' Vexilla Regis'' of Venantius Fortunatus. Venantius modified the classical metres based on syllable quantity to an accentual metre mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Early Music
Early music generally comprises Medieval music (500–1400) and Renaissance music (1400–1600), but can also include Baroque music (1600–1750) or Ancient music (before 500 AD). Originating in Europe, early music is a broad Dates of classical music eras, musical era for the beginning of Classical music, Western classical music. Terminology Interpretations of historical scope of "early music" vary. The original Academy of Ancient Music formed in 1726 defined "Ancient" music as works written by composers who lived before the end of the 16th century. Johannes Brahms and his contemporaries would have understood Early music to range from the High Renaissance and Baroque, while some scholars consider that Early music should include the music of ancient Greece or Music of ancient Rome, Rome before 500 AD (a period that is generally covered by the term Ancient music). Music critic Michael Kennedy (music critic), Michael Kennedy excludes Baroque, defining Early music as "musical composi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venantius Fortunatus
Venantius Honorius Clementianus Fortunatus ( 530 600/609 AD; ), known as Saint Venantius Fortunatus (, ), was a Latin poet and hymnographer in the Merovingian Court, and a bishop of the Early Church who has been venerated since the Middle Ages. Life Venantius Fortunatus was born between 530 and 540 at Duplavis (or Duplavilis), near Treviso in Veneto, Italy. He grew up during the Roman reconquest of Italy, but there is controversy concerning as to where Fortunatus spent his childhood. Some historians, such as D. Tardi, suggest that Fortunatus' family moved to Aquileia because of the turbulent political situation in Treviso after the death of King Theoderic. This theory is suggested because there is evidence of Fortunatus speaking warmly about one of the bishops there, Bishop Paul of Aquileia. Other scholars, such as Judith George, suggest that his family never moved to Aquileia, pointing out that the poet speaks more of Duplavis than any other place regarding his childhood ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Media Vita In Morte Sumus
(Latin for "In the midst of life we are in death") is a Gregorian chant, known by its incipit, written in the form of a response, and known as "Antiphona pro Peccatis" or "de Morte". The most accepted source is a New Year's Eve religious service in the 1300s. Reference has been made to a source originating in a battle song of the year 912 by Notker the Stammerer, a monk of the Abbey of Saint Gall: however, the Diocesan Synod of Cologne declared in 1316 no one should sing this without prior permission of the residing bishop. Text Media vita in morte sumus quem quaerimus adjutorem nisi te, Domine, qui pro peccatis nostris juste irasceris? Sancte Deus, sancte fortis, sancte et misericors Salvator: amarae morti ne tradas nos. In the midst of life we are in death of whom may we seek for succour, but of thee, O Lord, who for our sins art justly displeased? Holy God, Holy mighty, Holy and merciful Saviour, deliver us not unto bitter death. The English translation is a poetic adap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhyme
A rhyme is a repetition of similar sounds (usually the exact same phonemes) in the final Stress (linguistics), stressed syllables and any following syllables of two or more words. Most often, this kind of rhyming (''perfect rhyming'') is consciously used for a musical or aesthetic effect in the final position of Line (poetry), lines within poems or songs. More broadly, a rhyme may also variously refer to other types of similar sounds near the ends of two or more words. Furthermore, the word ''rhyme'' has come to be sometimes used as a pars pro toto, shorthand term for any brief poem, such as a nursery rhyme or Balliol rhyme. Etymology The word derives from or , which might be derived from , a Germanic term meaning "series", or "sequence" attested in Old English (Old English: meaning "enumeration", series", or "numeral") and , ultimately cognate to , ( "number"). Alternatively, the Old French words may derive from , from (, rhythm). The spelling ''rhyme'' (from the original r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trope (music)
The word trope or tropus may refer to a variety of different concepts in Medieval music, medieval, 20th-century music, 20th-, and Contemporary classical music, 21st-century music. The term ''trope'' derives from the Greek (''tropos''), "a turn, a change", related to the root of the verb (''trepein''), "to turn, to direct, to alter, to change". The Latinization (literature), Latinised form of the word is ''tropus''. In music, a trope is adding another section, or trope to a plainchant or section of plainchant, thus making it appropriate to a particular occasion or festival. Medieval music From the 9th century onward, trope refers to additions of new music to pre-existing chants in use in the Western Christian Church. Three types of addition are found in music manuscripts: # new melismas without text (mostly unlabelled or called "trope" in manuscripts) # addition of a new text to a pre-existing melisma (more often called ''prosula'', ''prosa'', ''verba'' or ''versus'') # new ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jubilus
''Jubilus'' (plural ''jubili'') is the term for the long melisma placed on the final syllable of the Alleluia as it is sung in the Gregorian chant. The structure of the Alleluia is such that the cantor first sings the word "alleluia," without the jubilus, and then the choir repeats the word with the melisma added. It is traditionally repeated at the end of the chant as well, although it was frequently omitted in the Middle Ages and is still omitted when the Alleluia is followed by a Sequence.Hoppin, Richard. ''Medieval Music''. New York: Norton, 1978. The traditional story for the origin of the medieval Sequence In mathematics, a sequence is an enumerated collection of objects in which repetitions are allowed and order matters. Like a set, it contains members (also called ''elements'', or ''terms''). The number of elements (possibly infinite) is cal ... is that it came from text added to the jubilus syllabically. Notker of St. Gall is said to have invented this process, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melisma
Melisma (, , ; from , plural: ''melismata''), informally known as a vocal run and sometimes interchanged with the term roulade, is the singing of a single syllable of text while moving between several different notes in succession. Music sung in this style is referred to as ''melismatic'', as opposed to ''syllabic'', in which each syllable of text is matched to a single note. History General The term ''melisma'' may be used to describe music of any genre, including baroque singing, opera, and later gospel. Within the tradition of religious Jewish music, melisma is still commonly used in the chanting of Torah, readings from the Prophets, and in the body of a service. Melisma is prevalent in many forms of Gregorian chant (see e.g. Jubilus) as well as late-medieval sacred polyphony, notably in works by Guillaume de Machaut, John Dunstaple, and many early Tudor composers represented in the Eton, Caius, and Lambeth choirbooks. Today, melisma is commonly used in Middle Eastern, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late Middle Ages, late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the Church (congregation), congregation below, especially prior to the invention of modern audio equipment. Most pulpits have one or more book-stands for the preacher to rest his bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deacon
A deacon is a member of the diaconate, an office in Christian churches that is generally associated with service of some kind, but which varies among theological and denominational traditions. Major Christian denominations, such as the Catholic Church, the Oriental Orthodox Churches, the Eastern Orthodox Church, Lutheranism, Presbyterianism, Methodism, and Anglicanism, view the diaconate as an order of ministry. Permanent deacons (or distinctive deacons) are those who do not later transition to another form of ministry, in contrast to those continuing their formation who are then often called transitional deacons. Origin and development The word ''deacon'' is derived from the Greek word (), which is a standard ancient Greek word meaning "servant", "waiter", "minister", or "messenger". Recent research has highlighted the role of the deacon "as a co-operator" and "go-between," emphasizing their intermediary position in early Christian communities. It is generally assum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (liturgy)
Mass is the main Eucharistic liturgical service in many forms of Western Christianity. The term ''Mass'' is commonly used in the Catholic Church, Western Rite Orthodoxy, Old Catholicism, and Independent Catholicism. The term is also used in many Lutheran churches, as well as in some Anglican churches, and on rare occasion by other Protestant churches. Other Christian denominations may employ terms such as '' Divine Service'' or '' worship service'' (and often just "service"), rather than the word ''Mass''. For the celebration of the Eucharist in Eastern Christianity, including Eastern Catholic Churches, other terms such as ''Divine Liturgy'', ''Holy Qurbana'', ''Holy Qurobo'' and ''Badarak'' (or ''Patarag'') are typically used instead. Etymology The English noun ''Mass'' is derived from the Middle Latin . The Latin word was adopted in Old English as (via a Vulgar Latin form ), and was sometimes glossed as ''sendnes'' (i.e. 'a sending, dismission'). The Latin term itself w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose
Prose is language that follows the natural flow or rhythm of speech, ordinary grammatical structures, or, in writing, typical conventions and formatting. Thus, prose ranges from informal speaking to formal academic writing. Prose differs most notably from poetry, which follows some type of intentional, contrived, artistic structure. Poetic structures vary dramatically by language; in English poetry, language is often organized by a rhythmic metre and a rhyme scheme. The ordinary language of a region or community and many other forms and styles of language fall under prose, a label that can describe both speech and writing. In writing, prose is visually formatted differently than poetry. Poetry is traditionally written in verse: a series of lines on a page, parallel to the way that a person would highlight the structure orally if saying the poem aloud; for example, poetry may end with a rhyme at the end of each line, making the entire work more melodious or memorable. Pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
